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Mesmerizing rendition of Raag Kukubh Bilawal by Vidushi Ashwini Bhide Deshpande live at Pune on 04 June 2017.
00:00 - Devata : Vilambit Khayal
35:33 - Dhan Aaj Dulha : Madhyalay Khayal
40:54 - Govind Giridhar : Drut Khayal
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Raga: Raga Kukubh Bilawal
Taal: Jhaptaal(Vilambit/Madhyalay/Drut)
Composition: Devata
Dhan Aaj Dulha Dhan Ye Mahurat
Govind Giridhar
Composer: Dhan Aaj Dulha - SangeetSamrat Ustad Alladiya Khan
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura and Vocal support: Shamika Bhide
Swarangi Marathe
Nishad Matange
Tabla: Shri. Bharat Kamat
Harmonium: Shri. Suyog Kundalkar
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📝Lyrics:
********** Devata **********
स्थाई - देवता आदी सब जीव जल थल
रही ब्रम्हा और विष्णू शीव शरण तेरे री
अंतरा - जीव और जंत को देत आशीश
का मेरी ओर बेर की द्रूष्टी फेरी
********* Dhan Aaj Dulha *********
धन आज दुल्हा धन ये महुरत
धन धन साजन लगन घरो माई |
शाहू छत्रपती घर ब्याह रचो हैं
धन धन अहमद मंगल गाओ माई||
********* Govind Giridhar *********
गोविंद गिरिधर गोविंद गिरिधर
हलधर ब्रिजधर नाम तिहारे कान्हा |
मोरमुकुट सीस मुरली अधरभुज
ग्वालन माखन मांगत कान्हा ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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