Rameau - Daphnis et Eglé (Orchestral suite)

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Jean-Philippe Rameau was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Daphnis et Eglé is an opera by Jean-Philippe Rameau. It was due to appear on 30 October 1753 at Fontainebleau, but the performance was cancelled. It takes the form of a pastorale héroïque in one act. The librettist was Charles Collé.
The opera was planned as part of the court of King Louis XV's entertainments at Fontainebleau and was intended as an afterpiece to a play by Nivelle de la Chaussée, La fausse antipathie. However, the dress rehearsal went so badly that the premiere was cancelled and the opera was never staged in Rameau's lifetime.
This was the only artistic collaboration between Collé and Rameau. Paul F. Rice has commented that this collaboration was an unhappy one, and speculated that this was due to Rameau's demands that Collé edit his libretto. This caused Collé to harbor resentment towards Rameau, even after the composer's death.
The opera was planned as part of the court of King Louis XV's entertainments at Fontainebleau and was intended as an afterpiece to a play by Nivelle de la Chaussée, La fausse antipathie. However, the dress rehearsal went so badly that the premiere was cancelled and the opera was never staged in Rameau's lifetime.
This was the only artistic collaboration between Collé and Rameau. Paul F. Rice has commented that this collaboration was an unhappy one, and speculated that this was due to Rameau's demands that Collé edit his libretto. This caused Collé to harbor resentment towards Rameau, even after the composer's death.

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The opera was planned ... the composer's death. This text appears twice.