Canteloube - Bailero (Complete Songs of the Auvergne) / Remastered (Century's rec.: Netania Davrath)

[@classicalmusicreference]

Full Album available // Canteloube: Complete Songs of the Auvergne 🎧 Qobuz (Hi-Res) cutt.ly/8ekQFxgO Tidal (Hi-Res) cutt.ly/FekQFLQm 🎧 Apple Music (Lossless) cutt.ly/hekQGzhH Deezer (Hi-Fi) cutt.ly/pekQHu6P 🎧 Amazon Music (Hi-Res) Spotify (mp3) cutt.ly/MekQJLbV 🎧 KZbin Music (mp4) cutt.ly/kekQKPj2 Joseph Canteloube (1879-1957) Songs of the Auvergne (Full version with links just below). Click to activate the English subtitles for the presentation (00:00-03:14) 00:00 Bailéro (Shepherd's song of Auvergne hills) - 1st Series 06:39 Passo pel prat (Go through the meadow) - 3rd Series 10:42 Trois bourrées (Three Bourrees) - 1st Series L’aio dé rotso (Spring Water) Ound' onorén gorda? (Where will we find our flock?) Obal din Iou Limouzi (Down below in Limousin) ***We can't publish the full version. We have therefore selected 3 of the most beautiful passages. The full recording is available on youtube music and on all main music streaming platforms*** : kzbin.info/www/bejne/kJW9nmt_gqqKjbM Soprano: Netania Davrath Conductor: Pierre de la Roche (anonymous name) Recorded in 1961-63 New mastering in 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr To discover urgently, this cycle of popular song from Auvergne (region of France) realized at the beginning of the 60s is absolutely magnificent and deserves to be much more known. We hope that this post as well as your sharing will help its visibility. Netania Devrath's recording is remarkable for its timbre and phrasing. The Ukrainian (an Israeli woman of Ukrainian origin) soprano has worked on the pronunciation of the Auvergne language, which she seems to enjoy every syllable. The orchestra sometimes lacks fullness and depth but has the merit of sounding authentic without mannerism. Joseph Canteloube (1879-1957) studied with Vincent d'lndy. His compositions gained him eminence in French musical life, and his folk music researches and arrangements added treasures to the heritage of song. His settings of the Songs of the Auvergne are classics of their kind. The first four books appeared during the 1920s and the fifth book appeared in 1955. The lovely folk tunes are handled like gems, and their purity is further enhanced by the orchestral settings, which capture, with the art of the modern orchestrator, the feeling and spirit of the old shepherd's pipe, hurdy-gurdy and bagpipe. The songs are mainly love songs, some playful and some suffused with pathos, but one also gets from them the feeling of the Auvergne itself, and the hills where for generations cattle and sheep raising was the people's occupation. Click to activate the English subtitles for the presentation (00:00-03:14) Songs of Andalusia: Middle Ages and Renaissance (Century's rec.: Victoria de Los Ángeles / Gispert): kzbin.info/www/bejne/m6TEYWmuo51ge68 Traditional Music PLAYLIST (reference recordings): kzbin.info/www/bejne/g57WcqeihLGAask

[@wm.mcclements6782]

I was lucky enough to hear Ms. Davrath sing these songs nearly sixty years ago. They haunt me still. Of all the great singers who have sung them, this is the truest version.

[@caritaraymond4658]

I agree🎉

[@webrarian]

I've listened to many recordings, including the one conducted by the composer, but I always come back to this one because it just sounds RIGHT. Glorious music, glorious voice, glorious recording.

[@caritaraymond4658]

La plus belle interpretation du fameux " bailero" de canteloube!❤

[@christianbriancon108]

I am from Auvergne, Le Puy, this music makes mé proud

[@MaxwellStreetKlezmerBand]

This is one of the most ethereal and touching performances of these songs that I know. Davrath's performance has the ringing clarity and expressiveness of a folksinger's voice supported by the strength of her classical training. Thank you for this remastered version of this classic recording.

[@Tony-Thompson]

I have loved this beautiful music almost all my life but this version by Netania is spellbinding. Her voice is glorious, moving, perfect. This singing brings tears of joy.

[@pdean59]

A beautifully rendered version....it is so lovely to hear a performer use vocal subtleties and nuances to convey that these are "calls and responses" across a river separating the shepherdess and shepherd. Many performers I've heard miss this key melodic approach. Her voice also perfectly conveys the youth and controlled excitement of the shepherdess. Beautiful

[@hughbiggins4339]

This is THE definitive recording. Nothing else comes close.

[@caritaraymond4658]

Agree🎉

[@nicholasrobinson8958]

THE ULTIMATE INTERPRETATION OF THIS STUNNING MUSIC BY AN EQUALLY STUNNING PERFORMANCE....

[@raybede]

This wonderful piece is, for my wife and me, an evening walking out onto the Ramparts at Salers in the Auvergne. Looking down into the valley the cow bells were ringing as the farmer walked them home. I am crying now as this song takes me back to that beautiful place on that beautiful Summers eve.

[@alanoneill3065]

I cry..I can only picture that image in my mind...the meaning is universal

[@shin-i-chikozima]

The beauty of this performance and her singing voice is out of this world, and unrivaled, indescribable, and off the charts I feel like I am in Heaven

[@caritaraymond4658]

So do I

[@shin-i-chikozima]

@caritaraymond4658 Thankyou From A corner ow Tokyo full of expectations of New Year

[@rafanifischer3152]

I have probably heard every version of Bailero and this is one of the best if not THE best.

[@DJTT-d9h]

Superb! Netania captures perfectly the essence of this incredible composition which transcends the magic of the Auvergne.

[@霧漣湖]

ネタニア=ダウ"ラツの「バイレロ」！第一声でオーベルニュののどかな田園風景が広がる。こんな平和を皆して享受する世界になって欲しいなあ！心が洗われる。ありがとう！

[@garyeaton7271]

Have to say this the version. I to come back to this one

[@richardamiot5065]

La meilleure interprétation, sans conteste. C'est du chant, pas de l'opéra. La façon dont Netania Devrath roule ses "r" fait tout le charme de son interprétation. Elle a tout compris de l'oeuvre.

[@professorgraemeyorston]

I agree with many of the other comments that this has always been my favourite version, capturing something that other singers have not been able to.

[@maxal62]

You are always the best channel to start the day, the week, the montth and the life!!!! Thank you very much!!!

[@janetcraft]

Such a beautiful song and a glorious voice :) I nearly cried. I featured the first half of the song in a music/video I recently made called, "October's Walk." It fitted perfectly :)

[@classicalmusicreference]

To discover urgently, this cycle of popular song from Auvergne (region of France) realized at the beginning of the 60s is absolutely magnificent and deserves to be much more known. We hope that this post as well as your sharing will help its visibility. Netania Devrath's recording is remarkable for its timbre and phrasing. The Ukrainian (an Israeli woman of Ukrainian origin) soprano has worked on the pronunciation of the Auvergne language, which she seems to enjoy every syllable. The orchestra sometimes lacks fullness and depth but has the merit of sounding authentic without mannerism. Joseph Canteloube (1879-1957) studied with Vincent d'lndy. His compositions gained him eminence in French musical life, and his folk music researches and arrangements added treasures to the heritage of song. His settings of the Songs of the Auvergne are classics of their kind. The first four books appeared during the 1920s and the fifth book appeared in 1955. The lovely folk tunes are handled like gems, and their purity is further enhanced by the orchestral settings, which capture, with the art of the modern orchestrator, the feeling and spirit of the old shepherd's pipe, hurdy-gurdy and bagpipe. The songs are mainly love songs, some playful and some suffused with pathos, but one also gets from them the feeling of the Auvergne itself, and the hills where for generations cattle and sheep raising was the people's occupation. Click to activate the English subtitles for the presentation (00:00-03:14) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@rupertbear9116]

so he was born in 1979, and died in 1957?

[@robertssje]

I do not know this artist. But now that I have heard her I can say that this far outranks any other performance of this music. Even better, for me, than de los Angeles, whom I have forever thought of as the best.

[@ГалинаСердолик]

Thank you from the bottom of my heart!!!

[@leonardogiacobbe5422]

Magnifica!!

[@lluisrafalessole-classical5068]

Beautiful music 🎶

[@betoopa7815]

Hermoso

[@1fjs1]

Perfect enunciation, sung beautifully.

[@alanoneill3065]

I cry..I can only picture that image in my mind...the meaning is universal

[@denissanoe]

Géniale interpretation...quelle classe.

[@lydmilamax5569]

Божественный голос!

[@Rosangela161]

Precious. Thank you. Love it.

[@franciscosantos4705]

.....NUNCA OI UNA VOZ TAN LIMPIA Y TRANSPARENTE....Y NITIDA...LA PRESENCIA DE DIOS EN SU CORAZON.....DIVINA ESENCIA DE LA EXISTENCIA.

[@jonnyhog1002]

Outstanding

[@georgebarnes5438]

I always thought the version by Dawn Upshaw was beautiful, as indeed it is, but this version is up there on its own; absolutely stunning.

[@mariosanchez-mq1qu]

..no se de musica, ni de sus grandes interprtes y compositores. Pero, no por culpa mia, si no que en las radios y TV nunca promocionaron esta calidad de música. Pero ha habido un avance con el KZbin. Solo que falta un avance mas......que nosotros los tontitos Latinos podamos disfruitar de la traduccion al español..gracias. Minuto 11:24 = EXCELSO SONIDO. !

[@mariosanchez-mq1qu]

!!! Bellamante adictivo !!!.

[@1965candido]

Vachement beau!

[@rupertbear9116]

so, after canteloube 's bailero, what to listen to next: 1. in trutina, from carl orff's carmina burana; 2. sento dire, from stravinsky's pulcinella (which he "borrowed" from pergolesi's Lo Frate nnamorato)

[@alanoneill3065]

Is this not about 2 shepherds..who can see each other every day...but are seperated by a river and its ravine...they may never meet, but yet they are brothers

[@alanoneill3065]

..or maybe its a shepherd and a shephardess?

[@jelenabodrazic522]

👍👍👍👍👍👍👍👍👍💫💫💫💫💫💫

[@sngsculture291]

🌞🌹🌞

[@alanoneill3065]

some things exist on an alternate dimension

[@ヴォーカルディスコーズ]

最後はこの録音に戻ってくる‥

[@franciscosantos4705]

ESTA CANCION SE LA DEDICO A UN SER BELLO LLAMADO: NELIA BELTRAN...DE SU NUEVO AMIGO: FRANCISCO....BESOS....

[@muhsinkanadikirik678]

🎼👍👌🎵🙏👏💖👋

[@SwingManForexSignals]

I am here because of Fifty Shades Darker As Told by Christian Grey. Lovely song, it is truly relaxing.❤❤

[@jean-yvesagard7226]

Why don't you mention that the. "Auvergne dialect" is part of the occitan language !