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This video covers the process of restoring an old fiberglass handled hatchet. The handle was replaced with a piece of black walnut. The main focus here is on making a new wooden handle from scratch, but there is also some info on grinding, shaping, and sanding a rusty axe head. Also shown is how to make a wedge, and finally, setting the hatchet head to the handle.
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Most anything you peek into will look simple at first, but it's not true! Unless we can keep looking for long enough, it's just the surface that we see. Sometimes, when I do manage to hold my concentration for long enough, I get to briefly realize how much more complicated something was than I was thinking: complexity seems to have a tendency to surprise me every single time. Design is the classic case of this feeling. And in this case, it's hatchet (and axe) handle design that I find so downright interesting. There are different approaches and reasonings to every single curve and edge that you're likely to find on an axe. In this example, my hatchet handle emulates the consumer market's expectations of beauty: it's shiny, and tough-looking, with an exotic wood. Its curves seem soft and deliberate, as though it must have an unparalleled comfort. You might find it surprising to read that I don't even like the finished product! It's not that I did anything wrong- I made exactly what I set out to. However, I think its handle is too thick to be elegant, and walnut is just too soft to be long durable. In a way, it just doesn't matter to me; it's just another sketch. It's only an idea that I had, and I briefly indulged it. It's not perfect. But it retains a different type of beauty for me. It was made to appear both organic and shiny, like a cross between science and nature. A cyborg, like us. We are thinking, moving, eating, breathing biological bags of consciousness that have now been adapted to our own technological advance. We are married to our creation in a way that makes the two of us now inseparable. Climate control lets us take domicile in places where our much thicker-skinned ancestors would have surely died. Our homes have curves and edges that reflect our needs (both real and imagined), and we have shed our past adaptations to make ourselves more adept at accepting our present condition of comfort. All so that we may go forward, into our uncertain future design. The tool must reflect its maker, and the maker is shaped by the tools used. Curves and edges are all transitory, just as are the intentions of any creatures who can define them. As such, this design was only one of an infinite number of possible moods that I might have been in. I might have made it more utility-driven, but I didn't. I allowed a more novel idea to take partial expression. And why not? That idea is as old as tool use itself. Man was demonstrating his skill through embellishment only soon after the first hand-axes took their almond shapes, and we have been doing it ever since. Tools without uses! Waste of resources! At first glance, it might seem silly, unnecessary, or just downright self-indulgent to chase after an idea in this way. Art, for the sake of display, like an impulsive fit of noise making, right? But an idea well-expressed is a source of pride for a reason; it tells us that we have become well-fit to our environment- and with that, it is the very beginning to all of our improvements. So whether it be an idea based on evidence, rigor, and utility, or just the speculative dream of a possibility, let it take shape. We have to use our resources for something!
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