Richard Strauss : Intermezzo, Four Symphonic Interludes from the opera TrV 246a (1918-23 arr. 1929)

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Rodders

Rodders

Күн бұрын

I. Reisefieber und Walzerszene 00:00-09:50
II. Träumerei am Kamin 09:50-17:00
III. Am Spieltisch 17:00-20:55
IV. Fröhlicher Beschluss 20:55-23:30
Performed by the Detroit Symphony Orchestra conducted by Neeme Järvi.

Пікірлер: 12
@davidmaslow399
@davidmaslow399 2 жыл бұрын
Such Wonderful music!
@steveegallo3384
@steveegallo3384 Жыл бұрын
@davidmaslow399 -- Yes.....and STILL wonderful! Cheeers from Acapulco!
@maxmerry8470
@maxmerry8470 5 жыл бұрын
What absolutely amazing orchestration! The aural equivalent of standing in a hall of mirrors, especially Reisefieber und Waltzerszene. Traumerei (9:50) is almost transcendent in its beauty.....
@steveegallo3384
@steveegallo3384 3 жыл бұрын
Max Merry -- Your "aural equivalent" fits perfectly....VALIDATED!
@davidmaslow399
@davidmaslow399 2 жыл бұрын
I enjoyed what You had to say and how You said it! I'm a bass player and my 1st teacher Loved Richard Stausses music . He was a member of the Minnesota Orchestra years ago. Arthur Gold was his name.
@maxmerry8470
@maxmerry8470 2 жыл бұрын
@@davidmaslow399 Thank you! Yes, I'm a bit of a sucker for hyper-chromaticism. Franz Schmidt's 3rd Symphony and Joseph Marx's lush orchestral works also appeal to me as well.Zemlinsky and Korngold too.
@steveegallo3384
@steveegallo3384 Жыл бұрын
@@maxmerry8470 -- Me too....although these overbrim too with Lydian and Mixolydian styles as well........
@froehlicherelter
@froehlicherelter 3 жыл бұрын
When you are listening to R. Strauss, there arouses a magnifiscent impression of elaborated humanised sounds which proyects you into heaven. Here is an example of it !
@jennifs6868
@jennifs6868 3 жыл бұрын
Strauss said something really interesting just before dying. something to the effect that if he could only have captured what he was hearing at that moment, it would have rivalled anything he had ever composed.
@froehlicherelter
@froehlicherelter 3 жыл бұрын
@@jennifs6868 Well, Strauss was keen upon being in danger of dying: His best example was "Tod und Verklärung" . . . His operas "Salome" "Die Frau ohne Schatten" , also magnified death to "openhearted experiences" for the listener ... Pity though, coreaographers are actually too oversexed to understand Strauss (idiots!)...
@davidmaslow399
@davidmaslow399 2 жыл бұрын
Well said!
@user-qz3lh6nx1g
@user-qz3lh6nx1g 7 жыл бұрын
音楽的に内容が十分にあり優れている。
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