Roberto Alagna - Simon Keenlyside | DON CARLO (MET 2010)

[@graciaabadi8614]

Quel duo que j’écoute en boucle. Aucune voix ne recouvre l’autre. Un morceau qui nécessite une harmonie entre les deux….. l’amitié en somme. Merveilleuse version ❤

[@martinegodret4639]

Roberto ne pouvait trouver meilleur partenaire. Les 2 voix se marient à merveille .Bravo

[@akechijubeimitsuhide]

Oh, the hand kissing... little things like this make Simon's Rodrigo so good.

[@luistrigolahoz6304]

Maravilloso, sin palabras para esta escena inmortal.

[@josemartin9974]

Quel duo de choc , Roberto et Simon c est magnifique

[@janesusannaennis3423]

One of the best performances of this duet. Q

[@garssympa500]

Don Carlo in the crucifix position at the end of the duet makes no sense... and yet, it makes COMPLETE sense. It brings me to tears every time.

[@rogerpropes7129]

Why on Earth does he not share the final applause with Keenlyside?

[@lilianebailet1521]

Magnifique duo. J adore

[@michelegrossi6895]

ON NE PEUT QU'ECOUTER RELIGIEUSEMENT CE DUO MAGNIFIQUE

[@danieljohnson8877]

Extraordinaire duo. Parfaite osmose des 2 voix. Bravo

[@marie-laurecoupeau525]

C'est magnifique.

[@perpieta]

Great duet with two good-looking guys (and Furlanetto's not hard on the eyes either :) ). Good camerawork, esp. during the trio with Carlo, Posa and the Monk. Love this scene.

[@akechijubeimitsuhide]

No joke I'd take Furlanetto's Philip over most tenors :D Carlos has better chemistry with Rodrigo anyway.

[@gwyn.b9917]

Ferruccio Furlanetto is a great singer, amazing actor and one handsome man alright 😅 it was a huge pleasure to see him live in Berlin

[@miguelsalinas4143]

Maravilloso Dueto e increible interpretación de Ambod. Una delicia escucharlos Felecitaciones!!!

[@rosy3385]

Un magnifique duo !

[@dominiquepaulhan4621]

Dieu, qui semas dans nos âmes... Quelle merveille ! 🤩

[@rootbeerpies]

Michelle Obama said "Hamilton" was the supreme cultural moment of her life. This was mine (alongside Philip Glass' "Satyagraha"), which I saw, in this production, at the Met in 2010 just before I left NYC (after 16 long and torturous years there). At intermission, I walked down to the front of the floor and scoped out the hall for an open seat. As the lights flickered for the next act, I made my way into the 6th or so row where I sat entranced as the opera unfolded before me. There is nothing as majestic and transformational as grand opera, esp in my limited experience at the Met.

[@elidafrankel2699]

Bravísimo!!!Qué hermosa escena e interpretación!!!

[@detectivefiction3701]

I saw this in the original HD transmission -- my first live experience of the wonderful Simon Keenlyside, who since then has been my favorite Posa. I'm not much of an Alagna fan, but I thought he was pretty good here. Thanks for the upload!

[@woesmevrou5673]

Very similar response. Had seen Keenleyside in Hamlet. Remarkable voice. Remarkable stage presence and focus. Great production.

[@cynthiachase3427]

Wonderful singing, convincing acting, and Alagna getting to star--and a sympathetic Charles Quint!

[@Galdorik]

Exceptionnel !!!

[@diegomr6969]

que grandes una belleza que gran voz

[@christianroider118]

Superbo- tutti idue. 🎉

[@kastrafior6166]

L'opéra en feu ‼️

[@athanasiosmarkopoulos1128]

Excellent!

[@37verdi]

It since Robert Merrill and Jussi!! Thank you Simon, be well soon.......

[@mckavitt]

Paula Page Is he ill? 😕

[@mckavitt]

Paula Page Oh, I shall never forget Domingo & Milnes, for me the best... & I am a Bjórling freak!

[@cb2526]

@@mckavitt Moldoveanu &Milnes for me the best

[@christianroider118]

@@cb2526great memory❤

[@34Charmian64]

Quelle distribution de rêve !!!!

[@Altonahh10]

The voices mix well

[@TanyaGryaznova1313]

amazing

[@BellaFirenze]

Bravi!

[@davy91101]

A pity that the Met has never performed the opera in the language that Verdi set--French. Alangna is French by birth and Keenlyside is equally as fluent. Alas I know of no French bass for Philip or a mezzo who would be fluent. Mattila recorded the Chatelet performances in French and while no one could accuse her of being a Francophone singer it was at least "correct" and she is a superb actress woefully underused at the Met.

[@Mousy677]

good news: the met ARE doing the french don carlos!

[@fredericgarcia9703]

Le baryton manque de largeur Roberto est somptueux dans le rôle les deux vois se mélangent parfaitement .

[@iytr_7742]

Alagna !!!!

[@guedouarandree9285]

👍👍👍👍👍❤️❤️❤️❤️❤️❤️❤️❤️❤️

[@fernandopinheirobb]

MANTO REAL Vivendo os últimos anos de sua vida na solidão, no seu canto Na bela propriedade Svnta-Agat, o compositor Giuseppe Verdi Cantarolava: "Vou dormir para sempre sozinho em meu manto Real", a ária do rei Filipe, da ópera Don Carlos. Pensar no verde Da bandeira, o manto real dos brasileiros, em momento ligeiro, Na solidão das matas virgens, hoje morrendo à derrubada, que Antes a região amazônica possuía, lenda da raposa e galinheiro Que está hoje, na pandemia, aos exploradores sendo entregue. O manto real é a aura luminosa que construímos com o pensar Nos momentos felizes em doarmos amor aos necessitados sem Pensar em ser lembrados em nossa vida fluindo bem devagar. Um novo manto está sendo construído no planeta que ascende Uma oitava a mais em consciência planetária, compreendessem Todos a necessidade de ser feliz para sempre na luz que acende. (*) (*) FERNANDO PINHEIRO, presidente do Academia de Letras dos Funcionários do Banco do Brasil. - MANTO REAL (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.

[@LondonLite02]

I'm not a huge fan of Roberto Alagna but he is in good voice here, and he sounds even better with Keenleyside!

[@rationalsceptic7634]

Sir Simon is one if the greatest living Baritones

[@suzannederringer1607]

@@rationalsceptic7634 I wish I liked his Voice as much as I like his Intelligence and Character. His Voice always sounds dry and harsh to me.

[@mezzomanUK]

Great duet, but why does the Met audience always have to applaud too soon?

[@montecarlostar]

Americans 🤷🏻

[@danielabongiovanni1544]

Insuperables.

[@zsuzsannaborosnepapista6776]

Simon Keenlyside, most fedeztem fel magamnak. Köszönöm a kedves Papageno-t is. CSODÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁS !

[@Altonahh10]

And once again the audience has no clue that the music does NOT end when the singers don´t sing any more. It´s shame how ignorant people are who just care about their stars and not about the whole artistic unit

[@道-p2e]

almost everytime at opera and worst at ballet performance, also it makes european people stunned when everyone rushing out to the subway at Metopera house after the performance during bowing time... many people choose not to go live performance, I can understand. feel so bad for those musician and conductors, only shining stars count

[@postbodzapism]

Is that Charles V in cloak?

[@jocelynen2572]

No. This is his son, Philip II. Charles' ghost appears at the end.

[@Roheryn100]

Jocelyne N Josefina is correct, that is a glimpse of Charles V. We see Philip walking by earlier with Elizabeth.

[@marinacantelevongutherz1884]

Squilibrio micidiale tra le due voci. Ma chi ha pensato di affidare il ruolo di Posa a Keenlyside? E' un artista meraviglioso, ma NON é un baritono Verdiano, non ha il peso né la larghezza della voce, per non parlare del volume...

[@mckavitt]

marina cantele von gutherz He doesn’t need it... He’s got enough weight, imo.

[@resnonverba]

Spendid duo. Later Simon dies and Roberto stays: good Idea.

[@thomasdahlen8533]

Mr Kenlyside is not a Verdi baritone ! He is a lyric and a kavaljer bariton. Dont sing Verdi , mr Keenlyside.

[@tonneinsbillardclub1308]

keelyside hors sujet voix trop petite...

[@HorstBerbel]

They are both singing completely without body, leaning on the chords, sorry not my school of singing.

[@operatruth3848]

Popera