Faust's Aria, Gounod Piano accompaniment played by Iryna
Пікірлер: 92
@ThePedroBono6 жыл бұрын
Amazing work, thank you. I love Franco Corelli's best recordings of this aria.
@victorgomezfernandez7644 Жыл бұрын
BELLA INTERPRETAZIONE E BELLA DONNA SALUTI.
@colinbrigham82533 жыл бұрын
Thank you from uk 🤗
@wagner27053 жыл бұрын
I love your channel thank you for sharing your work!
@keithclifton3923 жыл бұрын
Wonderful, sensitive accompaniment. Thanks for posting!
@salvatoretilotta40374 жыл бұрын
Giuseppe Di Stefano, ineguagliabile
@davidchetrit16364 жыл бұрын
Thank you so much for this wonderful record!!! I love Nicolai Gedda Guissepe Filianoti
@davidenapolitano10776 жыл бұрын
Bravissima... io sono un tenore del conservatorio S Pietro a Majella di Napoli ed i tuoi video mi stanno aiutando tantissimo. ..grazie mille. ..sei bravissima
@theomoolenaar76233 жыл бұрын
I wholeheartedly agree with your assessment of Sabbatini's performance. It certainly is quite something to behold!
@dackkson2 жыл бұрын
Wonderful!!! thank you so much!
@absdyna5 жыл бұрын
I really like Lauri Volpi's 1922 recording of this aria... He has the most colorful high C I've heard...
@alexandergetachew51616 жыл бұрын
And, by the way, thank you for doing this! It is a true service :-)
@Guillermotirado86 жыл бұрын
Muchísimas Gracias!!! jajjaja mi interpretación favorita? Kraus!!! Maravillosamente interpretado!! Muchísimas gracias por tu canal!!! Un fuerte Abrazo!!! :D
@albertogallegos1016 жыл бұрын
Uh... Hermoso acompañamiento... Gracias.
@toyoro120911 ай бұрын
I love Alfred Kraus, just perfect in my opinion
@fernandograycantante8 ай бұрын
Benjamin Bernheim is my favorite tenor for this aria
@user-ow6to3ek9i6 жыл бұрын
amazing pianist, thank you share all of music for us !!!
@pocketpianist45566 жыл бұрын
Thank you so much!!
@pocketpianist45566 жыл бұрын
Thanks :-)
@sergemedot6 жыл бұрын
un grand bonjour de Belgique, et un grand merci !!!! je prépare un examen de chant avec votre accompagnement... grâce à vous je peux travailler à la maison !!! merci et bravo pour la délicatesse de votre interprétation !!!!
@pocketpianist45566 жыл бұрын
Thank you!!
@peterclements3836 Жыл бұрын
Sabatini - my god! Never heard a high C diminuendo like that!
@peterclements3836 Жыл бұрын
Your accompaniments are wonderful! (If you’re interested, please have a look at my channel.)
@ctihodny_d_safar6 жыл бұрын
Giuseppe Di Stefano! And your playing is fantastic!
@carlosbauza1139 Жыл бұрын
Povero de Stefano!
@user-ui4uf1dh9y5 ай бұрын
У вас очень хорошая кантилена!
@thomascharles6716 жыл бұрын
I love Jussi for this aria! However, for pure joy I love di Stefano as well! Also I must say, I would love to work with you sometime you are amazing!
@Alex-fx5es5 жыл бұрын
My favorite recording of this aria is from the great French tenor Georges Thill
@halimshon85414 жыл бұрын
Agree with you
@MarioBahg6 жыл бұрын
Thanks!!!
@danielschliewa-tenor6 жыл бұрын
Bitte bitte mehr Arien! Das ist super toll. Sie spielen sehr gut! Ich habe gleich mal abonniert
@user-jg2jz3yh8o4 жыл бұрын
Grazie mille!!!
@dejunhao99563 жыл бұрын
Hi! miss! My thought is that the best version of this aria should be the version sung by Enrique Caruso, which was published on KZbin on April 9, 2008.
@l.a.adewit77695 жыл бұрын
Thank you for being here.
@rolandroth65222 жыл бұрын
my favored tenor: Alain Vanzo
@wishfullthinkn68376 жыл бұрын
For those of Catalunya, let me bring up a name not mentioned nearly enough...Jaume Aragall, who, when at his best, was ideal for this aria...surely!
@Duncan4565 жыл бұрын
Jussi Björling!
@rrgallo9675 жыл бұрын
Alfredo Kraus: both Japan and Chicago...Both on KZbin
@josephsutton79836 жыл бұрын
Nice playing. Would love to know what you make of Georges Thill's magnificent version and how it compares.
@Maestro-FR Жыл бұрын
Well. Thill is unsurpassed. The best technique ever.
@xGyzmOx6 жыл бұрын
I just listened to Sabbatini's recording of 'Salut' - WOW! That performance just blew me away! Such grace and lyricism - and that high-C, I've never heard such mastery on such a difficult note - to bring it down from forte to piano without losing any of the quality was just amazing!
@pocketpianist45566 жыл бұрын
He is just amazing!!!!
@operadog20007 жыл бұрын
Very well done. Thanks for the beautiful music. I agree that Sabbatini did a beautiful job especially with the legato. Gedda had a magnificent high C, but no legato in the end of the aria. Pavarotti's recorded version is a masterpiece of singing.
@pocketpianist45567 жыл бұрын
Absolutely :-)
@adrianhenriquez93335 жыл бұрын
Thank you very much Iryna, it has helped me a lot to study. Can you record M'appari Tutt 'amor (Martha) please? I would greatly appreciate it. Greetings from Chile
@mimmomacripo1205 жыл бұрын
brava!
@dennisddeem36055 жыл бұрын
you are so right about Sabbatini
@gabriellezcano97367 жыл бұрын
Nicolai Gedda is my favourite. But also spanish tenor Alfredo Kraus.
@pocketpianist45567 жыл бұрын
I love them both!!
@wishfullthinkn68376 жыл бұрын
Gabriel Lezcano: Somebody posted Gedda, around 50 years old doing this challenging aria, and the "C" was extraordinary...and in 2017 that fabled minstrel left our world, but not before giving us his incredible gift of music...
@DanielSombra6 жыл бұрын
Your work is so such amazing. It's inspiration to practice . Thank you so much for sharing your work with us. And Sabatini is superb! Thanks for the tip! ;-) I love the colors of Jonas Kaufmann's voice and his musicianship!
@pocketpianist45566 жыл бұрын
Thank you!
@EndoftheTownProductions4 жыл бұрын
My personal favorites are Giuseppe di Stefano, Franco Bonisolli, and Roberto Alagna.
@RubenErazo6 жыл бұрын
Sabattini did very well. Excellent. I didn't know about him. He has another fan and thanks for sharing.
@pocketpianist45566 жыл бұрын
:)
@stephenhetzel84374 жыл бұрын
Bjoerling
@Jeff4014 Жыл бұрын
It's just a shame that you haven't mentioned Alfredo Kraus live version of this aria...
@steven_james_ricks9 күн бұрын
0:55
@alexandergetachew51616 жыл бұрын
You are absolutely right. Sabatini is amazing!
@mariopietta58886 жыл бұрын
you have hear di stefano
@paddyrafter52143 жыл бұрын
Fabulous playing. Thank you. I can see why you love Sabatini. Is phrasing control and musicality are incredible. Personally I just prefer Di Stefano's voice. I would love to sing with you someday
@pocketpianist45563 жыл бұрын
Thank you for your comment!
@alfredalfred35713 жыл бұрын
yes he did a very good job even gedda who has a perfect french phrase do not make a nice high than him, but i am a fan of Corelli and he sang it more electrically as usual he makes you stand up btu this one is excellent !!!
@Tico4president10 ай бұрын
Francisco Araiza
@michaelkennedy1006 жыл бұрын
Brillante can I use it in a recording and upload it to KZbin with your permission. I would like to collaborate if possible (IN FRENCH)??
@pocketpianist45566 жыл бұрын
No, I am sorry! I don't allowed to upload my videos in another channels.
@michaelkennedy1006 жыл бұрын
Okay thanks nice job though!
@haoxiongbian7635 Жыл бұрын
Very well, but the temple is too fast, when you move into "O nature", it would be perfect if you keep temple
@Maestro-FR Жыл бұрын
listen to Shicoff !
@xGyzmOx6 жыл бұрын
So many good tenors - in the top, definitely Krauss, Gedda and Alagna, but my favorite has to be Kaufmann - that guy has a colour to his voice I just love. Btw, is there any version out there where the tenor doesn't look like he's about to have a heart attack singing the high-C?!? I think that must be the hardest one out there! :) Iryna, great job! Thanks a lot for your videos, it's great to be able to properly practice my arias thanks to you!
@larivedranelestasi43336 жыл бұрын
Jussi Bjoerling is the best!!!!
@pocketpianist45566 жыл бұрын
Yeah :-)
@matthieusachot1745 Жыл бұрын
Alfredo Kraus
@mrridikilis4 жыл бұрын
Georges Thill!
@djtsinopoulos4 жыл бұрын
Definitely Jussi Bjorling, but also Salvatore Fiaichella!
@42621946 Жыл бұрын
Joseph Schmidt ist unvergesslich!!
@dorisallaire4577 Жыл бұрын
Franco. Correlli
@mariopietta58884 жыл бұрын
di stefano is the best,the best diminuendo
@patriktapiolruiz71744 жыл бұрын
Alfredo Kraus :)
@pabloromero90304 жыл бұрын
Alfredo Kraus is the best.
@js596956 жыл бұрын
Do stefano. 100 percent hands down.
@pocketpianist45566 жыл бұрын
He is great
@dorisallaire4577 Жыл бұрын
Corelli
@sukiserjeant91104 жыл бұрын
MARIO BAHG!!!!!!!
@loniousmonk5 жыл бұрын
Not impressed at all with Sabbatini. He scoops up to the many of his high notes. In the "stage" recording he actually voices a whole note below the high C, as if interpolating a note. Even if not scooping from a lower pitch, there is a shift in registration at the beginning of his high notes. He doesn't seem to know how to place them correctly from the onset. This is simple to train-- if you know the right "place" for the note as you sing the sustained part of it, you just have to drill finding that place at the onset. It's a coordination puzzle and a matter of discipline but that's all. The high C that you found exciting is on the boring end for me-- yes it takes "control" to acheive that kind of delicate high note, but nothing of the control required to actually sing it with power. It's not rooted deep in his body and won't resonate with others in that way-- it's more of a cerebral trick or a undeveloped or immature sound. And in practical terms it cannot carry in the house, where a full-voiced pianissimo note can. Also, it lacks the color of the rest of his range (he "hides" it with some breathiness and rearward placement). If you like that really tender lyric and almost virginal sounding tenor style, check out Lemeshev. Here is a recording of his "Salut" (in Russian) where he does the C very lightly, but at least it retains a more forward placement: kzbin.info/www/bejne/iYGypqeBa6eeaqs Lemeshev's "Parmi veder le lagrime" is also very good. I like this alright but it's not sticking to bel canto style of consistency of tone throughout the range. That is in fact my main problem with most singers technically, if you can't count on them using a consistent resonance strategy regardless of vowel, note, dynamic level, etc, it's like you're constantly unstable in what you can expect next tonally (and interpretively for that matter). It's as if a trombone in the orchestra were randomly swapping out bells of different shapes on his horn, randomly sticking in a mute, turning around and facing away from the audience, etc. The sound has to orbit around the same focal point of resonance, even though it is changing shape for different vowels and notes. Also another bel canto thing lacking in Sabbatini is true bel canto legato which means that the resonance stays "alive" between notes. Sabbatini and a lot of modern singers tend to have a "sausage-link" kind of legato-- yes the notes are connected, but each one swells and cuts off or narrows before the next. This is in contrast to keeping the tone going as though singing one long note, where the diction just happens so transiently and in such a relaxed fashion so as to not disrupt its continuity. I don't know if you have any vocal background, but please don't recommend these Sabbatini recordings as examples to students or viewers in that context. Fine if you want to comment on musicality or interpretation, but he's just nowhere near the level where students should be studying his technique. Unless they were trying to become vocal coaches and learn to diagnose issues.
@patrickperrier16624 жыл бұрын
For a French opera a French tenor is better : Alain Vanzo. ( But Gedda is perfect !)
@sukiserjeant91104 жыл бұрын
No, I only like mario bahg korean young singer . He is perfect!!!! just listen
@Fruchtsem3 жыл бұрын
She does not feel, but only plays. What a pity !
@josephsutton79836 жыл бұрын
Nice playing. Would love to know what you make of Georges Thill's magnificent version and how it compares.