Vakulabharanam Ragam Alapana

Singer: Sanjay Subrahmanyan
Violin: S Varadarajan
Date: 18th Jan 2019
Location: Anjaneya Temple, Mylapore, Chennai
Audio: Yessel Narasimhan
Video, A/V Mix: Aarthi Sanjay

[@shobanakrishnan9142]

Excellent. Haunting raga.

[@shailavijay]

Very nicely done unlike others combining Mayamalavagowla and Thodi.

[@navarasa4502]

Most of the islamic prayers ( azan ) is based on this raga

[@purnimavenugopal7091]

I found a bit of Persian influence in your taking the Ri... Just amazing. Blending of Hindustani and carnatic catches and a bit of the namaz tunes... Wow!

[@sarasavasudevan]

Something about Sri Sanjay’s renderings always brings tears of joy and intense emotion! And he always picks out the rarest of meaningful songs and ragas! Keeps us waiting to see what he comes up with next! May God bless him with many more years of great performances that energise him and brings joy to all!

[@gangadharanr148]

Super! ரொம்பவும் அபூர்வமாகத்தான் இம்மாதிரி அனாயாசமான seldom handled ராக ஆலாபனை கேட்க முடிகிறது. Really Sanjay Special தான். Excellent Sir.

[@nuranichandra2177]

The benchmark rendition of Vakulabharanam was established by the only legendary musician Dr. M. Balamuralikrishna way before Sanjay Subramaniam was even born through the beautiful rendition of Bhadrachala Ramdas krithi Bhajare Sriramam

[@jayanthg6848]

True. Following foot steps of legends is correct too. kzbin.info/www/bejne/bZfdfXqre8RjjNUsi=AqVji3l-g2IWDYZo

[@kotturk.n.r.venkatesanraja7052]

அருமையான பதிவு இதுபோன்ற ராகம் பாடுவது சார் அவர்களுக்கு நிகர் வேறு கிடையாது

[@subramanianvydianathan6333]

இது ஓர் பழமையான ராகம். யாரும் அதிகம் பாடுவதில்லை.

[@parthaparthasarathy8661]

Sanjay is the GOAT, greatest of all time, without any doubt

[@rajagopalraghavan7599]

Very rear raga aesthetically rendered I had tears listening this exposition I vaguely recollect late Madurai Mani sing This raga may god bless the team

[@anuradhavasudevan2602]

Sanjay is a musical genius.

[@jaishankarjai3032]

VERY VERY GOOD ALAPANA SIR JAI SRIRAM

[@compaq1270il]

Listening to this one forgets everything. Thank God

[@smartdalton]

Aaha. Full justice to the raga

[@girishsai2870]

Thank you sir your raga presentation

[@rameshkumarraju9864]

Marvellous, scintillating

[@venusudheer280]

Wa kya baat hey...

[@gayathri2467]

Sanjay sir has sung saadhu tada nija bhaaminim , a Swati tirunal kriti in the same ragam

[@srinivasanrramamurthi9285]

Excellent alapana.

[@anuradhavaidya6835]

Very happy 👏new raaga to me

[@amirthkadesanayyasamy2134]

Super very nice

[@moumitadas6563]

wonderful

[@rajagopalrajappa9977]

👍👌🙏🙏

[@mvg75]

So captivating it transcend Digital to analog were Spirit moves, remind me throwing a block jam party in East Medina BROOKLYN NY. D.J. ALMIGHTY J. And the leagion of Doom M. C's., DJ. See. VIC NICE. D. J. Watkins, Big East Productions.inner city G. Attenuator!. 5BM, .

[@krishnakumarirao2627]

Arohanam avarohahanam of this raga? Pls

[@ShootMyMonkey]

Arohanam : S R1 G3 M1 P D1 N2 S Avarohanam : S N2 D1 P M1 G3 R1 S It's melakartha #14, which means it immediately precedes Mayamalavagowla (only difference is in nishadham). Hindustani equivalent is Basant Mukhari, which is handled quite similarly to its Carnatic form. It is pretty rare in India, but pretty common in Persian and Israeli folk music. Equivalent Western scale is Phrygian Dominant.

[@chithral3106]

This is a 13 melakartha raaga

[@snjk99]

Not 13 but 14 chitra

[@puthiyavilagopan9054]

14