Scene and Performance on the Elektron Rytm - Tutorial

[@markushalbig3457]

😀Thx man, as always a great tutorial - makes my day (or better "my night" as I usually end up late :-) One thing I was struggling with: It looks like the QPERformance button has to be muted permanently to perform the Performance Pads... took me a while to find this out. Now I am lucky and can start. Thx again...

[@Clemens808]

Lass dir hier mal grüße da. Finde deine Videos zum Rytm klasse. Weiter so 🎶😈✌🏽

[@FurryNightmare666]

This is awesome! Thank you!

[@sock_park]

Thank you, I've been using the Rytm since 2016 but I don't use the Scene or Performance modes a lot. These are some very practical examples to experiment with...

[@WeAreLove432]

Thank you!! I have learned a lot about the Rytm mkii from you. Your performance ideas flow and you get great tones!!

[@fromsoftart3505]

hello i like your channel could you make a tutorial how make a drumnbass like noisia or black sun empire with an analog rytm ; i don t know if it s possible to make a heavy bass like this music : block control from noisia :) but you re really good i m shure is possible for you thank for your tuto . sorry my english is not really good :)

[@TimesOfTheSines.official]

Try this? It's a way to control & modulate the sound of a infinite feedback delay effect... To replicate a dub echo/delay effect, which originally was created by sending a delay rtn to input back on channels of a mixer... instead of fx rtn's, & the mixers hi & low eq gains are rolled off -12db or more... & the mid band parametric eq is used to sweep the frequencys of the delay rtn sound. Before u also feed the delay rtn back on itself, thru the aux sends that are sends for the delay unit also being rtn'd. What u do with the fx lfo on the rytm, is assign it to the delays base filter cut off... I use a random lfo shape & set it to a bpm sync multi of x16. Adjust lfo speed to be a value of +/- 8... Now your random lfo shape is modulating in 1/16ths. Set the lfo mod amount to +/- 24 value... Now go to the delay unit pages, & set the base filter cut off to a value of 56... & set the width cut off to about 72... Set the delay rate/time value to 24 (dotted 8th note ddl tap) or 48 (dotted 4th note ddl tap)... dotted note delay tap times are 1 & a half note timing divisions... & are essential for the longer infinite feedback dub delay effect... Now u can turn the Rytm delay feedback to full at values of 127... U will hear that the random lfo, now modulates to a different base filter cut off frequency point with each step, it stepping in 1/16th timing... & every step it's either allowing more of the filtering open to let the infinite delay sound thru... Or filtering more out otherwise. But every step is random & it will always surprise u & remain infinitely interesting of the effect of the delays rtn effect... Sometimes it will grab moments of random values that holds the infinite delays on for longer random periods of having the delay filtering open to let it hang around & real pop its effect out on the Rytm pattern & mix of sounds in it. Psydo Elektron dub echo's. Oh & if u assign trigs on the fx sequencer too. Use the trigs to lock +/- delay width positions on steps too... U can pan delay taps to trigger taps beginning from positions within the left & right sides of the delay... on different steps of the fx sequencer... Also Elektrons reverb pre delay values, are also in sync with the bpm & clock too... eg. Value of 2 is 1/64th note, 4 is a 32nd note, 8 is a 16th, 16 is a 8th note, 32 is a 4th note, 64 is 1/2 note, 127 a whole note... 3,6,12,24,48&96 are triplet & dotted note synced timing divisions... The pre delay of elektron reverbs, are bpm synced timings too, & work to adjust it to sync timing for it, as u would for the Elektron delay fx unit? So u can also trig lock different in sync reverb pre delay values & timing on steps of the fx seq too. Use trig conditions on the fx sequencer steps & trig lock mods. & u will have different randomised delay rtn fx & also have a reverb that can change to sound big with a long pre delay & infinite decay, triggered on certain steps & trig conditions applied to its triggering % etc... & other steps will otherwise do the opposite on changes to the reverb... Short pre delay & fast decay locked settings on other fx seq steps, & steps locking all the middle ground of reverb settings too. If u read this, trust me u will find both it's delay & reverb will infinitely surprise u & become more animated in use as global fx glue in ya patterns.