Schwabe Digital - Gold Clip - Mixing With Mike Plugin of the Week

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Mixing With Mike

Mixing With Mike

Жыл бұрын

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Пікірлер: 26
@Jalliams
@Jalliams Жыл бұрын
Nice ! Thanks, Mike. The stereo width and lushness of the backing vocals in the chorus are so nice. Feel very drawn in by the space of this track. Also, would love a quick boot camp tip on phasing caused by filters, I never realised a high-pass could cause the ripples you spoke of. Fascinating. Cheers
@AdelSweezy
@AdelSweezy 11 ай бұрын
Maybe the best clipper on the market now
@audiokemestry
@audiokemestry 8 ай бұрын
Thanks for the review. Nice features but I think I'm gonna stick with my other clipping options, as they do the trick just fine (along with my Burl B2 Bomber)
@hakangurdol
@hakangurdol Жыл бұрын
Even for the Box tone it will be good idea, that you mentiond before making automation on the sections of the song. 16:37
@bluematrix5001
@bluematrix5001 Жыл бұрын
hard to hear the distortion from GC as the BGVs are already sharp and very sibilant...other than that great video explaining how this plugin works
@XiyuYang
@XiyuYang Жыл бұрын
Interested to see this compared against submission audio's Flatline, supposedly they were designed with identical intents.
@nj1255
@nj1255 Жыл бұрын
Flatline is a simple soft/hard clipper, so they are not really comparable. Gold Clip is more of an analog emulation/mastering processor (it does parallel compression and some more stuff aside from soft/hard clipping), so I guess it's more comparable with the likes of Slate FG-X, DMG Limitless and Newfangled Audio Elevate. Flatline is comparable to SIR Audio Standard Clip, Venn Audio V-Clip etc.
@Barncore
@Barncore Жыл бұрын
I've been demo'ing this plugin for the past 2 weeks, i'm a bit unsure about it but maybe i'm using it wrong. I love the crunchy punch it can give you with the gold knob, but what you gain in crunchy punch you lose in clearness and openness. I really wanted to love it but the HF rolloff is quite severe. Apparently the dev is working on adding an option to turn off the HF rolloff though which is cool It's also a massive CPU hog on my system
@geometrae4773
@geometrae4773 Жыл бұрын
acustica ash is way better
@roberteismann1929
@roberteismann1929 4 ай бұрын
read the manual
@roberteismann1929
@roberteismann1929 4 ай бұрын
@@geometrae4773 I prefer this to ash.
@user-mc7bh9yg9k
@user-mc7bh9yg9k 19 күн бұрын
Is there a Waves Plug-in equivalent to this?
@TWEAKER01
@TWEAKER01 Жыл бұрын
The gold process is sample based gain with soft knee, net effect: upwards compression. As on the hardware, designed to not *need* to clip. Also, if it's anti-aliasing properly there shouldn't be any "digital edge" to warrant a HF roll-off.
@sinfoniacrew
@sinfoniacrew 2 ай бұрын
My channels stop playing when I enter the plugin
@djdanger9812
@djdanger9812 11 ай бұрын
So is this used instead of a limiter when mastering or combined?
@Reggi_Sample
@Reggi_Sample 10 ай бұрын
I always put a TP limiter just after just incase but in my exp it seems to handle the intersamples too
@grannypotproduction
@grannypotproduction Жыл бұрын
What's your take on the crispy clip
@bluematrix5001
@bluematrix5001 Жыл бұрын
is great...but when a plugin is very expensive then people think is way better...when is not always the casee
@sympsontheis377
@sympsontheis377 6 ай бұрын
this maybe a dumb question But is this a mastering plugin or a supped up Soft Clipper that can be used within a mastering chain 🧐
@mixingwithmike
@mixingwithmike 6 ай бұрын
It's a mastering grade limiter
@sympsontheis377
@sympsontheis377 6 ай бұрын
@@mixingwithmike copy understood
@Reggi_Sample
@Reggi_Sample 10 ай бұрын
Gold Clip Vs ASH come on I need an answer lol
@mookiiieeee
@mookiiieeee 4 ай бұрын
same
@g.o.9513
@g.o.9513 4 ай бұрын
Highly visual impressions, lacks strong sonic impression. I probably need ear training or to hear the delta.
@ayoslimthaproducer4828
@ayoslimthaproducer4828 5 ай бұрын
Cant use it if you dont have a actual ilok dongle?
@roberteismann1929
@roberteismann1929 4 ай бұрын
as long as you have a iLok account you can use it.
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