Seven-Eight Microtonal Textural Thing

[@bobphillips2341]

Which microtonal tuning?

[@Underwaterbob]

My own, I guess. Each track of Tempera is a sin wave. I modulate the frequency such that each cell is ten Hz apart. I start at 55 Hz in the top, left cell, and end at 55+63*10= 685 Hz in the bottom right. The first four tracks are static pitches, and there's some gliss in the last four for variation. But then, I've set each to 55Hz (A0) in Tempera, and I'm playing it up and down the keyboard, so they're being scaled anyway. If I play A0, they sound at original pitch, if I play A1, they'll all be an octave up. Oh, and the emitter is being modulated up and down the canvas with a couple of free-running LFOs. Haha!

[@bobphillips2341]

I’ve been scheming microtonal with tempera, eurorack spectral oscillators; found that instruo disting ex can deal with scala… just today reeducating myself with microtonal. Imagining sample patterns that end up making chord like overlays. Other audio sources, apps in iOS let’s say may pass microtonal audio. My interest is on overlays that get used with spoken audio

[@bobphillips2341]

Thanks for the detail report

[@bobphillips2341]

Oscillators for spectral in my survey; buchla tiptop 259t, make noise oscillators; cloud recorders morphagene, … etc’; koala app as a flexible sample prep tool, saving button samples to files that may be used in tempera

[@bobphillips2341]

Do your use a frequency pedal or analysis to check your sample tuning?