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TOOTSIE star Santino Fontana discusses bringing the beloved movie to the Great White Way, his quick-change "pit crew" and awards season.
Here are some of the must-read highlights:
ON GETTING HIS DOROTHY MICHAELS LOOK DOWN
“They showed me all of these boards William Ivey Long had in the studio, where he had taken celebrities-Julia Louis-Dreyfuss, Tina Fey-women that he felt like I could be related to. But he cut out my face and their face, and there was a whole sequence of photos where he literally combined them-so like my eyes were on their face or their eyes were on my face. He was like, ‘How does this make you feel?’ I was like, ‘Strange?’ He was like, ‘We all thought you would start crying.’”
ON HIS TOOTSIE CAST BFFS
"We really are a family. This cast: we are genuinely friends. We really do hang out. We're going to Medieval Times as a group."
ON TOUGH CONVERSATIONS
“I think of myself as a progressive guy and a feminist. I know a lot of people don’t like labels and that means different things to different people. I am 100 percent in favor of equal rights for all people. If that makes me a feminist, then I am. That said, I don’t know what I don’t know. I feel like a lot of men who are allies don’t want to upset people, and the danger there is we retreat. We back up, and we get silent. Suddenly, we’re doing no different than the people who are actually trying to rewind progress. How do you become a part of the conversation respectfully?”
ON BRINGING TOOTSIE TO BROADWAY
“I don’t think any of us thought it was going to be as funny as it is. Scott Ellis called me three years ago. He called and said, ‘I got this script, will you read it?’ So, I watched the movie then. That part’s great. I’ve gone to the screenplay a bunch. I’m a huge [original Tootsie screenwriter] Larry Gelbart fan. Little Night Music was based on a movie. It just wasn’t as popular. The vast majority of successful musicals that we all can name are adaptations: books, movies, plays-they’re all adaptations.”
ON HIS GLAM SQUAD
“It’s a pit crew. It’s like a village with flashlights. We do fingernails. We do hair. We do makeup. We do glasses, lips, corset, dress, bra, shoes. I really want them to have people follow us. It’s never the same. Something will go wrong. A fingernail will pop, and I have to say “left pointer.” I keep bleeding. We don’t know why exactly. There are eight million props. I get snagged on them. It’s fast. Bing, bang, boom, baby! It’s like a war back there. It’s a war movie. It’s like a war movie! There are people shouting. You can’t really tell which direction you’re facing. There’s smoke sometimes. There’s loud noises. There’s a lot of people. You don’t know who’s on your side and who’s not.”