Skream - Come With Me (Documentary)

[@TheRubennator]

The fact that he did a boiler room session with Disclosure and mentioned Boddika makes me love him even more.

[@thatsperverse]

Was there at the warehouse project when he did his first techno set. Was sick as. Much respect from skream "how can I be accused of being a bandwagon jumper when I made the bandwagon?" what a ledge

[@wwlittlejOfficial]

Midnight Request Line still fresh as yesterday.

[@jbbbbbbbb]

It's no coincidence that as soon Americans began to catch on to dubstep, it started to go downhill.

[@bongambassador]

Joe B bang on

[@Zaes223]

+Joe B When I was a Freshman in college in 08 we used to put on Skream and Benga Digital Mysticks etc and either people loved it or they fucking hated it. The original dub was so divisive the shitty Bro step is just obnoxious drop after drop no rhythm or feeling. By the time I was a senior everyone was circle jerking to skrillex and I hated it.

[@dani4ever]

+Joe B Rusko was the one who started the brostep stuff.

[@YS_Production]

+Schlomo 'Shekels' Goldhammerstein dub is not dubstep btw

[@Zaes223]

YS Production Fully aware, but I am American so we call anything that isn't brostep dub including early British Dubstep and dark UK Garage stuff

[@nrdbassist4lyfe]

Thank you for this THUMP. He is and always will be my favorite producer, and was the one that got me into dubstep. Had the pleasure of meeting him and Sgt. Pokes last year and they're the nicest guys

[@nrdbassist4lyfe]

And fuck the haters I love the disco shit

[@monat_son]

I met him after a gig, he was in rush for a plane, but he slowed down and talked with me. He appreciated the thing that a random guy is his fan and was humble af. Thank you Olly, it means alot to me.

[@N.F.F.C]

Met him in Ibiza, lovely lad. Legend

[@mihkelnoot8465]

I think it's humble of him to admit that circa 2011-2012 he became a massive brostep dickrider and played some crap that he didn't even like that much. Loving his house sets doe.

[@tidypeaches]

Yep

[@maesuk9836]

Nice to see Skream open up and explain his trail of thoughts with everything thats happened. Personally I think he'll return to 'dubstep' someday. Its delving and morphing down so many avenues at the moment and there's so many good things coming from it. LAS and Gantz are leading the way, Geode to. Lots of good fusion with the genre!

[@pushthetempo2]

yeah he definitely will. Once it all dies down, in like 6+ years. I reckon there will be, old school dubstep nights for all the ravers who have now grown up. Just like there is with Jungle and Garage. Back to '95 stuff etc.

[@agamaz5650]

dubstep is back it is riddim, infekt still makes dubstep about vibe

[@carl1011]

It almost wrecks my soul that I jumped on the train late. It's like i missed the golden years of true dubstep

[@maesuk9836]

​@@carl1011 i think a lot of us who missed the early days kinda feel the same way, but its one of them, you have to be in the place where it started to really be there for its inception. And tbh a lot of the old skool heads that were there at the beginning still do shows now so there's always a chance to see them [depending on corona]. The culture has stayed the same since the early days, love, unity and good music.

[@hoc1806]

@@pushthetempo2 mental how accurate this comment is

[@MillionaireDubMind]

RIP london rave scene 2008-2011 for giving me a good finish to my childhood and the best music ever heard. Salute

[@JAIQMUSIC]

+Thomas mate try being someone who was raving 1993. The vibe died long before 2008 haha

[@MillionaireDubMind]

Hahaha I was born 1993! Salute to you!

[@tommy_12z22]

@@JAIQMUSICnostalgia merchant

[@ZenDaGod]

I love you sir. I defend your integrity and musical honor wherever the debauchery of your genre leads me. I'm an American, but I promise I understand the direction you wished your creation had gone. You will always be a creator and not a follower in my eyes regardless of the botched sense of direction that America wants to take your genre.

[@Eustex]

Skream is a fucking boss need to see him live again

[@emilabanaszek4040]

Indeed he is!

[@Hakeem94]

I have a feeling he'll come back to making dubstep tunes one day. Like he said "it's in my bones."

[@raphael.cavalcanti3301]

I hope so

[@kushradubs9821]

No I don't think he will, he's gone through the spectrum now. He's evolved and moved on,

[@shrock9241]

He did with must die and akeos

[@BirdlessFlight]

Such a legend. Those early days in a dingy basement with like 50 people were very formative for me. Thanks, Ollie

[@tompainter7167]

Respect, great artists don’t get stuck on just one thing, it’s cool to see all the experiments and changes

[@TinkerBdub1]

Miss the UK dubstep movement. Was really one of my favorite genres. Sad it had to get ruined by mainstream bs music.

[@moiraisound]

very interesting documentary. thanks for posting this.

[@UrbanLikwid]

Skream is the truth, keeping it real for sure! Guess he just wanted to make some records that have dynamics in 2014, shhss I can't blame him for not.

[@danielspeight9589]

GOOD LAD! Head so screwed on and sincere .. big up Oli

[@edix1986]

YOURE A LEGEND!!

[@Min-ou8ti]

The man is back at it again

[@dotchloe]

People are evolving, and so is the music.

[@Thomas-km8pr]

best thing hes ever done is throw that cdj into the crowd

[@shmink2]

You haven't seen his outlook boat party of 2011. Shit was mental.

[@Thomas-km8pr]

not arsed

[@pushthetempo2]

Tom Nicklin i was on that boat. great times

[@hsarem]

@@shmink2 I had to look this up lol you weren't kidding

[@stashstanton]

Thomas you’re a ignorant child ain’t you. “not arsed” haha tragic make have some manners

[@StreuB1]

Always have love for you, Oliverrrrrr!!!

[@dal9089]

"All about drops" - modern dub-step in a nutshell

[@kenneth-mraz]

and its continued " but originaly wasnt it" never was about drop. Drop gave you that hard feeling from sound but it was about all those sounds around drop. Sub-bass etc. I miss this guy

[@blackmirrors9946]

I'm glad skream pointed this out,stuff is becoming pretty monotone with huge ammount of details that just don't need to be there,what's the point of producing under a genre that has lost it's roots

[@xdrpepperx]

the 140 dubstep like DDD is closer to the roots...just beefier.

[@merrifield15]

I have so much respect for SKREAM he was and still is my favourite dubstep producer and I own every dubstep song he ever created but I have to respect him as a musician and love the fact that he's making what he loves. To all the dubstep guys who think he's a traitor think about this; when he made dubstep he loved it an it came from the heart if he was to make a genre of music he know longer wants to make then the quality will be compromised. I am a hardcore dubstep fan a real dubstep fan (SKREAM, Mala, Coki, Emalkay etc) no SKRILLEX here an even I can have enough respect to thank Skream for his contribution to real dubstep and watch him progress.

[@slowedonly]

Big up Kromestar

[@SoCalFreelance]

FINALLY!! Someone who speaks the truth.

[@30-hz]

it still is about "meditation" in the underground, maybe he shouldn't generalize so much and wonder if maybe he took the safe route instead of staying true to the mentality that he loved about dubstep music. I know what he means though with the excitement going away and I respect the guy for making the choice he felt was best for him.

[@mor4sso]

I don't think he's generalizing dude. I think he rolled with the wave of the scene he helped create, saw what it became, and decided to try something new and fresh. If anything he is staying true to the "underground" philosophy. He's exploring new music. Isn't that ultimately the point?

[@origgim]

mor4sso at least some of us got the point of what he was talking about bro. stay to your roots and play the music you love

[@futavadumnezo]

Well yes, you're right, I've rediscovered that part of dubstep again because I kept complaining about current dubstep and people were recommending to do that all the time , so I found the "good part of dubstep again" and I heard the new Sukh Knight EP and it's blasting, same style same good old dubstep, nobody "had enough of it" or got bored, it's good album, I also respect Kryptic Minds and Goth Trad for staying true, it's all about that in the end, staying true to yourself thus to your fans also.

[@futavadumnezo]

mor4sso Dude, try to listen to more tunes, document a bit, and then come back whit perspective completely changed, I used to think like you, dubstep didn't "became" anything it already reached it's creative peak back in the days already, the thing is: now it has more sub genres and some went more popular, nobody forced him to make trap/brostep/techno whatever like skrillex does, he just wanted a change in his life because too much partying and drugs, that's the truth, look at Goth Trad and Kryptic Minds and Mala and many more, why didn't they do the same as Skream? they remained true to themselves and the style they've been playing and evolving, yes evolving in their own style and it's not "boring" it's constructive and rewarding and people still love it.

[@mor4sso]

Coroi Radu-Adrian Your post has nothing to do with anything that I said. Not sure why you're telling me to listen to more tunes.

[@jaylighta2380]

Kind of a stupid question, but where can I pick up a hoodie like the one Skream is wearing, looks tight.

[@nnniiiaaallllll]

People say Skream bandwagon jumped, but no one took him too seriously on the House thing and he has had to work up from a lower position to gain the respect as a DJ he has within the house/techno crowd. Anyways, Skreams sick. Saw him in 2013 at Benicassim, an Indie festival, had about 10,000 dancing at 4am. Not many DJs of any genre can say they can do that.

[@kenneth-mraz]

this is best fo far... Such a truth.

[@cursivedubline5]

I don't understand how people can claim that Skream is jumping onto a bandwagon of Disco and House music. First off, House music has been around since the 1980s then came the emergence of many other genres of Electronic music including Garage which in turn evolved into Dubstep. Another thing to note is that lots of influences in House music stem from Disco, so I think that Skream simply went 180 degrees and found himself on a steady progression towards the Disco sound. I personally do not like the Disco tracks he has put out, but I can see how people may enjoy them. I believe it's only coincidence that he has started to produce Disco right around the same time Daft Punk put out that excuse of an obnoxious record called Get Lucky. We all know that Skream can put together Dubstep like a master chef creates a dish, and he knows how to make one Hell of a memorable Garage track when the inspiration arises, but in the end he is right he is to blame for switching up his style; can we blame him? I think if I where him and witnessed Dubstep, a genre of music in which he was a pioneer in and which had such meditative finesse, travel to the United States just to be ripped to pieces in the most commercial and destructive way possible I would as well evolve rapidly towards something new and different; it's his escape and I respect his choice.

[@neilncswic1784]

+cursivedubline5 Garage evolved into dubstep?????? Dubstep evolved from drum n bass and it was good until america discovered it then skrillex completly destroyed it!!!

[@cursivedubline5]

Neil Plowright All I can say is: Groove Chronicles, 1999; a tune (one of them at least) that shaped what would be Dubstep. Your statement is true, but not fully. I think you're under the impression that UK Garage had nothing to do with the forthcoming of Dubstep, which couldn't be more false. And yes, we can definitely agree that the US executed Dubstep once it hit our shores. I'm from the US, but I consider myself to be a Dubstep purist, and I'm vehemently disgusted by how it got tarnished by us. I apologize for it.

[@neilncswic1784]

no need to apologise my friend...if its nasty bass sounds with no headroom or dynamics you are into then theres plenty of it on funtcase's soundcloud page lol!

[@cursivedubline5]

+Neil Plowright I kind of owe it to Dubstep for helping me really discover UK Garage. I started to listen to UK Garage alongside Dubstep, but I had a major Dubstep phase which overshadowed UK Garage for me, for a good amount of time. Now, I don't listen to Dubstep nearly as much as I listen to UK Garage and Deep House; throw in (Detroit) Techno and Minimal. It's weird, cause to me, Dubstep (in England) was the last great genre of Electronic music to hit the scene since the golden days of UK Garage and the House era of the mid-1980s and 1990s. I went from listening to tons of Dubstep, to basically going right back to the root of it all: House music. But I cant help but listen to some Deep Medi tunes, Skream, Mala, etc., every so often. But yeah, UK Garage... it's my love.

[@thefoggydewy]

Love the Dubstep Warz Crew picture

[@backtailshuv]

Long live Skream

[@Clokiblk]

what is the song at 10:10 that they label as "Skream-Smiler"? wasnt able to find it anywhere, dont believe ive heard this one before

[@SpirallingUpwards]

I loved how when the house tunes came on their chart positions were also displayed. Re-enforcing that hipster stereotype.

[@AskRobbyG]

such an OG

[@MsBirdylady]

R.I.P. 2006-2006

[@RAkoonDuttyDubz]

i do understand now. thx

[@arbel.a]

pleaseeeee PLAYLIST!!!!

[@ehcopperage]

Skreams just jealous of me cuz i made the first dubstep song, i called it scary monsters n nice sprites and then sold it to some emo guy

[@luigimafia10201]

Crocblocked more like ashamed

[@philipjamisonn]

Quality show

[@rashs6302]

song at 2:15: Benny Ill, Kode 9 & The Culprit - Fat Larry's Skank (Kode 9 remix)

[@LinusMaximilianJonssone]

wow, excellent!

[@Brurgh]

being at thefore front of a genre for so long will take its toll on any creative person.

[@willb1405]

its funny how dubstep evolved from underground darker garage as a response to the mainstream pop garage scene, but then it went full circle and became the same commercialised rubbish, with gigs full of people going there cause its trendy. its almost poetic.

[@HoTBreakZ]

Big Ups Legend!!!

[@Jemzedmusic]

"I tried to insight a riot, i think, at one point" fucking rate this guy haha

[@OhDeeDoubleU]

6:35 heard a tune with this sampled, finally know where it’s from hahaha

[@chrisrolls426]

well i like watching his sets now ... plays good tunes, gets the crowd moving, and has a good time ... what more is there?

[@ApokalyptischerTempler]

he back

[@kushradubs9821]

He is actually a genius; you can tell he's wordly and articulate and his music goes with out saying s top notch - guy's a pioneer if I'm honest - so he "jumped off" - are you telling me that's not a vbe stll at those feastvals?? Cos when you play one of them it must be hard to come back down

[@kushradubs9821]

And his new stuff is great too - kudos to hm - and he does say - he was tred of playing the same old music - you have to expand your horizons as a producer cos if you stay in one genre your game will never up

[@9595luke]

big up skream

[@colinbuddz3542]

he's right about what happened to pop. dubstep. it became all about the crazy drops :L

[@PadraicPodgeKelly]

"My future sound is what I'm playing, house disco techno records" - thank fuck dubstep has become pure bolloxology

[@domboughnique]

Oliver puts the soul to 140

[@agamaz5650]

you are so right. Popular dubstep lost its vibe and every brostep track started to sound the same.

[@WorldOfWobble]

Great documentary! Howveer it doesent really add anything new to what everybody already knows.skream stopped stepped out of the dubstep scene cause it didnt inspire him anymore etc.....His recent house/disco releases are great aswell.People really need to stop bitching how can you tell a producer to produce music he doesent enjoy anymore!!! For fuk sakes let the man be!he's an artist he's meant o be creative allowed to do what he wants!However one mistake I did feel he made was to change genre but keep the name "skream" it doesent really bother me,but he should have created an alias for the house/disco genre as that name will forever be embedded in dubstep and the culture surrounding it (and for good reasons to)!

[@TheBennychin]

Wow, I'm surprised to have known most of the Dubstep tunes that were played on this documentary.

[@matthewwombat47]

what is that description for gunfingers about hahah

[@shmink2]

Anyone know the track from 9:08 to like 9:12? I know there's not much to be able to pick up but it sounds good.

[@robsimpson9908]

Dansson & Marlon Hoffstadt - Shake That

[@krakca]

sooner or later everybody ends up with techno.

[@Dan-lg4bs]

Yes

[@fernandomoreno6004]

beautiful fuckin track the last one, Smiler!!!

[@gillyobaggin]

top man

[@mistayif]

what's the tune right at the end?

[@rubiksweekly]

What's the song at 1:33?

[@gregthayer8964]

whats the song that comes in for JUST A FEW SECONDS at 4:48 its killing me anyone know?

[@billyth4kyd]

skream killed disco

[@rubiksweekly]

In a good way, right?

[@GROWgamer]

that tune at 6:42 ID?

[@LK69]

Skream - Dark Side Of Life

[@agamaz5650]

SKREAM DUBSTEP IS BACK it is called Riddim it is like reincarnated olschool dubstep

[@mjm2801]

2:38 - 2:55 = Digital mystikz - intergalactic anti war dub

[@roshangurung2649]

Track ID 9:09 please xx

[@Yartin]

I want that jacket so bad

[@rubiksweekly]

SONG AT 1:32 IS Eddie K - Activate

[@carl1011]

Doing gods work ty

[@satatay23]

I wish there was still new GOOD music under what is considered the original dubstep sound. Few and far between nowadays.

[@TheDubstepEveryday]

Full name track please

[@Havark420]

Dubstep aint dead... Skream is dead! Big up to DMZ and Subfaction!

[@joeldukes303]

Not dead, it just sucks

[@bigcheeseultan]

4:08 loooooooooool

[@mrfundah]

true human being being human true

[@tennthomas810]

What’s the song ID at 2:39?

[@MsThroneofgames]

My friend saw Skream last year and he played all this disco stuff. He said the show was extremely disappointing and no one seemed to be enjoying it

[@Agilebeast101alf]

4:35 didnt realise diego costa was a dub-step fan

[@andrewthompson4228]

Song @ 9:10?

[@andrewthompson4228]

I found it guy. Dansson & MarlonHoffstadt - Shake that

[@flowbient]

thank you!

[@joemike7891]

tune at 6:40!!!!

[@ExtraCelestialTV]

Yeah really I need an I.D

[@OneHappyBlonde]

Jay EC Skream - Darkside of Life

[@michaellk2254]

What was the first song at 0:32

[@nickylem3]

anybody who see’s this- please tell me what hoodie is he wearing

[@Number-id8ld]

I wouldn't say they were nascent days, The UK days were his best tunes it only wernt downhill from there

[@666afflicted]

fair enough, a man's gotta do what he's gotta do. it's just a big shame for us dubstep fans.

[@CrazyCatHusband]

Anyone know the track at 4:58?

[@amp4105]

5:47 😂

[@brentsvensson7882]

Track @ 1:52.....?

[@linglingjr]

I don't enjoy disco stuff that he's doing now as much as I do other artists that mix it with jazz, blues, funk. It's better than nothing, certainly better than him continuing to make stuff he isn't satisfied with.

[@domperea7739]

Begging for the song at 1:26

[@PsychicType]

katy b - katy on a mission

[@markuseden2105]

Yep... the Drop Trap... modern drum n bass totally has the same cluster F going on...

[@YS_Production]

Turn on subtitles at 10:00 when he talks about the bolier room "incident": "Russia snap trash inside my head" - damn Putin made him do it!! (Just funny happenstance, love Skream)

[@necbranduc]

Guys, what's the beat at 7:55? Thanks!

[@30-hz]

the IDs literally pop up as the song starts playing. open your eyes

[@JonyDuck]

Darude - Sandstorm

[@carl1011]

Track ID at 1:33??!!

[@stashstanton]

9:08 song???

[@MrAudioMONSTER]

Song at 1:32 anyone?! Sounds brutal!

[@ayush2073]

track at 7:56?

[@blueshiftuk]

skream - kreepin

[@slowedonly]

Legend