Рет қаралды 9,490
We’re overdue for a serious nerd-out session here and so we thought this would be the perfect opportunity to address and demonstrate the snare drum sound being captured by microphones from different perspectives. What does it sound like when the mic is on the snare side but blended with overhead? What about miking the side of the drum? Grab a set of good headphones and buckle up for a fun adventure into sonic perspectives.
PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): sladl.ink/GIK
AKG Audio (microphones): sladl.ink/AKG
Evans Drumheads: sladl.ink/EvansDrumheads
ProMark Drumsticks: sladl.ink/ProMarkDrumsticks
Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 12.8
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 sladl.ink/C314Pair
Snare: AKG C414 XLS sladl.ink/C414XLS
Floor Tom/Kick Drum: AKG C518M & AKG D112 sladl.ink/D112mkII
No EQ or compression in use with drum demos unless otherwise noted
Acoustic Treatment:
GIK 242 Acoustic Panels: sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: sladl.ink/GIK4aAlphaPro
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: sladl.ink/GIKEvolutionPolyFusor
GIK Tri-Trap Corner Bass Trap: sladl.ink/GIKTriTrap
Drums:
Craviotto 14x5.5” Maple
Cymbals:
14” Jesse Simpson Old K clone hihats, 22” Jesse Simpson modified ride
Drumheads:
Snare: Evans Calftone / Snare Side 300
Toms: N/A
Kick Drum: Evans UV EMAD / EQ3 Coated White Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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Sounds Like a Drum is a CADENCE INDEPENDENT MEDIA production
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