Solti Bayreuth 1983 - Die Walküre - Act 1 Scene 3

[@neilmurphy7554]

Great to hear Jerusalem in his prime before unbearable barking set in by the late 80's. He is splendid here, lovely lyricism, tender expressivity, nuanced yet powerful.

[@shelfstacker9317]

He had recovered from his vocal problems by the early 90's. His Tristan through the 90's at Bayreuth under Barenboim was sublime ! As was his Siegmund at Bayreuth in 84 and 85....

[@carlosblazquez1324]

Sieglinde's Scream at 24:50 has to be one of the best moments in Opera history.

[@marolutz]

however, it is not indicated in the score! to be in Opera history. Perhaps in the producers' stories of preferences. Very Freudian effect!

[@charlesrhodes1358]

Leonie Rysanek was the most celebrated exponent of the screamhere.

[@marolutz]

in Wieland Wagner's productions

[@wotan10950]

The Rysanek School of Screaming and Scenery-Chewing. I can’t stand that scream by any soprano. It’s not in the score either.

[@marolutz]

Wonderful singing! I heard both singers at the teatro Colón, Buenos Aires but in different performances, Altmeyer in 1981, with James King as Siegmund and Jerusalem in 1996 with a darker tone in his voice after the heavy diet of Siegfrieds and Tristans during several years. Coincidentally both tenors were in the same age 56 when singing this role.

[@laimajonusiene201]

I LIKE HIS WINTERSTURME ...here the best

[@wotan10950]

Have a listen to Torsten Kerl, Robert Dean Smith, and of course Jonas Kaufmann to hear Wintersturme sung beautifully by modern tenors.

[@giuseppestefano6278]

姐弟