Sony APS C is BACK! 11mm f1.8, 15mm f1.4, 10-20mm f4 (Vlogging Paradise?)

[@cameraconspiracies]

If you buy today's gear through my affiliate links, the Sony a7000 will laser target the Fuji XH2s and crush it like Godzilla would crush your cat. A mini A7S III with 4k 120p, HD 480p, super IBIS, and animal eye detect in video. Sony 11mm f1.8 bhpho.to/3m6YSLz Sony 15mm f1.4 bhpho.to/3tbcXLX Sony 10-20mm f4 bhpho.to/3GHF4YM Sony ZV-E10 bhpho.to/3tbF7qa Sony A7S III bhpho.to/3yeUW0q Zeiss Batis 25mm f2 amzn.to/3fz3iHF or bhpho.to/3GnpNuq or used! bhpho.to/3H1UYeQ Instagram instagram.com/vegetablepolice/ All my gear and recommended products can be found in my affiliate shop, thanks for shopping around! www.amazon.com/shop/vegetablepolice

[@haploguy]

Your incessant requests for 480fps or 240fps are tiresome. Dude, there are hard limits to the RAM required and file IO write speed. A good 1080p jpeg is 3-400KB, *240, that's 80-100MB/s write speed required. If you somehow manage to capture the sensor output into memory, process it from raw to jpeg so the quality isn't poop and spit it towards the storage. Protip, unless a body has CF Express (or USB SSD option), the camera won't be able to support those superhigh frame rates - assuming the processor/board can do everything needed before the actual save to storage happens.

[@cameraconspiracies]

@@haploguy The Sony RX100 IV has 960 fps, it's not that hard.

[@kiyoshim9593]

@@haploguy Looks like you designed the cannon Cripple hammer

[@haploguy]

@@cameraconspiracies don't be coy, it's only for 2s@1136x384, do the math and you'll end up in the same place; assuming a 100% jpeg will weigh 90-100KB*960 that's almost 90MB/s, which it doesn't even write directly to the card; I assume the compression is worse and it's cached in whatever 128MB of RAM that camera has. No manufacturer will add the cost of such a feature (probably $25-50 if the body already supports CFE and only needs extra RAM or double that to add CFE too) for a feature so few need/require/use.

[@justartt]

@@haploguy I think you should read up on satire. Also, who cares. Just enjoy the content.

[@justmedia5815]

I dont even care for the products, im here for the comedy your channel is gold

[@NSFA]

Nice job on making the Toneh a thing Casey! I was in a camera store out in NS the other day and use the term (without realizing) and they shouted Camera Conspiracy 's 😆

[@dwightsbeetfarms3611]

I'm just happy Sony gave you these lenses to review. Also, that 15 1.4 footage riding the board looked really cool

[@paulthomas8986]

That 11mm f1.8 was fantastic on the ZV-E10. Even without stabilization on it was good enough for all the static shots and on the skate board. So much nicer looking than a gopro or smart phone.

[@craigman7262]

I mean gopro is rugged and pocket size. different uses for different scenarios.

[@OttosTheName]

Oh yeah kind of apples and oranges, but I think for the 'average vlogger' that yeet-it-off-a-mountain-ruggedness is not at all necessary and the image quality difference is quite large. Definitely a market for both though!

[@markr041]

@@OttosTheName I have both the ZV-10 and the Gopro Hero 11. I think the 5.3K 60P video looks great: kzbin.info/www/bejne/n5DLendsbc6JoKM, better than what the ZV-10 brings with a wide-angle lens. The Hero 11 has 10bit colors, as opposed to the 8bit of the ZV-10.

[@rudestan]

@@markr041 thanks for the footage (i also was curious about the last-gen hero footage and to compare it with sony). However in my opinion the ZV-10 produces much more crisp videos, of course with appropriate lenses on it. The worst thing about sony for me is the rolling shutter, you really have to be careful to minimize it. Ideally for the good shots for every occasion is to have both the zv and the hero. My situation is kinda similar i have the zv (but for now only with the kit lenses and i am trying to find the best wide lenses) and insta 360 RS with 1inch mod which is pretty good for some action and water/underwater shots.

[@JV8901]

What most impresses me is that while you were riding the skateboard i didn’t hear not the slightest wind sound, it was just you. And that impressed me.

[@grego4835]

He is no longer vegan so no more excessive wind.

[@chinitopinoy1726]

Could you test the 11 1.8 on a7s III and do catalyst browse stabilization to see if it gets rid of more vignetting?

[@starwarz4726]

+1 for this! Do this test please!

[@80-80.]

A bit strange that they launch these without having aps-c bodies.

[@mavfan1]

huh? It's not strange at all.

[@aLboOGieZ]

Thanks Kase, I sincerely was looking into getting the 15mm f1.4 -- and I follow your other channels so this was a no-brainer

[@kapilesh14]

15:20 there is no current camera that deserves this lenses. So true Casey, so true :))))) 16:50 your attention to details is why your reviews are best :))))

[@VinnieCamilleriMusic]

What the..... a remote control skateboard? You used it as a camera slider? lol I got that 16mm that I used with my A6400 but now I have the A7 iii been looking at the Sony 16-35 f.2 for a while now, just so expensive. You have it?

[@Gorro777]

hi, what do you recommend to buy? Sigma 16mm or Sony 15mm? my camera is fx30

[@HuaweiGames-TVprofile]

If you can handle that weight on sigma 16mm go ahead... But i tried both... Both amazing.. But that sony light weight was a big pro. Also OSS.. And just being native... I returned both back to Amazon. Gonna miss the 15mm sony.. Jus Wish I could find one used Cheap. - - - Markus 👋

[@HuaweiGames-TVprofile]

I ended up keeping the 16mm Yungnuo $200 ish I think... Btw.. Lil heavier than sony --Markus

[@chcomes]

A review that is both timely and actually useful. What is going on!!!

[@snowboardtraveler]

Thanks for showing what they look like on full frame.

[@XanderEwald]

I have so many issues with my Sigma 16mm f1.4 that I am considering to get the Sony 15mm instead. The Sigma's continuous auto focus for videos is unstable above apertures of f1.8, so I had to buy a Tilta focus wheel to remotely set the manual focus when shooting myself. Otherwise the focus keeps hunting and breathing. Also, the bokeh is completely uneven (left half of image is already blurred while right half is still sharp), so my background looks uneven. Sigma's customer support was not helpful at all and basically told me "it is what it is". Never had any of these issues with my Sony glass, so probably will replace everything Sigma over time.

[@MajorMotions]

First 5 seconds of this video he answered my only question 😂😂😂 GENIUS!

[@NickPixelTV]

05:38 like neistat just not at 40mph.. interesting lenses.. and the zv-e10 is like the only camera to ever appreciate in value

[@mountainhobo]

So Sony is now releasing new APS-C lenses having pretty much abandoned APPS-C cameras?

[@robertfontaine3650]

Maybe they will release a fuji mount ;)

[@gunn1ng]

Hint: They are not abandoned. New semi-pro lenses for a new semi-pro Sony APS-C camera in the pipe.

[@OttosTheName]

Well the lack of new camera's is probably related to the chip shortage. I have barely seen ANY aps-c camera's for sale in the last 2 years in Europe. Even the non-discontinued models. So when it comes to bodies I don't think they abandoned APS-C. It only seemed quite obvious that they abandoned the lenses for APS-C and wanted everybody to buy massive expensive FF lenses because they woul 'ugprade' at some point anyways. But after years of no APS-C lenses (or maybe a few) this is very confusing.

[@robertfontaine3650]

@@gunn1ng Announcing an a6700 and making enough of them to actually buy at a price that makes sense for APS-C is something Sony hasn't been willing to do with its chips for the last 2 years? The used bodies are selling at obscene premiums right now. (I should sell mine while I can, it's just silly)

[@ismagine]

These are not really for APS-C only. Sony is releasing new full-frame cameras with more advanced-AI stabilization that needs more cropping for video

[@paulthomas8986]

This is the lens I have been waiting for Fuji to make for years. WTF Fuji.

[@josecarranza9719]

For real but instead we get an 8 f3.5 like why. Another summit in September so maybe they'll announce a different wide prime then but I doubt it.

[@antonhei2443]

I hope Tamron, Sigma or Viltrox teaches Fuji a lesson on the xmount. 👽

[@reviewnesia9505]

but fuji already have viltrox 13mm f1.4 :D hahaha

[@paulthomas8986]

@@reviewnesia9505 11mm is much wider than 13mm. Its much smaller, and lighter too. The Sony is a better lens for Astro, architectural, vlogging. Pretty much everything.

[@chrisguli2865]

That vignette frame gives you that nostalgic look actually.

[@markr041]

UPDATE: These lenses work perfectly with the new (since this video) Sony fx30, which has IBIS, log gammas and 10bit color. Example with the E PZ 10-20mm f4 handheld: kzbin.info/www/bejne/g4OYiIylo7qEhbM

[@p4ul.f708]

@Camera Conspiracies About the prices: Here in Germany the Sony 15mm 1.4 is DOUBLE the price of the Sigma 16mm. The Sony costs 850€ and the Sigma 350€. Thats some significant price difference. Oh and another really important remark: What you want already exists: You can record 4k video with the zve10 and then in "catalyst browse" use the gyro data which the camera recorded in order to stabilize the footage. You either can let the program do everything or selct a crop ratio on your own. But usually a crop of 10% already stabilizes the video incrdibly well. One drawback of this is that you need to use higher shutter speeds but the results can be extremly amazing imo. I would go as far as to say stabilizing with "sony Catalyst Browse" is the best in camera stabilization solution to this date. Ive seen samples which looked like they were filmed from a gimbal, thats because this mode essentially works as a gopro, nsta360go 2 or any other action cam in this mode with the gyro data. I really dont know why so few people know of Sony catalyst if it is such an brilliant feature.

[@potatophil8432]

Maybe watch his video on catalyst browse :D.

[@attilak9373]

To use Catalyst' with Giro data - it could be a good idea but: :( The stabilizing process takes hours of your precious time. :( You can only use it on one file at a time by default. :( In addition: it fails sometimes.

[@p4ul.f708]

@@attilak9373 hmm okay, but for very smooth footage I wouldnt mind it to tale some time 🤔🤷‍♂️ Honestly, I just would do sometjing else in the time where it is rendering

[@p4ul.f708]

@@potatophil8432 Oh no, well that's awkward. I did not know that he already is familiar with catalyst browse, cause I have subscribed very recently. But thanks for letting me know 😅

[@p_p]

10:17 what kind of mouse with weird tail is that

[@icecoat009]

Looks really good when your on the board 👏

[@raczyk]

@ 10:00 how did you make that hyper lapse, looks dope.

[@comment_section4766]

me watching youtubers debate if 4K is good enough in 2022 in 360p.

[@MasoodJamal]

Which ultra wide angle lens do you recommend for indoor real estate videography ?

[@amjadmalik1570]

I am waiting for your video with Sony A7iv camera. There are a few KZbinrs who, instead of sitting in the studio and telling a story, make a practical video out there that gives a good idea of ​​the camera's performance. Love from Pakistan 🇵🇰

[@DavidWilliams-ov4kn]

Great video! Good to see you happy. (With the tech!)

[@simpletraveltech]

Was this test with the SONY ZV-E10 Mark II ? I didn't catch it if you mention it. I wonder if there's a performance improvement with the Mark II.

[@Mr_762]

honestly love your content, hope to one day to have such a professional but yet enjoyable camera man like yourself.

[@brentinjapan]

Why not use the 11mm in studio? Too much distortion?

[@zerio_meitei]

Really love to get 11mm f1. 8 it will be best lens for Vlogging

[@brandonkaczor7274]

I thought the Black Pro Mist filter ruined the image, the 15mm looked 10x better on both cams, the BPM filter made the image almost trash.

[@MilanDH]

I would have to agree

[@charliejg]

Looks like it was garbage day on that street. Made me think you should do a throwback video and return to our old dumpster spot for a retro dumpster vlog...... Have a great week!

[@PhillipLearnTeach]

Seems likethe 15mm 1.4 have a slightly better bokeh... or am I seeing wrong?What about the 10-20mm? I was thinking this one would be nice as it covers 10-20 but not sure of bokeh

[@chinitopinoy1726]

Honestly, the 1080P on the a7S III is really good.

[@youuuuuuuuuuutube]

The 11mm f1.8 (16.5 FF equivalent) would indeed be great with a 20% active stabe crop let's say => 19.8mm. Just need a ZV-E11.

[@allen3158]

I remember because the autofocus would disable when using clear zoom?

[@bloodmoney88]

my sigma 16mm is still in my bag, can't see these nudging it out.

[@sleepless51]

That 15mm is nice but can't beat the Sigma 16mm price, and that's a slight middle finger from Sony to most of their APS-C shooters, although these lenses beat the competition in other aspects, like size, which is also a big deal for APS-C. At least we have more choices now, which is great.

[@assai74]

After rewatching it boggles my mind how in deph of a creators and users view you show the performance of the lenses and combined with differend bodies, stabes, compared to Zeiss on FF and cross check. And on top of that I enjoy your settle humor sprinkled all over it. Overlooked the zoom rocker on the 10-20? That reaction! 😂

[@paulmitchellphoto]

Not an a7000 but the a6700 works great. I picked up the 11mm for it based on this video. Thank you. a6700 has insect eye detect. lol

[@Leptospirosi]

15:20 with cropping that is tinier the M43!

[@envakaneriaconeldomiysusin2015]

hi just love all your video can you please recommend me with lens is the right one for a sony a6500 for streaming very small studio

[@albertspeier5047]

I know this has nothing to do with the situation but I needed your advice I was going to head and videotaping the meteor showers yesterday and I ended up getting a glimpse of a UFO and it came down and being my Panasonic G5 Mark II camera and now I'm without a camera and I was wondering if I should get that new Canon r7 before they return a Panasonic because of the auto focus problems and I was maybe going ahead and wanting to go with the bigger sensor as well so what do you suggest I do

[@artkarp]

Looking forward to version 2 of this review with the A6700 camera. 😁

[@Lebonkt]

You're too funny dude 😂. Enjoyed the video 🎉

[@BenjaminGib]

Freakin love this video. Also now show the A6700.

[@networm64]

Sonyalpharumors lists a bunch of reviewers of these lenses but I know who should I check the first! Primes look so lovely indeed but the 10-20 should have had oss as it was rumored to have! Very good job Kasey! We all are waiting for a real apsc body in Sony ecosystem if it ever happens!

[@MarkOakleyComics]

Ahhh! I lived in that exact same Toronto apartment. That flooring and the covered couch and cheap-ass folding table... All my friends lived in that same apartment. Did the city get a bulk discount on floor Jenga blocks?

[@sneakergearz]

Your the only one I trust. Could you compare the 20mm 1.8 FF to the 11mm 1.8 on your A7Siii? Could you save the money and weight and go with the APSC option?

[@cameraconspiracies]

You saw the results, why would you cripple your a7s III to 1080p 60p?

[@sneakergearz]

@@cameraconspiracies actually I have the A7IV so 4k 60 is in crop. Wondering if any of these are worth while specifically for video.

[@cameraconspiracies]

@@sneakergearz Never buy aps-c lenses for full frame cameras, unless you want to cripple your full frame and only use aps-c.

[@ryen7512]

You are so hilarious! Nice video with good information. Thanks!

[@officialtiimo]

If only there was a Sony APS-C camera that didn't suck to go along with these lenses and the 16-55 and 70-350...

[@paralleldrawing1145]

I actually do own the 70-350 cause i got it for ~600€ but i wouldnt ever buy the 16-55 for my a6300 its just not worth it compared to the sigma 18-50...But im not sure if there will be a new high-end apsc from sony in the near future. I really dont feel like buying the same 24.2 sensor again :/

[@skyrunr]

You just described the Z50 and kit lenses, but the AF-C just isn't there yet. It doesn't even have the best Nikon mode Wide (L People) that the Zfc (identical) has. The 50-250DXVR kit is as good as the 70-300E AF-P which adapts very well btw.

[@fromia1]

Which handheld tripod do you use?

[@cameraconspiracies]

If only all my gear was in the amazon shop in the description.

[@BustedKnuckleWoodworks]

I have no idea of the significance the the Vegetable Police thing (inside joke I assume) but I have decided I need this t-shirt in my life.

[@ghostapi874]

If you can just finally get red of that godawfall apsc sensor that we've been stuck for a billion generations now. It would be much better already. The readout speed on that sensor is just too slow. No matter how good the ibis, it will look shitty due to being in jellow jitter land with the rolling shutter.

[@suhocare]

Maybe ZV-E10's face priority auto exposure brightens face and sky at the same time.. I want the color of the sky to be blue. Can you turn off the face priority auto exposure feature and see the result? Will the face exposure look too bad?

[@TogheFace]

Actually? The focus lengths with active stabe, are longer, you forgot the 1.5 crop factor already since it's a crop lens and camera

[@johndao5870]

Nice comparison.

[@saifaldin_]

You were expecting the aps-c primes to cover FF sensor? I can understand that with zooms, but.. wouldn’t they market it as an FE lens in the first place?

[@cameraconspiracies]

It's my duty to check.

[@saifaldin_]

@@cameraconspiracies Fair enough.. I did enjoy your shocked face, btw. Carry on, Sir..

[@acousticstudios6200]

Hey Camera Conspiracies, when you were testing animal eye detect, you didn't see the box, because in Sony aps-c cameras, when you enter 1080p 120fps, the autofocus reverts back to contrast detect. Same goes for Sony's digital clear zoom. If you want to test the animal eye detect, you should do it in 4k 24fps or 1080p up to 60fps. I know those are not magical, but at least you can test if the animal eye detect is any good and if it is worth striving for in the a7IV. Keep up the great work! 😁

[@cameraconspiracies]

It wasn't showing up, I was filming in 4k 24p when talking about it. It doesn't recognize squirrels.

[@mrbeacham68]

@@cameraconspiracies The reason it wasn't recognising your squirrels may be something to do with their colour. I have two cocker spaniels, one black and one gold. Animal eye detect works great on the gold one where there is good contrast between the colour of the animal and its eyes so the image processing can 'see' the eyes. My black dog has very dark eyes so eye detect struggles to detect the eyes, which is understandable. At the end of the day its just a computer program looking for a certain pattern, so if theres no pattern to detect in an image of a black squirrel with black eyes one cant expect miracles. You need to bin those black squirrels and get some grey or red ones! Anyway, thanks for the original, entertaining and intelligent content. p.s. why are all the best camera/video related KZbinrs Canadian? (I'm in the UK).

[@j-day]

Will be interested to see how that 11mm goes for the star geeks

[@bradl2636]

Certainly next to the Rokinon/Samyang 12mm f2 would be interesting to compare for Astro/Night performance… the 12mm optical formula is much older of course.

[@em8969]

Great job brother

[@przybylskipawel]

I never understood the hype about ZV-E10. In what way it is better as a vlogging camera comparing to a6600? It has IBIS that is good enough for video. You just have to move mic somewhere else.

[@TheRealNebari]

It’s like half the size. The zve10 is closer in size to the zv1 than the 6600. It also has an articulating screen. I owned a 6600 and sold it in favor of the zve mostly upon size and weight savings alone.

[@aquinoj99]

You should compare the Rokinon/Samyang 12mm f2.0 with that Sony 11mm

[@JasonToddRoberts]

Did you make a how-to-walk like a vlogger video yet?

[@SovietLensReviews]

"Sloping down to boredom" 😂 Man I love MTF charts, but that got me

[@ayhancapan]

Zeisss Batis 25mm f2 is 2 times more expensive than ZVE10. :) ZVE10 should be so happy to be with it :))

[@bradl2636]

Would welcome your thoughts now in a A6700 world

[@chrisguli2865]

I prefer cloudy days the lighting is much more diffuse and even.

[@-grey]

That stormtrooper looking Zhiyun M3 is small enough to carry around with these tiny lenses.

[@mihaiserbanescu8676]

I have the crane M3, I am not sure which lenses I`ll get yet, but it looks like I`m lucky and they`re pretty small and light :D

[@-grey]

@@mihaiserbanescu8676 honestly, the 11f1.8, the 10-20f4, and a nice 24f1.4 should do everything you need except like bird or moon photography. If I could start again, I would do it that way. I almost never shoot longer than a 35mm equivalent.

[@mihaiserbanescu8676]

@@-grey at the moment I have an 18-105mm glens, a 70-200mm g lens (it's for full frame so on crop it's 105-300mm) for insane portraits or some birds, the kit lens, my a6400 came with a 50mm f1.8 (not the sharpest at all). I was thinking to get the 10-18mm so it would be a great range, though, at F4, it's bad in low light. 10-20 is optically better but still F4 so that's why I'd need something like the 11mm F1.8/15mm f1.4 for low light vlog for example. Don't know if the 15mm it's wide enough though. On the crane M3 the 18-105 won't balance so it has to be light and short.

[@-grey]

@@mihaiserbanescu8676 f4 isn't super versatile in low light, but I shoot it at 1/100 all the time and it's perfectly fine. You do need to adapt to embracing contrasting shadow as an element in the composition though. - 1 or 2 eV usually. And then written the scene for the light. It's hard to get a flat image with f4 at night.

[@mihaiserbanescu8676]

@@-grey this is the reason why I got the 11mm F1.8 as well. If I do need to vlog in the evening or during night time, the F4 is not going to help me much, but the 11mm F1.8 will. Which is great! I could have been going for the tamron 11-20mm F2.8 but I have a feeling that it's focus leaves a lot to be desired.

[@jamdigital9530]

Mate! Please do one episode were you just stare into the lens for the whole video.

[@manikmahajan3453]

the squirel is all black and had no contrast on it's eyes and body that's why camera was not able to find the eye to focos

[@Gadgets20]

I don't think the Sigma is dead yet just because the Sony 15mm is double the price.

[@timrober75]

Great work as usual sir :) ... personally I think the stabilisation looks awful. Eyes keep getting drawn to the jerkiness /wobbles in the corners.

[@HamRadioCrashCourse]

Do they come in SILVER for my WHITE ZV-E10?

[@frankartale1026]

Ahh the Toneh

[@mkoenig57]

“… oh she’s wide…. The least desirable of the three sisters” Damn you crack me up. I agree - I wish these companies would stop making all these apsc f/3.5+ lenses

[@olegvorkunov5400]

It looks like Sony is about to announce new apsc camera. 100% by year end

[@gunn1ng]

Yep

[@allheronocape8372]

Stabb was legit. 11mm great.

[@aengusmacnaughton1375]

ZV-E10 has much purer urine yellows than the A7SIII....

[@mredben]

i miss the ghost walk in slow motion :D

[@cosbro5389]

I can see Sony contracting you as a consultant / advertising executive 🧐 ...we all know the buttons on the side are for people that get bored with your videos

[@Photovintageguy]

What happened to the Zeiss outdoors, it's low contrast and looks like it's dirty or something? The corners actually looked cleaner. Did you clean the lens? Or is a the mist filter?

[@peterkapunkt6783]

Probably the filter.

[@Deathbynature89]

I say wait for the Viltrox 13mm F1.4 to come to E-mount.

[@yoyiyoyi7216]

Nice vid

[@sanderbos]

4:02 Okay, but what if the Sony 15mm is actually _twice_ as expensive as the Sigma 16mm....?

[@JohnDrummondPhoto]

Your "Noo Yawk" sounded Cockney for some reason. 😂 Not impressed with the active stabilization alone for vlogging. Face it, nothing is really better than an action camera for walking vlogs. I just live with everything being in focus. When I get my R7, though, I'm going to pair it with an adapted EF-S 10-18 and see how that works for vlogging and video. Not the fastest, but it may be the best available option right now for RF-S. P.S. on a cloudy day, the BPM filter just looks like the lens is smudged. That's what I thought it was until I noticed the title.

[@cameraconspiracies]

I don't think it will have sync stabe. Just get a macro filter for your gopro for some slight Toneh :)

[@JohnDrummondPhoto]

@@cameraconspiracies the EF/RF adapter works well with stabilized lenses and syncs with the IBIS. I expect no problem with the EF-S 10-18. Turned out, the unstabilized RF 16mm is unusable with the R5 and R6 for vlogging. However, it takes decent photos.

[@JjackVideo]

"These are attacks" lmao

[@ferdinandbardamu3945]

Sony, what I really want is a RX-10 V. But I'll take a $1500 APS-C flagship.

[@OttosTheName]

10-20 is very interesting because it's tiny and probably sharper than the old 10-18, but I like shooting architecture and occasionally in the evening and no OSS is a real issue if you ask me. Not every tunnel, building, etc is lit all that well. The 11mm is interesting though! 15mm is 66% more expensive than the Sigma 16mm. So Sigma killer? Then it must be REALLY good.

[@aaaaaa-aaaaaaaaaaaaaaa]

and you can NOT find it used, sigmas are easy to find used

[@Life_of_John]

Would love to hear you on karaoke doing a Neil Diamond track. Just saying. ;-)

[@przybylskipawel]

This Zeiss lens have very low contrast. and seems soft

[@creativecomputers6060]

Next episode: My electric skateboard was stolen

[@KK-VLOG]

Sony APSC i super dead.. mostly because there isn’t any cameras in that line that shoot nice slow motion… that 1080p 60 and 120 fps looks horrible.. worst that iPhone footage. It would be great to get at least 4k 60 fps 10 bit after so many years of zero upgrades.. I love the apsc system and sigma 18-35 is my all time favourite lens so I don’t wanna go full frame for decent slow motion… my only option is switching to Fuji..

[@jf9979]

Anything smaller than medium format is DEAD.

[@TheDocDrey]

There's a very high pitched sound coming from the skateboard whenever you are vlogging from it. It's borderline giving me headaches. Am I the only one hearing it?

[@edenkhun3487]

This guy so hilarious. 😂

[@Greggie_D]

That Pro Mist Filter looks like it might be covered in fingerprints. Doris Day looking.

[@cameraconspiracies]

It was completely fogged up for some reason.