Behind the Scenes of EUROPA | Virtual Production | Sony Official

"#Sony,
Go behind the scenes of ‘Europa’ - an ambitious short movie produced at USC’s Entertainment Technology Center using cutting edge virtual production technologies from Sony, shot on Sony’s Crystal LED stage by a VENICE 2 8K, utilizing our Virtual Production Tool Set. See what was done with the full collaboration with the Sony group including Pixomondo and our latest Torchlight."
Sony will continue to work closely with creators to develop new creative solutions to support their vision.
Learn more: pro.sony/cinematography/virtu...
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[@beyondcinema]

I got to visit this set during their production it was quite a setup. So awesome to see some of my friends working on this project!

[@VIPAH]

Sony Venice II and the Cooke Anamorphics. It's always a combo I see on these high end shoots. Unreal engine is popping off these last few years.

[@watchvideosoul]

I didn't realise the virtual VENICE was so comprehensive. That's very cool! The moire alert is neat too.

[@jmalmsten]

Any links where we can see the finished visuals? Because... There's something very stagey and strange about what is shown here. It all feels like first rough drafts.

[@cgartperson]

yep exactly - most of this would be version 1 in a visual effects pipeline. LED Stage is all marketing - and 90% of the shots are replaced with compositing to get to the final look - otherwise it ends up looking like this.

[@EvgenyZyablikov]

Dizzy Space!

[@Sey357]

WOW 👑 SONY GOD FOREVER ✌️ #1 👑

[@MaraldBes]

looks excellent.. wish I could see this in real life.. The future of filmmaking is looking very good as Sony is aligning vertical markets within the sony group. From high-end pro to consumer will be part of one ecosystem that just works.

[@mattherson9841]

Awesome! Love seeing the TODA Live use on this project :)

[@AG-rt9yu]

One Sony

[@darkknightwithanidea1845]

YAWWWWWN! It’s not taking off

[@kheankimhong]

❤❤❤cool

[@Cameron_Prymak]

Just an average person here when it comes to digital media, but swapping post-production workloads for pre-production looks like a game changer.

[@krisangelo727]

Where do we watch the full film?

[@sergziberman]

ну видимо так американцы и "посещали Луну" в 1969 году. Безусловно у американцев всегда самые красивые и дорогие фильмы 😃

[@brettcameratraveler]

Can't wait for LED walls to Actually be full spectrum accurate. The truth is they aren't yet. LED panel manufacturers need to add more LED colors than just RGB(W) to make it possible.

[@beaudanner]

Amazing but drives me crazy to see astronauts walking normally on the surface. I think Europa is slightly less gravity than the moon.

[@richardconway6425]

The entire ICVFX production system made possible by Unreal Engine, but not mentioned once. That's a bit sad. It wouldn't have hurt them to mention unreal, or the fact that it depends on some powerful nvidia gpus to do all that stuff in real-time. I'd be more interested in this if it wasn't such a brain dead fluff piece for Sony.

[@diegoX6Turbo]

SORA forever

[@Oceansta]

Looks pretty terrible TBH, the DOF feels off and the lighting flat. Probably will get there in a few years but def isnt there yet.