Wow it’s really hard to say which is best. I’m pretty tempted to say they all sounded equally fantastic, which is a testament to Sumika’s playing. I would take any of them!
@KuroMuro-b9j9 ай бұрын
I would take only her, and her ONLY...
@romekatomek21597 ай бұрын
this is the best question for booth players, which one is the easiest one to play. I played Oboe 10y, I played on a borrowed instrument from school, and thanks to my ear, I played cleanly. A peer had a new YAMAHA oboe - there, consistent pressure ensured the purity of every sound. I had to figure things out. I joked that you could power his YAMAHA with a vacuum cleaner.
Wow! Great on all of them. For me, I liked the WO20 and 82Z best - tone, pitch, resonance we’re all right where they needed to be w/o being too bright or overly focused.
...sitting in a cafe in Greek island,.... this workout takes me there......not in a golden plate.... but under the fingertips in the midle of the classroom......thanks for sharing ☆☆☆☆☆☆☆☆☆☆☆☆
@tosizohijikata41458 ай бұрын
さすが・・・どれを鳴らしても素晴らしい音です。
@marcioramosfoto3 ай бұрын
Fantastic sound, you'll be enchanted when you play it
Todos eles saíram um som espetacular! Sou do Brasil e toco na igreja Congregação Cristã no Brasil o sax da marca eagle 502 , é uma marca boa , uma pena o yanagisawa ser tão caro por aqui o som dele é lindo! Parabéns vocês são top.
The MkVI has loads of character… but the intonation really doesn’t stand up to any of the other more modern horns. The Yanagisawas sound ok… but they don’t have they depth of sound compared to the Yamahas or the Series II/III Selmer horns. GREAT content. Thanks for creating this.