Source Audio Nemesis Delay ADT

[@64north20west]

Years later. Making me salivate over this pedal all over again. Tasteful playing.

[@kevinwilsonsr.5693]

Love getting options of reproduced sounds these make 😉🤘👍👍

[@mikedesantis999]

Best Ripple since Jane's Addiction!

[@popintothechemist]

I like their version! Now I want to listen to Ritual. Thanks for the kind words

[@wescoast]

Anyone know what Jane's song that is? Having a hard time remembering the titles.

[@popintothechemist]

@@wescoast It’s a Grateful Dead song named Ripple. Jane’s Addiction covered it on their live album.

[@wescoast]

@popintothechemist Ah gotcha! Thanks

[@orryfishburne5326]

Im so glad they remade it with analog dry thru! Im curious if they are doing the same thing with the Dual Ventris and Collider

[@Telorchid]

Those both already have ADT.

[@orryfishburne5326]

@@Telorchid oh sweet. Thanks

[@mattgilbert7347]

Here's hoping they make other One Series pedals with ADT (Gemini, Vertigo, LA, Mercury) as well as this new Nemesis and the Ventris & Collider.

[@Necroctulhu]

What is the delay algo on 12:16?

[@solal94]

No more "Sweeper" delay ? It my fav on Nemesis...

[@alfredteoh4265]

Is there a big difference with the ADT?😅

[@loon894]

Only if you hit a saturation-circuit with your "dynamic" signal: If you place your delay before fuzz or go into a cranked gainy amp (in front, not using the fx-loop) you might hear some differences when you play with a lot of dry mixed in. When "dynamic" (i.e. uncompressed) overdrive processing happens before the delay, there is no audible difference at all. So this version is for anyone playing cranked vintage tube amps without fx loop and refuse to go wet/dry.

[@TelecasterMaster1]

@@loon894You’ve saved me a lot of money and time. Thank you 😂🤘

[@stevethebeeline44]

Oil Can & Drum are now accessible on the face of the Nemesis ADT instead of needing the editor to access them on original Nemesis. These replace Sweeper & Rhythmic on original Nemesis which I assume are now accessible with the editor in ADT version. ADT is great if you want to run Wet/Dry rigs as the issue of latency is removed with Analog Dry Thru (ADT).

[@loon894]

@@stevethebeeline44 Running real wet/dry (with kill-dry on your wet signal) would make ADT completely irrelevant: You would typically split before delay, meaning that you are not using the ADT at all. The Nemesis is a digital effect, and ADT will not remove latency from the effect.

[@stevethebeeline44]

Ok should have specified. For running two amps and splitting after the drive section on a pedalboard to one amp (Dry amp no delay/reverb) and to the other amp (Wet amp, not 100% wet whatever wet mix percent you choose) then with Analog Dry Thru pedals there is no issue of latency introduced from the A/D of the digital pedal. Analog Dry Thru in this set up keeps both pedal platform amps in phase. For this set up the Nemesis ADT works great where the original Nemesis would introduce phase issues between the two amps. So yes real Wet/Dry/Wet set ups are different from what I was referring to. Needs a new name to distinguish between the two. I’ve heard That Pedal Show jokingly referring to that set up as “Damp/Dry” when using two amps as pedal platforms and only one amp receives the time based effects.