STABAT MATER (Pergolesi) Piano Accompaniment (no vocals) | Full Piece

🎼 *SOPRANO Learning Tracks: • LEARN Pergolesi's STAB...
ALTO Learning Tracks: • LEARN Pergolesi's STAB...
PIANO Only Tracks: • ACCOMPANIMENT: STABAT ...
You can adjust the tempo of this accompaniment by using the "Playback Speed" under "Settings" to slow it down to .75 or even .05 speed if necessary.
STABAT MATER
Giovanni Battista Pergolesi (1710 - 1736) for Soprano & Contralto (Alto)
Instrumental Piano accompaniment to entire work of Pergolesi's STABAT MATER
performed by Matthew Toogood
This STABAT MATER is usually performed in LATIN and is traditionally sung during Christian Easter celebrations, particularly for Passiontide. Pergolesi's STABAT MATER can be sung by a SOPRANO and ALTO (CONTRALTO or COUNTERTENOR) or a full CHOIR. It can be performed with just piano or organ, chamber orchestra or full string orchestra.
From the Novello Edition edited and arranged by John Hullah.
Thumbnail Design thanks to Ellen Leather
www.ellenleather.com
To request and patron a recording, please contact [e-mail] . Unauthorised copying or reproduction not permitted.
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🛐 *STABAT MATER Novello Vocal score used here: amzn.to/3YDfqNm
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⛪️ * STABAT MATER Dover Full score: amzn.to/3PNHvgL
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#stabatmater #pergolesi #eastermusic #learningtrack #stabatmaterdolorosa #oratorium #singwithme
00:00 Introduction to Video Series
00:09 1.Stabat Mater Dolorosa
03:50 2.Cujus animam gementem
05:36 3.O quam tristis et afflicta
7:41 4.Quae moerebat et dolebat
9:37 5.Quis est homo
12:03 6.Vidit suum dulcem natum
15:20 7.Eja mater fons amoris
17:06 8.Fac ut ardeat cor meum
19:05 9.Sancta mater, istud agas
23:39 10.Fac ut portem Christi mortem
26:41 11.Inflammatus et accensus
28:51 12.Quando corpus morietur
32:02 13.Amen

[@savioalves1234]

00:09 - "Stabat Mater Dolorosa". 03:50 - "Cujus animam gementem" (Soprano). 05:36 - "O quam tristis et afflicta". 7:41 - "Quae moerebat et dolebat". 9:37 - "Quis est homo" (10:14 alto). 12:03 - "Vidit suum dulcem natum". 15:20 - "Eja mater fons amoris". 17:06 - "Fac ut ardeat cor meum". 19:05 - "Sancta mater, istud agas" (20:23 alto). 23:39 - "Fac ut portem Christi mortem". 26:41 - "Inflammatus et accensus" (27:45 alto). 28:51 - "Quando corpus morietur". 32:02-"Amen".

[@MatthewToogood]

Thank you. No doubt very helpful for others to be able to jump.

[@jacquesgayraud104]

Merci ! Quelle aide précieuse pour nous aider à chanter cette œuvre magnifique.

[@MatthewToogood]

Vous êtes les bienvenus. Merci d'avoir regardé et commenté.

[@alinedatlo4327]

Merci mille fois, je suis soprano et travaille le stabat avec une amie alto et cet accompagnement est PARFAIT

[@MatthewToogood]

Il n'y a pas de quoi. Je suis heureux que vous trouviez cela si utile pour votre ami. Je le dirige bientôt en Autriche pour le ballet.

[@Aneta_Skarzynski]

I am grateful for such an excellent quality of accompaniment. 🌺🌺🌺Thank You!

[@MatthewToogood]

You're very welcome and thank you for the compliment. Enjoy listening and singing along.

[@MatthewToogood]

Thank you for watching / singing-a-long to my Stabat Mater recording. Which sacred work would you like recorded next?

[@mandarinfsp]

thank you for this! though "Eja mater" is a bit too fast to follow... for those of you who agree try 0.75 playback speed

[@MatthewToogood]

@@mandarinfsp Thanks for watching. Yeah, the speed adjustment is a great tool, even if sometimes it makes the audio sound a little strange. I based my tempo on the faster "baroque" side, but I have also performed it slower myself...

[@mandarinfsp]

Thank you Matthew, mine is an amateur’s feedback - just an opinion based on what I have been hearing on my vinyl record. I’ve been using your accompaniment to practice, thanks again!

[@MatthewToogood]

@@mandarinfsp I'm very glad you're watching it and using it to practice. that was always my intention.

[@lianvandervelden2549]

Adagio Samuel Barber

[@eva_pax7923]

Спасибо! Замечательно✨😍

[@MatthewToogood]

Пожалуйста

[@alenkhan]

Thank you so much ❤️

[@MatthewToogood]

My pleasure. Thankful that you are watching!

[@spiritname]

Merci énorme, cher monsieur !

[@MatthewToogood]

Merci beaucoup aussi

[@karenkness9254]

Wonderful! Thank you so much!!

[@MatthewToogood]

My pleasure. Thanks for listening!

[@MatthewToogood]

Looking forward to conducting Pergolesi's STABAT MATER for the Tiroler Landestheater Ballet premiering 9 March 2024. Details here: www.landestheater.at/produktion/stabat-mater-les-noces/ As such, I have found that my preference is for the Bärenreiter edition, found here (piano vocal): amzn.to/3BPrvoD

[@l.olenska9161]

Thank you, this is so beautifully played, and also useful and generous. Thanks.

[@MatthewToogood]

You're very welcome and thank you so much for engaging, and particularly for the Super Thanks donation!!!

[@patriciaalvarez8437]

Gracias, la estamos estudiando....😍🥰❤❤❤❤

[@MatthewToogood]

😇gracias!🥰

[@MyOperaTrips]

Matt my dear!!!!! It’s fantastic, thank you!!!!

[@MatthewToogood]

That’s so sweet. Thank you so much. Love the exclamation mark enthusiasm!!!

[@GuillermoPSKrebs]

Excelent! ❤

[@MatthewToogood]

😍

[@EVA1515FLY]

Grazie,Maestro!❤️

[@MatthewToogood]

Prego!

[@HwangstaHwanga]

I needed this sm. Thank u

[@MatthewToogood]

No problem 😊 You're very welcome.

[@thinkforyourself2109]

Thanks for playing and uploading this. I love this piece of music in the original, but good to hear it transcribed for piano. Quite beautiful! On par with Goldberg Variations in my opinion. It would be great to hear more great oratorios done this way.

[@MatthewToogood]

Thanks for your compliments and for listening. I was equally satisfied by how the arrangement worked for piano. I'll have to look into doing more.

[@theoperatripleaxel5417]

this kind of content creator

[@MatthewToogood]

Thank you for watching! I’m looking into what similar repertoire may also be valuable.

[@theoperatripleaxel5417]

@@MatthewToogood the alto rhapsody has a similillar lengt, could help some people cause there is not full accompaniment video available. But in the baroque repertoire there is rinaldo by handel or other of his operas,but they are pretry big 😉

[@TheKatchour]

❤️❤️❤️

[@MatthewToogood]

🥰

[@alecovoce]

Merci pour ce bel enregistrement. Je me permets quelques remarques : des tempi parfois un petit peu rapides surtout dans les airs de la contralto. Et je pense que harmoniquement il y a une faute dans le numéro 12 à la mesure 24. Les harmoniques sonnent fausses… Merci 🎶

[@MatthewToogood]

Merci de m'avoir écoutée et pour vos compliments. Pour être honnête, j'ai entendu d'autres versions avec des tempi beaucoup plus rapides et beaucoup plus lents, j'ai donc essayé de trouver un juste milieu que je serais heureux de chanter - mais je sais que certains vrais chanteurs de contralto ne chantent pas toujours aussi vite qu'un contre-ténor. Et vous avez raison de dire que l'harmonie du n° 12 à la mesure 24 sonne faux. C'est bien ce que je joue d'après la partition Novello, mais je viens de la comparer à ma nouvelle partition Bärenreiter, et le ré bémol demeure (il n'est pas remplacé par un ré naturel). Bien vu ! Je suggère d'apprendre à l'avenir à partir de la partition de Bärenreiter, que j'ai mise en lien ici : amzn.to/3BPrvoD

[@alinedatlo4327]

Par contre je cherche un accompagnement en La 415 (un 1/2 ton en-dessous, comme etait chante le baroque). L'auriez-vous enregistre ?

[@MatthewToogood]

Malheureusement non, je ne l'ai pas fait. Il faudrait soit l'enregistrer un demi-ton plus bas, soit utiliser un instrument d'époque tel qu'un cembalo accordé en A415. Désolé