Studio Sounds Ep 4: Modern Rock on the Black Magick Reverb | Supro

Learn more about the Black Magick Reverb: bit.ly/2KKEXT4
Brooklyn based touring guitarist and producer Nick Cianci shows us how he'd use the Black Magick Reverb to build out a modern indie rock track.
Gear used:
Supro Black Magick Reverb
Fender American Original 60's Telecaster
Fender Custom Shop '60 Relic Stratocaster
D'Angelico Excel 59
Strymon Flint
Strymon Deco
Hudson Electronics Broadcast
The Black Magick Reverb Combo embodies the all-tube snarl and sweetness that define the Supro sound. Featuring analog spring reverb, 2-band EQ, and a master volume knob, the Black Magick Reverb was designed with maximum flexibility in mind. Two independent preamp channels can be linked together using the "1 + 2" input jack to obtain fat tone, while utilizing only Input 2 will yield a more agile sound. The Black Magick Reverb’s 3-spring reverb pan is driven by both channels and then summed with the dry signal just before the master volume control. An updated, tube-based LFO circuit provides bias-modulated output tube tremolo with double the speed range of the original Black Magick. Also available in head format with matching extension cabinet.
About Supro:
Supro is one of the original rock & roll music brands. First manufactured in Chicago from 1935 to 1968, Supro amplifiers and guitars are featured on landmark recordings by iconic artists such as Led Zeppelin, the Rolling Stones and David Bowie. Revived in 2013, Supro now offers a curated range of vintage-inspired tube amps and analog pedals that capture the legendary Supro sound.
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[@RoyvanRikken]

Okay. Just now I completely forgot I wanted a Fender amp. This sounds glorious !

[@The2ndProtectsTheRest]

This amp is the reason I left Fender

[@bradleymuller2900]

I love Supro amps!

[@Supro_USA]

🤘⚡️

[@jamesmarcin4787]

Awesome amp and the Strymon Deco V2. Awesome pedal

[@Luis-hp6sd]

Gracias

[@mrmeme-jq6qr]

Some nice guitars all sing for white

[@Michael-xp1fq]

Now....this isn't a bad thing...im not belittling this video or the effort it took to shoot and record it..but these are not modern rock tones. This amp oozes vintage, syrupy, delightfully beautifully lush tones, I love my Black Magick....but modern it is not. The tones in this video are pure vintage and this amp cannot escape what it was made to do. I fully enjoyed all the sounds i heard on this video, seriously awesome.

[@louiscloutier7891]

i have one great amp for recording

[@user-yw8fo6pn3l]

Dude I'm sorry to say I've never heard you guys I really wasn't into Any older type or class is type amplifiers at first because I was with all these metal idiots and he's people are still using some transistor amp and boss Stompboxes. I played around the point of stuff and it really took me a while to find sounds that I liked and I was playing with all these guitar amplifiers. I've got a son who's like 20 he's learning to become a guitar master and he's in all these young guys like these fractals and all this c*** I have had a good guitar amplifier in the last couple years. My life went to hell. But I'm gonna take To some shop to see a few Tube amplifiers. You know it's getting hard to find amps that have what I kind of by accidentally phone was the best sound Out There I tried all sorts of tube amplifiers Different brands Over the last couple years and The Only Thing that I thought was Really great was Older sound and stuff and it was The Secret was something that messed up buggy has done but people still haven't figured out except for when it comes to their newer Heavy metal amplifiers but they have something in Common with all the Best Of thefold tube stuff and that's the tube rectifier you Really have to have Powerful tube rectification I had a harmony h 303 A. Made 1962 in Chicago still at the original junction speaker this thing didn't even have a proper ground built into it but it was the best sounding app I've ever heard and normally I only like 606 power tubes for the most part on the newer type of amps that I was using like the Fender super 60 has 606 power tubes at red knobs you'll see him around in the shops you've known there for like the 1990s critical band and a bunch of people who supposedly own these things they're the red knob Fender amps that you sometimes see in the shops that are sometimes I had units sometimes you know 112 I've seen a couple I'm sbrothers bigger than that but first 60 W 2 bamp it's powerful and it really has that sound that made me get in guitar when I was about 12 years old 1992 my parents took me in my brother's here in Illinois to see some old bands and it was. The Guess Who, Steppenwolf, the ozarks mountain daredevils. . So we've know I've got into all the 90s grunge and some of the 2000's metal stuff for a while I have come back to that sound and just the classic rock radio sound of all the 60 70s 80s 90s classic rock and I found a lie that 90 sound was from the 60 sound because these guys are using some of the oldest style tube amplifiers but then you're using pedals like the electro harmonics Russian big muff. . Some people don't even realize that that was the sound of some of the 60s and the sound of Pink Floyd Lotta bands even corn under 7 strings had used some of those analog distortions. I tried these fractals and all these new high power things it's all digital I don't like digital. I'm planning on taking my son to some shop here to try a few old tube amplifiers so he can see what a high-powered 2 band profile cranked up sounds like and what the difference is between that and the digitals that try to copy it we have a digital TV line around so maybe you've gotten him in sounds fantastic but it doesn't have the tube warmth completely doesn't have the 2 power the soul 2 bamplifiers have a soul you're just not going to get from anything else. So I'm trying to find something like a harmony h 303 A. It was like a 20 W amp but yet it cranked super loud it only had one power tube 1 preamp tube and 1 rectifier tube and just a short wired set up not much to it there was even grounded properly so I kept it on the nice 6 plug ground Surge protector. That amplifier had no distortion puddle so I had a not don't hate me it was a boss puddle but it was an analog old boss turbo overdrive and I had no idea how great that thing would sound for all sorts of classic rock tones coming off the radio everything From Fleetwood Mac to ACDC even styxx. and all sorts of s***. . I really wanna get another one if I had back then it was soft tech or an electro harmonix russian big MUFF . man. . I didn't like electro harmonics puddles when I first started and had a transistor amp but when I switch to tube those of the pedals man can politely different experience with powerful tube amps. Those harmony H 303 is we're like voting some of the best song quality buddy of some of the amplifiers I've ever seen and somebody's gear review boards and I had to agree with it cause I also had the Fender super 60 I Had Had a peavey vavle king 50 a bugera 120 xxxl or something crazy. Had different overdrive and distortion channels . Some for mas metal. And ive seen lots of other amps. . I have never seen anything like these. Some of the Mesa boogie hot beat high-end stuff. Do a rectifier triple rectifier and then they had a classic old school vintage styles a newer amp but an old design with a single rectifier best dance and then there was this bogno it's little brand called Bogner and it's like $2000 for these little compliments but I want to try some of these not thinking I'd be so impressed they really are like magic bogner's like something with a m**** w*** briefs more for a modern edgy rock sound. Harmony's old generic amps in symbol generic silver tones those have some of the best classic rock and older sounding apps and just smell the best general tones I've ever heard in my life they should even compare $2210003000 little compose of Bogner and Messi boogie but you'd be surprising you could find.

[@sam-ww1wk]

Got the cliff notes on that?

[@Marquel_Lucas]

That guitar player looks like a Mayer john