Study op. 31, No 23 E-Major by Fernando Sor

[@kelborgui]

Que perfeição!👏🏼👏🏼👏🏼

[@lindatsardakas]

Wonderfully smooth playing and beautiful legato!

[@manniwu740]

Linda Tsardakas Thank you

[@wisamguitar5137]

very nice ...beautiful thanks for sharing

[@Ayo.Ajisafe]

That was beautiful.

[@lucynagawlikguitar8128]

Beautiful interpretation.Bravo

[@manniwu740]

Lucyna Urszula Gawlik thanks

[@archlutesmith]

Very nice. My favorite composer. I think you played this piece very well. Look forward to more Sor and other composers

[@manniwu740]

archlutesmith thanks ^_^

[@AlexandreBeyeler]

Very nice, bravo.

[@manniwu740]

Alexandre Beyeler thank you very much

[@j-pierrelassalle862]

🙏🙏🙏😊

[@jamesjacobs3721]

Nicely done.

[@manniwu740]

James Jacobs thanks James

[@davidgeorgekilner]

Well done, it is a very difficult piece

[@manniwu740]

Boris of Adelaide thanks very much

[@zympf]

well played Anmy .. beautiful tone, what guitar is that?

[@guitarostopheles7412]

This girl is very talented but it is a pitty that most guitarists play wrong tempos in Sors wonderful pieces. Andantes (which means walking) are played too slow and this op.31 no 23 has the title 'movement de priere religieuse', it is a prayer and it is a 'double' of 'Entry of the priests' from the 'Magic Flute' which Sor has arranged for guitar. It is played too fast in this recording. To give you an idea of good tempi in Sorstudies listen to maestro Lawall who plays the complete work including the following walz which expresses the releave after the deep prayer. kzbin.info/www/bejne/mHm9eauijZeGeNE

[@Cyrus_II]

The piece is painfully dull at those tempi