Beethoven: Symphony No. 3 in E-flat major, Op. 55 "Eroica" [Böhm & VPO] (with Score)

[@ethansvideos1690]

0:04 James ( Napoleon ) Tri ( Beethoven ) Conducts 0:04

[@bjsofia7556]

1ч ГП 0:16 1ПП 1:10 2ПП 1:33 2ч 1тема 15:00 2тема 16:08 тріо 19:46 3ч скерцо/основна тема 31:16 тріо 33:53 4ч вступ 37:20 1тема 37:34 2тема 39:23??

[@TR-gr5uu]

II 1. FM Hope - 16:07 Cellos - 16:53 2. RT - 20:23 3. FM - 21:52 fugue - 22:39 4. FM - 25:53 5. Coda - 28:07 III 2. Trio - 33:57 3. Scherzo - 35:36 4. Coda - 37:09 IV MT - 39:24 BT fugue - 40:09 MT V1 - 41:06 BT March toy soldiers - 41:42 MT V2 - 42:29 MT V3 - 44:05 MT V4 - 46:09 Coda - 47:02 P4 presto - 48:54

[@leradorogaua11]

1 часть ГП 00:00 ПП (3 темы) - 1:00 ЗП - 2:23 Разработка - 3:17 фугато - 5:07 новая тема в разработке (эпизод в разработке) - 6:10 Реприза - 8:39 Кода - 12:10 2 часть (форма рондо) А (траурный марш) - 14:59 В (трио) - 19:43 А - 21:53 С (двойное фугато) - 22:39 А - 25:51 3 часть, скерцо 31:16 трио - 33:57 4 часть (вариации) 37:20 тема (только бас) - 37:34 3 вариация (и мелодия, и бас) - 39:23

[@aleksandranesnova]

9:18 реприза, на 8:39 ложная реприза, это ещё зона разработки

[@МатронаКучеренко]

1 часть. 0:07 ТГП 1:00 1-я ПП 1:47 2-я ПП 3:17 Разработка, 1-й раздел. 5:07 Разработка, 2-й раздел с фугатто. 6:11 эпизод в e-moll 7:22 предыкт 8:39 Реприза 12:10 Кода 2 часть. 15:00 тема в c-moll (a) 16:08 тема в Es-dur (b) 19:42 Средний раздел, C-dur 22:02 фугато f-moll 25:05 эпизод в As-dur 28:15 Кода 4 часть. 37:20 (тема вступления) 37:36 тема вариаций 38:12 1-я вариация 38:28 2-я вариация 39:23 3-я вариация 41:06 4-я вариация (раздел B) 41:43 5-я вариация (раздел C) 42:30 6-я вариация (dolce) 44:07 7-я вариация (Poco Andante) 46:08 8-я вариация (ff) 47:02 Кода 47:26 эпизод (piano)

[@nguessanbenie2487]

This symphony is a banger!!!!

[@FelipeFerreira7]

the horn trio in the third movement is my favourite part in the whole symphony

[@JanCarlComposer]

One seems to feel Beethovens confidence growing. After the well-written, but relatively tame symphonies 1 & 2, this piece is a different calibre. It has so much energy and character and its own voice. Beethovens even takes the risk as nearly breaking the borders of coherence as the funebre march very much stands on its own in this set.

[@Antuancinho]

8:33 El momento que cambió para siempre la historia de la música occidental.

[@JavierVillamorLugo]

Nuevas osadía armónicas se permite el autor como la introducción de un tercer tema en la alejada tonalidad de do # mayor (primer movimiento) y la introducción del tema principal en la dominante para así mediante modulaciones desembocar en la tónica y en tutti. Las variaciones del último movimiento son como sabe hacer el autor, diversificadas y geniales.

[@leradorogaua11]

1 часть ГП ПП (3 темы) - 1.00 ЗП - 2.23. Разработка - 3.17 фугато - 5.07 новая тема в разработке (эпизод в разработке) - 6.10 Реприза - 8.39 Кода - 12.10 2 часть (форма рондо) А (траурный марш) - 14.59 В (трио) - 19.43 А - 21.53 С (двойное фугато) - 22.39 А - 25.51 3 часть, скерцо 31.16 трио - 33.57 4 часть (вариации) 37.20 тема (только бас) - 37.34 3 вариация (и мелодия, и бас) - 39.23

[@ethansvideos1690]

Tri ( Beethoven) conducts the ending part 14:16

[@karlschulze6356]

2nd movement... Just amazing

[@nakanekotonbi]

美しい陶磁器のような飽くことなき眺めが続く。熟考されている。

[@prototypeinheritance515]

46:08 sometimes I forget how epic beethoven can be

[@ethansvideos1690]

Calling nicknames with Bao and Tri 20:05

[@lilahsenibaldi]

Flute excerpt- 40:56

[@matsburman5615]

Thank you very much! I have one little request: please don't cut off the ending so soon. Bear in mind that the pause is also to be "played". (This one even has a fermata :)

[@diannebettag9313]

Absolutely! You’ve just experienced Beethoven’s pure genius and you need some quiet, pensive time (not some loudmouth selling something immediately afterwards).

[@ethannguyen9257]

Issac starts to leave 14:16

[@ethannguyen9257]

Genesis is feeling stricked 0:04

[@raztube90]

6:00 best part

[@ethannguyen9257]

0:04 Hammer Blows

[@patricklaffin2172]

My favorite part is the "Maggiore" in movement II

[@blaiseywaisey]

for md allstate auditions 😭 1:10 for violins

[@ethannguyen9257]

Tri ABA is very upset 0:04

[@FranzLiszt0904]

First, Also nice symphony

[@normapalisi2099]

1:10 12:15 13:26

[@ethannguyen9257]

14:07

[@ethannguyen9257]

Tri Le as Ludwig van Beethoven

[@ethansvideos354]

Sean Sean ( 2 times ) 0:04

[@TheOneAndOnlyZeno]

How many Eroica score-videos are there

[@nguessanbenie2487]

Yes

[@isisbeautiful9697]

13:58

[@jboym23]

15:35 17:34

[@ethannguyen9257]

0:17

[@隆夫谷口-t5t]

For me, Beethoven's Symphony No. 3 "Eroica" is most moving when performed by the Vienna Philharmonic Orchestra under the baton of Karl Böhm.

[@ChillinDylan2875]

6:11

[@영차-e5s]

1:47 제1악장 2주제

[@ethannguyen9257]

Ms. Kubat is a bunny 0:04

[@frederickthegreat4801]

46:09

[@ethannguyen9257]

0:04

[@sergioaguila1129]

¡NO PONGAN PROPAGANDA DURANTE EL COCIERTO. ANTES O DESPUES SI! PRIMERO EL RESPETO😔

[@ethannguyen9257]

STUPID Tuan 0:04

[@southfloridaarcheryguy114]

Is that staff completely wavy or am I having a stroke?

[@adrianosarno9071]

Ahhh perché Beethoven è una grande?

[@JJC333]

I think Baroque was the brightest era in the common practice.

[@hjo4104]

this is a piece from Classical era

[@arionthedeer7372]

Totally unrelated to this lol

[@dzinypinydoroviny]

@@hjo4104 It is even considered to be the first romantic symphony.

[@elaineblackhurst1509]

The comments here just show how difficult it can be to box up Beethoven with a label. Beethoven is clearly not Classical as in Mozart and Haydn, but neither is he Romantic as in Schumann, Chopin, Mendelssohn, and Liszt. Perhaps the best solution is to call him post-Classical, along with some of his contemporaries like Cherubini.

[@mcbigweener]

@@elaineblackhurst1509I believe Beethoven should have his own category as the "bridge" between the two.

[@ethannguyen9257]

0:04 Hammer Blows

[@ethannguyen9257]

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[@karlschulze6356]

47:53

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[@isisbeautiful9697]

39:23

[@forgether222]

41:02

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