Dvořák: Legends for Orchestra, Op. 59, B 122 (with Score)

Antonín Dvořák:
Legends for Orchestra, Op. 59, B 122 (with Score)
Composed: 13 November - 9 December 1881
Conductor: Jiří Bělohlávek
Orchestra: Prague Chamber Philharnomic Orchestra
00:00 1. Allegretto non troppo, quasi andantino (D minor)
03:33 2. Molto moderato (G major)
07:58 3. Allegro giusto (G minor)
12:01 4. Molto maestoso (C major)
18:02 5. Allegro giusto (A-flat major)
22:26 6. Allegro con moto (C-sharp minor)
27:35 7. Allegretto grazioso (A major)
30:34 8. Un poco allegretto e grazioso (F major)
34:26 9. Andante con moto (D major)
37:15 10. Andante (B-flat minor)
The composition of ten short pieces for four-hand piano dates from Dvořák’s so-called Slavic period. The first mention of his intention to write a cycle entitled “Legends” came in a letter to the composer’s publisher Simrock, dated 14 October 1880. Dvořák at the time was completing his sixth symphony in D major, and the Legends could, in fact, be regarded as a kind of more intimate postscript to its idyllic atmosphere. The work is also sometimes seen as a counterpart to the Slavonic Dances, in contrast to which the Legends are more subtle and lyrical in character, a fact reflected in the subsequent orchestral version in the use of a smaller orchestral roster. Also typical of the piece is its somewhat archaic, epic character: although the individual parts of the cycle carry no specific story, Dvořák still managed to convey the idea of a continuous narrative.
It is conceivable that Dvořák’s primary inspiration for writing the composition was Erben’s poetry. Not only does the balladic character of certain parts of the cycle support this theory, but also a fact uncovered by English musicologist Gerald Abraham: according to Abraham’s findings, Dvořák possibly applied a principle he later employed in his symphonic poems, namely, the derivation of motivic material directly from the rhythm of the verse. The main theme of the first Legend could be precisely superimposed onto the introductory lines of Erben’s poem The Daughter’s Curse from the collection Bouquet, and the beginning of the fourth Legend is rhythmically analogous to Erben’s poem describing the Hussite victory at the Battle of Domazlice (Song of the Victory at Domazlice).
Dvořák wrote the entire Legends cycle during the first third of 1881 and dedicated it to leading Viennese music critic Eduard Hanslick in recognition of the latter’s enduring interest in his work. The cycle was published by Berlin firm Simrock in the summer of that year. Johannes Brahms, conductor Hans von Bulow and other eminent figures from the music circles of the day expressed their great admiration for the Legends, and so Simrock requested, as he had done before in the case of the Slavonic Dances, that Dvořák write an instrumental arrangement as well. Dvořák readily agreed and orchestrated the entire cycle in late November and early December 1881.
www.antonin-dvorak.cz/en/work...

[@Raikaska]

As always with Dvorak, it's the 3rd or 4th listen that really reels me in and after that, I can't see this but as a pure masterpiece.

[@lirycznymaestro8989]

That changing harmonies from 21:00 to 21:15 makes me melt

[@ethanhcomposer]

the third and sixth are absolutely phenomenal, i especially like 22:26

[@czechistan_zindabad]

Damn, these pieces are fantastic! I especially love 18:02 (Allegro giusto)

[@stefanoferlaino1895]

So gorgeous 22:56, the C sharp minor is so warm and mysterious

[@stefanoferlaino1895]

And the transition at 24:00 is awesome

[@coasterdragon155]

life-changing

[@fabiangutierrez339]

A couple cool moments of orchestration for myself: 1:26-1:46 4:47-5:10

[@ClassicalMusic-ds9yt]

nice

[@davidyoung6331]

I am very fond of the passage starting at 24:45. I just wish that Dvorak would have repeated it later on. It's very beautiful.

[@theyoutubetroll6679]

Check the slow movement of his 3rd symphony, it uses this theme in the middle

[@davidyoung6331]

It just occurred to me why the passage starting at 24:45 seems so attractive and so familiar. Maybe others have wondered why it sounds familiar. Well, it sounds much like the 18th variation of Rachmaninoff's "Rhapsody on a Theme of Paganini". Most people have heard the Rachmaninoff piece and are struck by the beauty of the 18th variation. It sounds similar to the Dvorak passage, but played on piano rather than orchestra. Dvorak wrote "Legends" in 1881, Rachmaninoff wrote the variations in 1934, based on a few notes from a Paganini theme. Might Rachmaninoff have heard the Dvorak piece? Or, more likely, the similarity is a coincidence. You can hear the Rachmaninoff excerpt here: kzbin.info/www/bejne/q6XGmHRmi8qph7s

[@theyoutubetroll6679]

There is also a very similar passage in the slow movement of Dvorak's 3rd symphony

[@davidyoung6331]

@@theyoutubetroll6679 Practically the same melody. Thanks for pointing it out. Right here: kzbin.info/www/bejne/nHPIlnWlqtSiqsU

[@choijiwonballetclassmusic]

18:02 22:26

[@jiyujizai]

🌱🥀🙄💚