Tchaikovsky: Francesca da Rimini, Op. 32 (with Score)

Рет қаралды 16,983

symphony7526

Күн бұрын

Пікірлер: 28

@karllieck9064 4 ай бұрын

One of aTchaikovsky's best. So sublime and breathtaking.

@lylecohen1638 2 жыл бұрын

Absolutely a masterwork of Tchaikovsky's (my favourite along with Souvenirs de Florence and the first piano trio), only faulted by the fact that I cannot remember a single theme from it.

@remomazzetti8757 2 жыл бұрын

Tchaikovsky only wrote one Piano Trio.

@Rio-Io 6 ай бұрын

Expo Fortuna: 0:05 - 0:12 y 0:43 - 0:55 [A] 1:45 - 1:55 [B] y 2:58 - 3:08 4:45 - 4:53 [C] 5:42 - 5:57 y 6:27 - 6:37 9:39 - 10:31 y 17:41 - 17:54 [D] 23:30-23:58 (this is for a musical analysis btw )

@Dylonely_9274 2 жыл бұрын

First time I listened to this, how did I manage to miss this !

@kevinherbert9708 2 жыл бұрын

When WCLV Cleveland classical radio less often played piece

@alirezazareefar8225 2 ай бұрын

Amazing Maestro Pletnev

@kevinherbert9708 2 жыл бұрын

‘I give this a 10 out of ten. Tchaikovsky the composer has been delft with love, passion drama, revenge in his symphonic poems, like Romeo and Juliet fantasy overture, and Francesca, that said beyond its complexity of orchestration. I would popularize this massive hit as well-being Romeo and Juliet already a smash hit, the best piece of all symphonic history The piece in my opinion should be an influences on future composers like me. Although not good as it sounds for the musicians performing it. The moody brooding moments like the circles of hell in the first few sections as well as the shrieking woodwinds in the second circle when the tempo picks up, these first few minutes should depicts a raging storm. In my perspective in the opening section of Francesca, when Dante walks through the somber woods with the opening chords by the woodwinds and brass. In before the chords at the very beginning with that tam-tam swell. Representing my only inner vision of something descending like a lightning crash or the anguished fear of death. And in the the first two sections into the first circle as the atmosphere dominated by rolling thunder with timpani and bass drums as well as a lisztian and Wagnerian crescendo and in the second section when the tempo pick up. And as well as the end with the as the full tutti in the orchestra. That tutti ending also by an apocalyptic thunderstorm of some sort volcanic eruptions and explosions. These sections in Francesca da rimini is an great example to illustrate horror and villainy. Besides Bach being conflicted between Heaven and hell in his organ works, pacifically the toccata and fugue in D minor bwv 565, as Bach roughly being doing something on purpose what was wrong, and his cantatas and other religious works. Unlike Bach. As composers should fit the mold as opposing with Beethoven in his 5th symphony with its four notes, and Wagner’s ring cycle. with this sister piece by Tchaikovsky, Francesca da rimini should be the greatest pieces in all of music history. I admire the opening and closing sections as a hallmark of Tchaikovsky’s genius. These sections of the piece can be free to used in the field of future projects, such as a sense of fear or dread. Like in movies, commercials., cartoons, especially Halloween episodes. From that less than ideal first performance in 1877, and despite the love music in between. This should remain as a go to soundtrack work in all of history” Kevin Herbert

@dion1949 Ай бұрын

First time I've listened to this while following the score. Very revealing. Looks fiendishly difficult.

@Mahlerweber Жыл бұрын

Very passionate performance. Romeo and Juliet is so inordinately famous, that most forget Tchaikovsky paid homage to Dante, too. In my youth, I liked this work more than R&J. But now, I like both. Thank you for score/music.

@johns.4708 2 жыл бұрын

It's rare to hear the diminuendo played on the tympani's last note.

@jake_fx Жыл бұрын

It's an interesting dynamic marking for sure, sparks debate amongst conductors i'm sure

@aleksandra_v 4 күн бұрын

0:05 вступление ( погружение в адскую бездну) 1:45 2 точка 3:43 3 точка 4:32 I раздел 8:44 2 тема души Франчески Паоло 9:21 СР.р. рассказ Франчески 10:12 2 тема 14:56 тема соблазнительного счастья 20:00 смерть Франчески и Паоло 20:07 2 точка 20:17 3 кульминация

@ryanthrasher2719 2 жыл бұрын

Thanks for posting and sharing this!! Probably my favorite Tchaikovsky work that isn’t the 4th, 5th, or 6th symphony, or any of the great ballets! Does anyone know if Tchaikovsky had any exposure to the Liszt tone poems? Very similar gestures from them both.

@Quotenwagnerianer 2 жыл бұрын

The structure is so completely similar to the opening movement of the Dante Symphony (they even depict the same things) that I would be very surprised if he didn't know the work.

@onceamusician5408 2 жыл бұрын

I seem to recall that i may have played this once in the symphony orchestra I was part of for 25 years. But i left them 17 years ago any my aging memory is not what it was This work fits perfectly my own dictum that if you cannot play music like the saved play it like the DAMNED the trouble is am a New Zealander even though I never fitted in to my homeland or its culture for we kiwis as musicians are incapable of playing either like the saved or the damned

@jert4008 4 ай бұрын

Why is that?

@onceamusician5408 2 жыл бұрын

What sick creatures we Romantics are!!. WE will walk up to the edge of the abyss to gaze into Hell itself and have no regard for the madness such intensity engenders, or even boast in it vainly thinking it will fill the desperate emptiness of one's life. I say "we" as I am as romantic as poor Tchaikovsky himself , and artistic portrayals of Hell, which i take to be a literal reality, fascinate me. and so my own intensity inflames along with the pain and exhaustion that always accompany it; and of course i will listen to this piece to the bitter end However though i claim a romanticism much like that of poor dear Ilyich i never claimed his musical talent

@ColinGlass-v9x 7 ай бұрын

Delusional there's nothing wrong with this recording what's so ever