Tōru Takemitsu - Nostalghia (Bashmet)

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Yuri Bashmet, violin
Moscow solists directed by Roman Balashov
In my opinion one Takemitsu's most melancholic pieces. The harmonies are very reminiscent of Berg.
Toru Takemitsu’s Nostalghia for violin and orchestra will be performed on 13 September in the Martinskirche in Basel, and on 14 September in St. Peter’s Church in Zurich, by violinist Ilya Gringolts and the I Tempi chamber orchestra conducted by Gevorg Gharabekyan.
Composed in 1987 for Yehudi Menuhin, Nostalghia draws inspiration from Andrei Tarkovsky’s 1983 film of the same name, and its central theme of homesickness. While the word nostalgia refers to desire for a time since past, in both Russian and Italian nostalghia means to acutely miss a place or a person.
Takemitsu was attracted to the quiet camera work, sparing use of music, and tendency for long uncut scenes in Tarkovsky’s film, and after the filmmaker’s death in 1986 he dedicated Nostalghia to Tarkovsky’s memory. After a brief introduction, a simple solo violin melody dominates the composition, seeking to evoke a sense of memory, loss and longing. Maintaining the contrasts characteristically found in Tarkovsky’s films, Takemitsu uses a divided string orchestra beneath the violin to musically represent the differing states of water and fog. At the work’s end, the orchestral groups divide again into polyphony, while the solo violin remains in the highest heights.
From the composer himself:
"I would like to follow both Japanese tradition and Western innovation, and to maintain both musical styles simultaneously has become the core focus of my compositional operations. It is a contradiction I do not want to solve - on the contrary, I want the two styles to combat each other. I want to achieve a sound that is as intense as the silence."

Пікірлер: 19

@oliviertakemitsu9583 4 жыл бұрын

Finally you put a video about my dad

@catherinehamer5653 2 жыл бұрын

(Scriabin might be your dog…..but Milton Babbit was my rabbit.) Thanks for this score, I played in a chamber orchestra at a Takemitsu film festival sometime in 1990’s in Gstaad and this piece has haunted me ever since.