Рет қаралды 61,469
Idghame Ma’al Ghunna
If tanven or Noon without a harakah is followed by the following letters, then idgham e ma’al ghunna occurs: ى - م - ن - و . These letters can be remembered easily by combining them into this word: يَمْنُو . This merging has to be done with a ghunna, a sound that comes from nasal area. We can tell if pronounciation has ghunna by checking whether there is any sound coming from the nose. If it does, then merging is done with ghunna; if not, then the merging (idgham) is without ghunna.: اَنْ يضْرِبَ, فِىرَيْبٍ مِمَّا, خَيْرًايَرَهُ, عَدُوٌّوَلَكُمْ, مِنْ نُورٍ
As seen in the examples above, if tanven or Noon without a haraka is followed by one of the letters in the word يَمْنُو , pronouncation of the two letters is as though the second one has a shaddah. This rule is to make the pronouncation or recitation easier and less cumbersome. As an exception, if Waw or Ya follows a Noon without harakah in the same word, then no merging is practised, Noon is pronounced as it is written:: بُنْيَانٌ , صِنْوَانٌ , قِنْوَانٌ , اَلدُّنْيَا
Idghame Bela Ghunna
If Lam (ل) or Ra (ر ) follows tanven (ـًـٍـٌ ) or Noon without haraka (Noon Saken) (ن), then Merging without Ghunna occurs. In this case, the Noon without harakah or the Noon of Tanven is merged into the next letter and is not pronounced at all. The letter after Noon is pronounced as having a shaddah.:
وَلﹶكِنْ لاَيَعْلَمُونَ , ثَمَرَةٍ رِزْقاً