Tallest Man On Earth, Bless You (new song), live in San Francisco, March 29, 2023

Kristian Matsson a/k/a The Tallest Man On Earth plays an unreleased new song called "Bless You" live in concert before a sold-out crowd at The Chapel in San Francisco, California on March 29, 2023. Bless You will appear on Matsson's upcoming sixth studio album, Henry St., scheduled for release on April 14. Matsson is a Brooklyn-based folk singer-songwriter from Dalarna, Sweden who has drawn many comparisons to Bob Dylan, both for his songwriting and singing style. Joining him onstage were Mark Paulson (keyboards / guitar / fiddle), Sinclair Palmer (bass / fiddle), and Nils Törnqvist (drums).
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Tallest Man On Earth - En Route To Henry St. Tour dates (2023):
Mar. 22-23 - Los Angeles, CA @ Masonic Lodge
Mar. 26 - Fort Collins, CO @ Washington's
Mar. 29-30 - San Francisco, CA @ The Chapel
Apr. 1 - Pioneertown, CA @ Pappy & Harriet's
Apr. 3 - New York, NY @ Bowery Ballroom
Apr. 4 - Brooklyn, NY @ Music Hall of Williamsburg
Apr. 5 - South Deerfield, MA @ Tree House Brewing Company
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Tallest Man On Earth - European Tour dates (2023):
Apr. 12 - Copenhagen, Denmark @ Amager Bio
Apr. 13 - Aarhus, Denmark @ Fonden Voxhall
Apr. 16 - Glasgow, UK @ Queen Margaret Union
Apr. 17 - Dublin, Ireland @ Vicar Street
Apr. 18 - Manchester, UK @ Manchester Cathedral
Apr. 19 - Leeds, UK @ The Irish Centre
Apr. 21 - London, UK @ O2 Forum Kentish Town
Apr. 22 - Bristol, UK @ Trinity Centre
Apr. 24 - Amsterdam, Netherlands @ Paradiso Amsterdam
Apr. 25 - Antwerp, Belgium @ De Roma
Apr. 26 - Paris, France @ La Cigale
Apr. 27 - Lausanne, Switzerland @ Les Docks
Apr. 29 - Milan, Italy @ Fabrique
Apr. 30 - München, Germany @ Freiheitshalle
May 1 - Berlin, Germany @ Metropol
May 2 - Hamburg, Germany @ Uebel & Gefährlich
May 3 - Malmö, Sweden @ Plan B
May 5 - Oslo, Norway @ Sentrum Scene
May 6-7 - Stockholm, Sweden @ Cirkus
May 8-9 - Göteborg, Sweden @ Pustervik
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Tallest Man On Earth official bio:
Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.”
Then came 2020, when Matsson left New York City and returned to his farm in Sweden. There, during that quiet, dreary time of isolation, he drowned out his thoughts by manically growing vegetables in his garden. When he tried writing again, during those many months of collective forced solitude, “I just found myself commenting on the darkness,” Matsson says. “I lost my imagination.” Playing live, music and inspiration returned near the end of 2021, and his produce became less of a priority. “When I’m in motion, I can focus on my instinct, have my daydreams again. When I was finally able to tour again, I started writing like a madman.” He eventually had twenty songs he wanted to record in ten days.
Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations." Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person--mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play.
Matsson’s longing for social interchange, after months spent with only his crops, led to the collaboration that delivered the warm, unique and sprawling sound of Henry St. “It’s the most playful, most me album yet, because it covers so many of the different noises in my head. When you overthink things, you get further away from your original ideas. And God knows I overthink things when I’m by myself.” The time in isolation also brought him some newfound peace of mind. “Having been away from it taught me that making music and performing is what I’m doing for the rest of my life, and I’m so grateful for it. It has given me new confidence and playfulness. This is what I do. It’s unconditional.”

[@gnanukreple]

Bless you buddy

[@shakenbake228]

I saw them in Fort Collins, thank you for posting these new songs, love re-listening to them. Can't wait for the album to come out

[@kevinmoynihan8087]

Awesome video. Convinced me to buy tickets for the St Paul show. Thanks.

[@TimBracken]

Thanks Kevin, I love this comment! This is why I do this hobby. I don't monetize my channel, but if I can get people to discover new artists, or to realize that a familiar artist is doing something cool, then I have made a positive difference. 😊

[@crabbyhutch]

Thanks for uploading! Do you have any more videos of the new songs? Would love to preview them

[@TimBracken]

Hi Lommy, my pleasure. I've uploaded 3 so far (Bless You, Foothills, and Major League), and I think I may have 1 or 2 more unreleased ones among the other videos I shot that night. Feel free to subscribe and then KZbin will be more likely to tell you when I post them. 😊

[@zerocco3658]

1:20 music starts

[@henryhouvet5510]

Has anyone figured out the tuning for this? Thanks

[@henryhouvet5510]

Think I figured it out, if anyone s wondering: 1st string drop to D chord shapes are Dsus2/F, G and A, always letting the 1st string ring in D

[@henryhouvet5510]

Capo 2 Picking pattern: 6-2-1-3 / 4-2-1-3 repeated throughout the whole song

[@maketemaketemakete]

Yeah, just drop your high E to a D. Capo 2