Avoiding Tension from Stretching in Broken Octaves, Unreachable Chords, and Complex Patterns

[@midnightmusic1087]

You are really good at explaining things!

[@SoulfulSpinning]

Gosh I wish you were my teacher! Outstanding teaching.

[@giuseppecardarelli3666]

It's a pity that this video can't be translated into Italian, I don't understand English, but I was able to understand from the examples.

[@PPP-on3vl]

Thank u ❤

[@mharbaugh]

Wonderful, thank you!

[@urmomishot2016]

Could you do one with turkish march. Im having troble with it. I keep on hitting the wrong notes.

[@brlombar1]

Thank you for this video. I’ve been studying with Bob Durso and I-Wen Tseng and I can now relate much more to these videos. As I, and many others, are continuing our lessons online in this time of coronavirus, I’m thinking that having the ability to shift from side view to overhead views as you have done might be worth investing in. Can you describe the equipment that allows you to do that? Does the Golandsky Institute have any suggestions on this? Thanks again.

[@kirisuconductor]

Bruce Lombardi search Therese Milanovic website, she is a certified teacher and on her website she explains all about the equipment you need to set up the cameras like that.