The Only Thing She Needs - UK

[@roland1313]

One of my favorite albums of all time. Period. Jobson's magically etherial melodies and keyboard playing. BOZZIO'S Drumming, with Wetton's vocals shot me into Prog stratosphere.. I haven't come down since. I remember sitting at the piano for months, with a cassette player, listening over and over.. eventually learning to play most Jobson's keyboard parts by ear. This album has become part of me.

[@lupat5630]

I prefer Danger Money rather the first album (that is fantastic however)

[@lupat5630]

A real masterpiece, as the whole album is. Jobson, Wetton, Bozzio, a phenomenal trio.

[@intuitivesoulempath3337]

This prog masterpiece is way too underrated.

[@thestevenjaywaymusic7775]

I have always loved this track. Total class.

[@porflepopnecker4376]

I still have my original vinyl copy of this album.

[@Hologr4m]

me too!

[@nickd1961]

@@Hologr4m Me three

[@Justin_Kipper]

@@nickd1961 I sold mine long ago. Good-bye!!!!

[@rherbert57]

@@nickd1961 Me four

[@paulturner6728]

Me five ... I also have the original album and Night After Night on vinyl ... must get them transferred to digital so I can listen to them during many a long drive here in South Africa

[@rherbert57]

Life and music were so different back then. I know I bought this album for a reason (probably several). For one thing, I knew Eddie Jobson from Roxy Music, and John Wetton from King Crimson. UK's original drummer (Bill Bruford), I knew from his days with KK and Genesis. I loved the album at the time, and to find it on KZbin is pure bliss. If you're under 30 and you like this music, give yourself a pat on the back.

[@2728muzikmann]

but you didn't know Bruford from Yes!?

[@rherbert57]

@@2728muzikmann Nit picker ;-)

[@62849rsm]

There are groups out today that can't play 1/2 as good as UK. And this is 30 years ago. Rock on UK. What an incredible group of musicians!!!

[@KrystofDreamJourney]

There are still groups... With no venues, no audiences, no demand, no promotion, no public support for anything more ambitious or intellectual - great music is dead. With the exception of a handful of Hollywood composers, there is no way a serious musician can make career composing an performing this kind of stuff. Yes, back in the 70s we had different audiences, and even that it was already the end of prog era...

[@beatsdddx]

Bozzio is a monster drummer Crazy talent! Later this singer formed.......the group ..... Asia

[@evad04087]

Saw these guys in Portland Maine, They were backup for Tull Storm Watch tour. 19/10/79 Civic Center. They kicked ass. Man I wish I could go back and do all those concerts again...

[@thereallightwarrior906]

UK was to be heir apparent to ELP. I was So Thrilled by the first album - Jobson was Keith plus Jean Luc Ponty in 1. His compositions equal to Keith’s, only modern. Danger Money at first seemed a little disappointing because it was more “radio tune friendly”, but after many listens, our band started performing some of the tunes, and it really grew on me. And, the James Bond sensibilities were cool as hell. John Wetton’s voice became my favorite. After they split, I was crushed! I would see Holdsworth play his originals while I was in college around 1984, and I thought, he was better in UK, where he had to be more concise. His soloing, after a long set, bored me. I also saw Tull A, and again, these were not as good as the UK magic . I’m so thankful I got to hear and see this supergroup, and the two main studio records will shine in the history of prog rock as masterpieces of the genre. But they didn’t dethrone ELP, which is the king of the mountain, and always will be.

[@Gongchime]

The composing is stellar.

[@jamespollard8090]

Absolutely Beautiful!

[@Rayneenights]

I was a proggie fan already back in the 70's. This was one of the last great albums of that golden era. Then the 80's with it's (mostly) crappy music came along and nothing ever remained the same again.

[@cheezruff]

BOZZIO writes drumming history on this LP.

[@Dinostriadrums]

Gracias Terry Bozzio!!

[@philbiddle1899]

Us prog fans were spoilt back then we had Yes, ELP, UK, Druid, Starcastle, and Genesis.

[@artrock5741]

According to the book, Jobson even wrote the drum intro.

My favorite UK song!

[@Freddie_Fuchs]

@dkofva Yeah Terry Bozzio drums for this album. The whole album has awesome drumming!

[@markellis8684]

Amazing band - amazing song!!!!!

[@markellis8684]

wish I was around to see them... some of the best musicians ever!

[@BeatlesBowieKrimson]

I saw 'em opening for Jethro Tull at the Capital Centre outside of DC.

[@davidrobbins4857]

I saw them opening for Tull in Providence, unbelievable!

[@geoffreystewart4208]

Haven't heard this for 30 years. Thanks for this.!! At least Wetton can rock it (re: Lake).

[@musixpression]

geoffrey stewart Great song; The only thing she needs, real love almost knows no age you know.........

[@musixpression]

Thanks John Wetton and members, John's legends will live, I am now on my return, am now 48, and what makes sure that I turn 96 ?, That is why I am on my return and therefore I should also be able to give my answer in my life, and that is the related perspective of my personal music revolution. --- It applied from the outset from the start of the planning of my personal music revolution after the crisis service in 2006, my ideas for recognition somehow applied only secretly to bacon and bean, and in other stages even more so not, and that was also the reason why they had done nothing about that threat of sabotage in 2011, and to the detriment of my answer to so many backlogs including the non-related situations, and based on that they want to blame me personally manipulate the growing gap that has arisen because I was able to give my answer in personal equality --- I can still remember that I spoke at the end of 2017 that I could save the Harry Potter scene, and therefore I normally have to do my thing I was able to do, and there was a lot of fuss about me, that I was f-up, and now you see the result that I saved the Harry Potter scene and placed it at the stage of the revolutionary predecessors, and I had also warned at the end of 2017 at the stage of Emma that the Netherlands and Europe should not obey America too much because that could go wrong for both sides, and so I was clearly right, and thank God I could save the case, and it can never be just my own interest, because I have stood and stand in my personal neutral domain all the time, I just wasn't and am not their puppy. --- In the deadly dull dull and brave stage, in 2011 my success as a literary humor-fragmentation bomb was colorful and sincere, and could only have been an issue. In the context of being firm and calculating an alternative, based on policy and climate policy that focuses on the fact that someone must suffer as a victim, in reality it can no longer be proven as an issue, regardless of what is promoted or propaganda, because, as I already indicated that I already spoke to my psychiatrist somewhere in 2012 that my ex is also in good spirits, and she resented that I will shoot myself if I get the chance, and if you see what is there now already happened, because what those others say is always true and what I say is never right? And that in connection with their collaborative communication strategy of denial, trying to get rid of their debt. --- I have always said about my girlfriend Emma that she can have fun with whoever she wants, and that Emma and I have a deeper and serious relationship, where I have been working on building all the time, and now the result is in any case. --- I now have a lot of hard evidence in our state (us knows us state), about denying my copyrights that are now completely unmasked in it. It was related to the song of, Met zijn allen, (Wie niet tegen zijn verlies kan, is toch maar zielig hoor), (With all together, (Anyone who can't stand losing, is pathetic anyway) ), The fact that there was never a suggestion of my ambitions and then to do such a retarded sanction experiment on me is not at all a matter of winning or losing, but currant weights are unstable and intolerant, in the direction thought of be a guy, and stand above the individual, more childish stage, which can only radiate much less colorfully, and that is why I personally have much more competition with successes because of my literary success in 2011, they said at the end of 2013 at that diplomatic stage that it took the regular media 10 years to recover, instead of giving me recognition so that in a few months could already be resolved, and because I had published the instrumental version of musixpression - Songbird in the mirror in 2016, and I had already labeled/liked various italos on my channel at that time, the public broadcaster therefore called me a mafia, just to fill their own pocket, I had already indicated something about that with my reactions in musixpression - Can you believe? With all this, the case is therefore fully exposed. If talented competitors come up against this, then it's just a matter of witnesses being there, in the same way that there are witnesses doing ugly to my girlfriend Emma because she has also done sweet and good things for me, and be witnesses to those who say in connection with my registration that I am f-up. It is a good thing that I am established to Emma, ​​that the girls to whom I have left their fate, can worship themselves. Those who want to break that for me again confirm themselves as their own race and / or individual betrayal. In that case that is also not a question of wavelength, but phases of life, because you have the stage of delusions to give each other's peers a decisive lead, which I once stood in and was fall out hard and in reality now miles ahead, because I have long since returned to my nutral youth basics, in that respect my opponents think they are really ahead of me, and they are miles behind me. Especially when I am accepted how I want a relationship from my girlfriend that she accepts me in a generous look and says that she knows that she should not let me ride with her because it hurts me and that I pay a lot of attention to my music and that she has to be very careful with me because in our relationship the woman is more the man, and because I have enforced the more rustic stage for my work this year as before 2018, and especially when I have the biggest abusive words targeting women because I am not personally accepted as neutral as I can while accepting reality, and that is accepted by Emma, ​​it makes her feminism very strong. And what do people do? They keep me f-up, and there is never an opportunity for my girlfriend Emma and I, how it can be done for me. Because I am established with my girlfriend Emma, ​​I can no longer go too far, and neither can she, and that was and is exactly my intention. Even if that is no longer an option because I then have to start thinking about what could possibly come after that, then it makes no sense to me anymore, because the moment I have faith in something, and someone else made it broken again, then that is always the guilt of the other person, because nobody wants to be approached that way, and therefore everyone will also have to be demanded to be nutral according to their ability, because the consequences are clear if they are not there, and that is why I base myself in being in my nutral state of mind according to my ability to be at Emma's, so that I can continue to do my thing normally at rest, and it will have to be enforced that abusing this, must be punished , because this has also been the reason for my behavior towards the others, And I am sorry to say that the law of truth is the most important, With the hardest abusive words being able to occur in the best relationships, And it makes sense in the sense that in the general sense elegance is more with women lies, and ambition in the general sense lies with the man, that in the general sense when the man and woman are together, that the man then drives, because even if the woman drives too much when the man and woman are together, then the man out of frustration consciously or unknowingly recklessly and saying that the woman drives better, and that in connection with the secret backlog of the man who has lasted much longer that I stylishly behave gender neutral among others inspired by Fox the fox and Alphaville, and in the charisma of all my activities, the appearance can also be read in my entire growth process by the producing composition method of Ricky Wilde, and the playful manner of Geoff Downes, and that as a revolutionary artist I have choices of the music that I want to share, in which essential Italo disco is my personal main fashion, alongside other sources of symphonic rock, 80's and John Williams, and the fact that I have been lured to Emma a few times and I am highly related, I have saved the HP scene through and by my actions and related to our revolutionary predecessors, and I thank everyone I have all been able to inspire in the contemporary music scene, In reality, love is equal to everyone, every love counts, and Emma is the only one who has given me a real and complete answer, because if love is only directly opposed to the male feminist primadonna type, then love to me is the most uncomfortable and worst thing there is, In reality, love is equal to everyone, every love counts, and Emma is the only one who has given me a real and complete answer, and in the chic English King stage I will be stylishly gender neutral with a turtleneck with elegant scarves and all kinds of beautiful jewelry necklaces to my own wish only to be able to look very nice, And all that nonsense about greater business competition, If the Harry Potter scene is related at the stage of the revolutionary predecessors, then it is just through it, There was only 1 person who could relate the Harry Potter scene to the revolutionary predecessors stage, and that is me, with my neutral cultural vision, to the best of my ability, with italo music as main source of inspiration for me, which has the most colorful full-filled synth sounds, and I am also grateful to all the other sources that have inspired me with this, and who have also been inspired by me, So everyone who is against me is all against the Harry Potter scene being related to the stage of the revolutionary predecessors, so about love, once the evidence has been proven, The relationship between Emma and I is more important than the established law, Love for my girlfriend Emma Watson, Sincerely thank you for reading.

[@riggs100]

I never got tired of discovering 70's underrated bands, seems to be plenty of them... Man I'm gonna listen to this again... From 05:17 to 06:30 this song was pure bliss...

[@felipegonzalez3058]

La mejor banda del Mundo, junto a ELP y Yes

[@edirwin8784]

UK Danger Money...best post Alan Holdsworth version of UK...imo

[@cheezruff]

as well as some others, i saw uk open for tull in 79 stormwatch tour. Bozzio and Barlow- a great night of drumming and music.

[@nonsensevector]

yep Bozzio. he kicks ass. saw them live. it was an Experience. blew the lid off the little triangle theatre in rochester ny.

[@youngchool]

Thanks for posting this! One of so many favorites from my ABSOLUTE FAVORITE BAND UK! Oh I don't mind the skip at 3:38 at all. Ah, LP days...beautiful because those LPs were not perfect. Like myself! One (musical) achievement of my life = having seen all five musicians of UK : Bill, Allan (RIP), Allan and Terry together at Yoshi's Oakland California. Eddie, John (RIP), Terry together during their UK reunion tour (San Francisco). When my older son needed a new English name that starts with T, I picked Terence for Terry.

[@リョウゴ-z4v]

top of the Prog Music! >>UK☆彡

[@NimrodelMirage]

Absolute banger

[@62849rsm]

The drums starting at 4:25 mins. are just rockin.' Like Bozzio alot. As well loved Bill Bruford on the 1st. UK.

[@jeffboyce2184]

Totally awesome 👍😁

[@ballistix01]

Indeed, this is TBoz. Brufe was on the original track off the first UK album titled "UK," which this same track is also on the re-release of their first (along with live tracks from one of bassist/vocalist John Wetton's band Akustika's tour), UK: "Live in America."

[@nonsensevector]

bozzio had a drum cage, 3 20" crashes mounted up front with cut-outs to choke them fast. square, triangle, and round. he attacked the kit like an animal. he's not a big guy but he plays like a giant. i suggest listening to missing persons.

[@SLAYERSWINE1]

He was great with Jeff Beck as well as Zappa.

[@MMonroeist]

I strongly second that MP suggestion

[@masterugie]

The bass line starting from 5:07 always inspires me when i hear it.

[@nickd1961]

love this band great post, I had the luck to see them perform in their heyday

[@sampsonl3]

awesome, takes me back to a great era of music. a supergroup before there was such a thing. too bad Holdsworth didn't play on this album as well.

[@langusta101]

they still amaze me even when lm 50y,old my God if yuu compare today arrange and what was in80 "s its really sick..let me propose something special!Gino Vanelli Brother to Brother or better listen to whole record!

[@startover942]

This is OUTSTANDING! My Danger Money LP has a skip at the beginning of this track which totally destroys the experience; your post is now the ONLY thing I need for this classic!

[@Justin_Kipper]

Love that vinyl, yassuh....

[@leonakita]

w/all due respect to Mr Alan Holdsworth...he wasn't missed on this album...UK didnt need guitar!

[@walterevans2118]

Alan is missed now everywhere since we lost him God love him.

[@maxwelld3753]

Oh my god this is great

[@javever]

Gracias por subir gran Musica de verdad la disfruto!!!

[@startover942]

This kicks!...well, you know what. Classic UK as you want it.

[@JayJay-ki4mi]

That organ is used in so much house music today.

[@adam872]

@62849rsm They sure are and Jobson's piano playing over the top of it is absolutely majestic. The best part of the whole song, this section.

[@chiefwhitenoise5227]

So, what's the conclusion? WHAT is the only thing she needs?🖖

[@startover942]

There is no such thing as NEVER enough of the only thing she needs!

[@Ignirium]

Hahahahahahha

[@Ignirium]

The song should go on forever, or every time you listen to it it's a different song than before lol

[@victorjurado2518]

Tremenda pieza de prog!!

[@grimdrum2396]

Perfect!

[@victorthegroover]

3:40 LOL SO MANY MEMORIES IN HALF A SECOND XDDD thanks for that single detail ;)

[@nhito]

Awesome!

[@박상일-z1p]

나의 20대 prog rock 시작을 시켜준 명곡

[@guashin]

oh my god is fred fuchs!! this album is killer

[@markanderson5810]

Now this what I call prog !!!

[@TSOhouston]

@precarioustimbers - I saw the tour in Houston in April of 1979 and while Tull was good, I was more impressed with U.K. Jobson was incredible!

[@startover942]

@aga3736 Hear hear! The words you speak are indeed sage; thank you!

[@kushisaac]

@precarioustimbers yup, got introduced to them at a Jethro Tull concert in Miami, i think it was 79

[@KrystofDreamJourney]

It was 1979 Tull tour. UK opened for them. Jobson ended up with JT on “A” album, toured with JT for a while, and than did one single concert in 1985 to commemorate 300 anniversary of J.S. Bach birthday.

[@DannyELoi]

Ok, DM has been one of my favorite albums for the past 40 years. Usually I am pretty good with odd meters.I have a problem loosing time here. Terry starts with his drum part, and that is in 4. (the cow bell makes sure you know that). Then @0:11 the percussive popping of the B3 with Terry's bass drum comes in and I can not count that. I just get turned upside down. But then after the B3 chords come in there is more information, but I still can not count it. Finally it ends up in 4/4 and I can hear that comfortably. Anyone want to figure out to count that, or guess?? Thanks

[@cheezruff]

I have it transcribed

[@artrock5741]

It's all in 4/4. The bottom riff starts on one-AND (with a silent one). The third pair of notes hits on beat four..

[@DannyELoi]

Thanks Art! I appreciate you helping my counting.

[@johansteenslandmusic3699]

I have a "Johan Explains video" on this intro. Feel free to check it out!

[@090nj2]

❤️❤️

[@whoageez]

too bad about that skip at 3:39

[@lionelalias4561]

whoageez arg!

[@Justin_Kipper]

Just so we can remember what vinyl was like!

[@jousif21]

joyful

[@kelwin58]

Oh, darn... there's a skip at 3:39. Good thing that I have this on vinyl, cassette, and CD.

[@PRSRECORDS]

3:39 skip

[@nelsononofre4681]

some of the most ignorant comments can be found under youtube videos. Why would anyone compare Bruford to Bozzio? And some of the comments about Holdsworth? I f**king give up!!

[@prog4evr]

First :45 seconds is some great prog drumming by Bozzio...

[@srb99100]

Does Bozzio ever use hi hats? 🤔

[@FoxtronInk]

@rherbert57 Maaaaaannnnnn! Agreed!

[@kamalking4933]

5:09 onwards sounds like a power rangers theme.

[@dkofva]

tell me that is Terry la bozzio and not Bruford, cause I have been under the impression since the 80's that it was the former on this LP...Please solve the mysterie/miserie...help...If it was Bru, i did not know he had feet like that...dog!(on drums)

[@WildChildMcCloud]

That's Terry Bozzio. Two bass drums.

[@danielwang7793]

The song was played by the first lineup live, but the drummer on the studio track is Bozzio.

[@QuestionMark4Ever]

UK "Night After Night 2012" World Tour ukreunion.info

[@Larsfilmvideo15]

From 0:59 to 1:20 fucking verry good :)

[@progrocker69]

1 person isn't sure what she needs.

[@timeouttamind1]

Broken - please reload

[@MFitz12]

@TBretzer Bruford and Bozzio's drumming styles are vastly different. This clearly isn't Bruford.

[@icyou4344]

M Fitz I love both styles but Bozzio puts more power in his style.

[@WildChildMcCloud]

Yeah playing two bass drums is a major difference.

[@MFitz12]

@@WildChildMcCloud Not hardly the only difference.

[@lennylacksalot8405]

kind of a broad statement-that many drummers are better than bruford. maybe 10,on the planet. whats that tell ya? yes,bozzio was a ninja.

[@MegaTubetiger]

Bad recording. Skips in places.

[@jkovert]

That is not the story - Bruford and Holdworth hated each other, couldn't work it out. They were both fired because of their drama.

[@snuppssynthchannel]

That is a myth as well. The reason to why allan left was because he had to learn to play his solos for the sake of commercial appeal, which was never his thing.

[@kelvinpanesar6511]

Eddie wanted Allan to play all of the solos the same night after night and since he was more of a improvisationalist, they never could come to an agreement. AH and Bruford left and Bozzio came on board. UK became a different and more progressive band until Wetton formed Asia and Allan/Bruford went along the fusion route. All were, and still are the greatest musicians I think the planet ever eye witnessed but disagreements take their toll after a while. BTW, Bozzio kicked Super ASS with Zappa!!!!

[@JeffELOLynne]

@Rayneenights True,but you gotta admit that bands like Yes or ELP were just about showing of... I like the end 70-s new wave/neo-disco approach of some progbands(like Gentle Giant and the Alan Parsons Project). Actually,Yes is really one of the most overrated bands in the history of prog.

[@paulcosta5382]

Why are people hating on Holdsworth? This song is severely lacking guitar and the drumming is boring through most of it. Sure Bozzio has his good riffs, but Bruford kicks Bozzio's ass. Also, if Bruford and Holdworth were fighting and that's why they left, why did they work on so many other projects together?

[@srb-ef3zs]

Bruford was very tight and loyal with AH; he lobbied to have Allan join UK in fact from what I read. It was Eddie and John who had creative differences with Allan.

[@Tanildes]

“Drumming is boring” .HAHAHAHAHAHA,Shut up seu grande IDIOTA!!

[@YEUWYU]

you must be deaf or dumb, your comment is boring and stupid.

[@cheezruff]

eyeroll comment

[@WildChildMcCloud]

Boring drumming? Yeah right!

[@jkovert]

BOZZIO better than Bruford. Alan White better than Bruford. In fact, MANY drummers are better than Bruford.