Tchaikovsky's Capriccio Italien: Tomomi Nishimoto conducting

[@sureshkrishna6833]

I have rarely seen such an involved and competent conductor. Bravo, Ms Nishimoto.

[@AWD1001]

This woman is “the”conductor Thrilling, Beautiful

[@ky3431]

今日はとても悲しい事があったけれど　こちらの音楽を聴いたら元気になれました　 ありがとうございます

[@robertoferreiravaz2306]

Adoro essa melodia há mais de 50 anos. Estupenda.

[@lineshaftrestorations7903]

My parents had a vinyl LP of this and the 1812 overture from early 1960s. I was very familiar with them. This performance and tempo closely matches what I learned so many years ago. Bravo. 😊

[@amulyakumar4249]

Unusual interpretation, I love it!

[@cergneuxguillermo1681]

Estoy enamorado de la manera de dirigir que tiene Tomimo! Transmite más emoción y fuerza que otros directores que he visto!!!

[@gordonsheaffer1863]

So accustomed to the slower Bernstein interpretation, this is almost a different piece of music. Well done.

[@james-pierre7634]

Bernstein was asleep at the wheel. This is how Beethoven wanted it to be done!

[@NoriWakameKonbu]

Wow, splendid! It's fun to listen to♡

[@johnnydamazzio6541]

Espectacular. Wow

[@doromamire]

Tomomi Nishimoto’s understanding of Tchaikovsky’s works is uniquely broad, encompassing both their intrinsic value and the emotional distance they evoke. This understanding naturally influences the conductor’s interpretation during performances. The alignment between their comprehension of the work and their expressive execution creates a harmonious unity. However, what distinguishes this conductor is their unwavering artistic sensibility. This consistency extends beyond mere alignment; it integrates layers of nuance akin to the complexity found in theater and other art forms. When listening to this conductor’s interpretation, the measure of its value lies in the seamless connection between the music and the performance. Absolutely, defining a precise standard for this value remains elusive. The act of performance itself is perilous, fraught with potential discrepancies. Yet, it serves as a poignant reminder that artistic expression thrives on decisive risks.

[@james-pierre7634]

Cut all the b.s. Her performance and command of the orchestra is nothing but astounding. Nothing more needs to be said .

[@james-pierre7634]

Do you actually believe or even understand what you just said? No one else does. Stop thinking you are impressing others by making innane comments comparing Tchaikovsky with Nishimoto. To make “decisive risks.” What the H is that?

[@james-pierre7634]

To play for her is a full time workout. It’s about time we a have a conductor who doesn’t sleep walk through their performances.

[@james-pierre7634]

She is beautiful…and so is Tchaikovsky.

[@浩三芝崎-t8v]

温泉大好きネーチャン！ 酒は……知りません！ しかし、ロシアで勉強したからには相当なもんでしょう！

[@pavelopsitos3949]

Maestro ISSA : "Každému stejně blaženosti,hop blecho,vyskoč na lotos!/ Komár se dožil rovnodennosti a jak sám Buddha teď vyvane / V chvějné rose se chvěje svět, i můj, i všech" 🏵🌹

[@maryloukelly7696]

Great music. Way too frequent ads. Quit listening.

[@robertoferreiravaz2306]

Gostei também, da maestrina.

[@wwyiyi]

👍👍🌹🌹

[@m25l02e51]

Espléndida.

[@borisbrinkmann]

Bild und Ton sind phasenweise wieder furchtbar schlecht synchronisiert, vor allem bei den Einstellungen mit der Dirigentin um 1/2 Takt. Das macht es schwierig, das Dirigat zu studieren.