Théodore Géricault - The Life of an Artist

  Рет қаралды 2,864

Lost in Life

Жыл бұрын

Théodore Géricault - The Life of an Artist
Théodore Géricault Artworks [Romanticism, Orientalism]
Important Art by Théodore Géricault
#Théodore_Géricault
Théodore #Géricault
Théodore Géricault
Jean-Louis André Théodore Géricault
____________________________________
- Born: September 26, 1791; Rouen, Normandy, France
- Died: January 26, 1824; Paris, France
- Active Years: 1808 - 1824
- Nationality: #French
- Art Movement: #Romanticism #Orientalism
- Field: #painting #lithography
- Influenced by: John Constable, Peter Paul Rubens, Michelangelo, Henry Fuseli, John Singleton Copley
- Influenced on: Eugene Delacroix, Piotr Michałowski, Ary Scheffer, Romanticism
- Teachers: Pierre-Narcisse Guerin
- Art institution: École des Beaux-Arts, Paris, France
- Friends and Co-workers: Eugene Delacroix, Nicolas Toussaint Charlet
_________________________________________________________________
Géricault's fiery, daring personality and short life, fit the mold of Romantic artists of his era and, along with his controversial paintings, profoundly influenced 19th-century art.
Géricault was born in 1791 into a wealthy family in Rouen that moved to Paris some years later. He received his first art classes in Paris in the studios of Carle Vernet and Pierre Guérin. In 1811 Géricault decided to be responsible for his training and began to copy works by the Old Masters in the Louvre. Aged only 21 and almost entirely self-taught, in 1812, Géricault presented his first major work Officer of the Imperial Guard on Horseback (1812) at the Salon. Over the following years, Géricault continued copying, and in 1814 he again showed work The Wounded Cuirassier (1814) at the Salon. This more elaborate composition was not as well-received as the first one.
Having failed to gain a prize in the Prix de Rome, Géricault decided to travel to Italy at his own expense. Once there, he was particularly impressed by the works of the Italian Renaissance artists, above all Michelangelo, and by Rubens. During his stay in Rome, Géricault executed a series of paintings of the horse race known as the Corso dei Barbieri.
________________________________________________
Théodore Géricault - The Life of an Artist: kzbin.info/www/bejne/ipLaiXmsfMqMfJo
Théodore Géricault Artworks [Romanticism, Orientalism]:
Important Art by Théodore Géricault:
____________
SUBSCRIBE: kzbin.info/door/BVW...
Facebook: The.Biggest....
Contact: st.paul.gallery@gmail.com
_________
Feel Free to Subscribe & Thank you for your support!
:| St. Paul Gallery |:
The EARTH without ART is just EH
© Copyright by St. Paul Gallery
___________________________________
All images courtesy of Public Domain and/or Creative Commons for educational purposes
Music courtesy of KZbin Creator Studio
#arthistory #art #history
0:00 Summary of Théodore Géricault
1:50 Childhood and Education
3:20 Early Training
7:10 Mature Period
12:53 Later Period
15:12 The Legacy of Théodore Géricault
19:18 Théodore Géricault Artworks

Пікірлер: 2
@mr.bacchus
@mr.bacchus 7 ай бұрын
Hello, I'am looking for the sources for your infos such as the year 1812 when Gericault father would have paid a man to go to war in is stead. I cant find any source to confim that. Thanks a lot and bravo for your contents.
@residentevilzzz3352
@residentevilzzz3352 Жыл бұрын
De dechets et du sang... ...brulant... ...tus.... Of offal and of the blood... ...burning... ...still.... it is free with kindle unlimited it is a collection of English/French poems and short stories hope you like something if you read Here is one of the poems it is a poetic interpretation of head of a dead young man painting by theodore gericault Head of a dead young man Beneath a canvas coarse and crass, the head of a young man upon a cushion soft and of care; feminine chin; upon the lower lip the blood of God; fine nose; hair of an infant here...and...down there; upon his front, the sublime illumination, that descends, intimately as though of ivory flame.... ...when, of lavender and of rose, ascending vaguely towards the exegetic darkness, the offal; disclosed thus, profound and grave, an immense lesion, as though of a dolourous ulcer...from where all comes...where all returns....