The Bebop Jazz Guitar | 4 practice secrets

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👋 Who is Daniel Weiss ?
‘Guitar Idol 2016’ finalist and a Berklee College of Music graduate. His exceptional abilities and unique style led Weiss to be a highly sought-after musician with a rich international career as a guitarist, composer and arranger.
Weiss was featured in Lick Library, Premier Guitar, Guitar Idol, Normans Rare Guitars, and Bass the World to name a few.
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[@WeissGuitar]

🔎🎼🎸 Access “Galactic Modern Guitar” Solidify your fretboard knowledge weissguitar.com/course-galact...

[@tizianodipronio6159]

Powerful lesson.GMG 1-2-3 became my bible.never ending work.👊👋

[@andrewkratz226]

Agreed

[@WeissGuitar]

So happy to read this! I put so much work in it, so glad to help. and Thanks for spreading the word :)

[@voronOsphere]

Very helpful lesson! Great key to work on, too, for me! (Ab Major and the G Altered Scale/Mode from the Ab Melodic Minor -Ab Ionian Flat 3rd [Cb] Mode)! Thank you!

[@WeissGuitar]

Thank you for tuning in 🙏

[@WeissGuitar]

--Outline: I. Bebop Improvisation Basics A. Adding chromatic notes to scales 1. Example using Ab major scale 2. Incorporating chromatic notes on strong beats B. Expanding chromatic notes into different octaves and string sets 1. Demonstrating variations and positions C. Introducing diatonic arpeggios 1. Exploring diatonic thirds within the scale 2. Creating melodic patterns with arpeggios II. Applying Concepts to Chord Progressions A. Applying chromatic and diatonic ideas to different chord changes 1. Example using a turnaround B. Demonstrating these movement through altered chords 1. Using scales and chromatic notes on F altered chord III. Voice Leading and Flow in Improvisation A. Importance of voice leading in maintaining flow B. Strategies for practicing voice leading and maintaining mechanics 1. Staying within a position while changing chords 2. Maintaining the fundamental elements of playing IV. Technique and Articulation A. Focusing on sound and finger choices over specific techniques B. Balancing techniques like alternate picking and legato C. Incorporating slides, slurs, and other articulations for personal sound V. Practicing Rhythm and Subdivisions A. Emphasizing control over rhythm and subdivisions B. Utilizing metronome to work on different subdivisions 1. Quarter notes, eighth notes, triplets, sixteenth notes C. Importance of syncopation and rhythm variety Want to dive deeper? 🔎🎼🎸 Access my online courses at: weissguitar.com/online-programs

[@bernardjones7617]

Daniel you are a God send,thanks so much for your teaching and explanations I am really starting to understand the way jazz works 💪 And by the way you are a beast. I will be watching for more...

[@WeissGuitar]

So happy for this comment brother wow... Thanks for being here :) just uploaded a new one I think you will enjoy. stay in touch

[@JazzStrat781]

Wonderful video Daniel 👍🎸 best to you brother in all that you do

[@WeissGuitar]

🙏🎸Thanks friend

[@ramirointrocaso3578]

Thanks Daniel for this content, it is so usefull!

[@WeissGuitar]

Thanks for being here my friend :) just uploaded a new one I think you will enjoy. stay in touch

[@jazzguitarneophyte-christo7988]

Very nice lesson and tip! BTW if you do not mind my asking, what pick/plectrum are you using here?

[@WeissGuitar]

💎 My favorite Guitar Picks: amzn.to/3POCNkX

[@jazzguitarneophyte-christo7988]

Thanks so much! @@WeissGuitar

[@hughanderson7285]

Cool. Scales are often used incomplete. Do you have a system for that?

[@WeissGuitar]

Thanks, yes a complete system that I developed - here you go: weissguitar.com/online-programs/