The Best Mixing Plugins Ever!

Today I show the 10 plugins I use on every single mix!
✅ Have Matty Mix and Master your song: mixandmastermysong.com
✅ Presets and Courses: tinyurl.com/ykjeab7r
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Instagram: / mixedbymatty
Twitter: / mixedbymatty
Facebook: / mixandmastermysong
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🎙️ My Studio Gear
Crane Song Avocett IIA: [bit.ly/37UXIMG]
McDSP APB 16: [bit.ly/3o0bymA]
Dangerous Music Convert AD+: [bit.ly/37Tsx4n]
Bettermaker Mastering Limiter: [bit.ly/37WZvkk]
Dangerous Music BAX EQ: [bit.ly/2L6C531]
Lynx Aurora (N): [bit.ly/3o0bT8Q]
Apple Imac Pro: [bit.ly/3hrdD8B]
Trinnov ST2 Pro: [bit.ly/2L04NCL]
Overstayer MAS: [bit.ly/3nYPQPX]
Elgato Stream Deck: [amzn.to/38FdPgN]
TC Electronic CLARITY M: [amzn.to/3pttGFW]
Matty Harris is a highly skilled mixing and mastering engineer hailing from the vibrant music scene of Los Angeles, California. With an impressive track record and a diverse clientele, Matty has firmly established himself as a sought-after professional in the industry.
Having honed their craft over years of experience, Matty has had the privilege of working with a multitude of renowned artists, elevating their music to new heights. From Grammy-winning sensation Kelly Clarkson to the prolific talents of Travis Barker, EricDOA, Cuco, Rhea Raj, Sammy Adams, and many others, Matty's impressive list of collaborators is a testament to their exceptional skills and dedication.
As the driving force behind mixandmastermysong.com, Matty has created an invaluable platform that caters to both established artists and budding musicians alike. Through their website and KZbin channel, Matty offers comprehensive mixing and mastering services, ensuring that every song receives the utmost care and attention to detail.
Moreover, Matty is passionate about empowering artists who wish to take the DIY approach. Through his educational content, he provides aspiring musicians with the knowledge and tools necessary to achieve professional-quality mixes and masters from the comfort of their home studios.
Equipped with an extensive arsenal of industry-standard equipment and cutting-edge software, Matty possesses an innate ability to breathe life into every track they touch. Their keen ear for sonic balance, meticulous attention to detail, and unwavering commitment to client satisfaction have garnered them a reputation as a trusted and reliable engineer.
Matty's journey as a mixing and mastering engineer is an ongoing adventure fueled by a love for music and an unwavering dedication to supporting artists in realizing their sonic visions.

[@MaximusWhyman]

It never ceases to amaze me that you seem to get a haircut five minutes before you shoot every video.

[@mixedbymatty]

Nothing better in this world than a fresh cut. 😎

[@spiritsoundzlab7636]

🎉🎉🎉🎉😂😂😂😂

[@adl0815]

Pretty sure there's a "getting a haircut" and "new video release" correlation. 😂

[@sub-jec-tiv]

He’s actually an android, that’s how it always looks exactly the same 🤖

[@MissionFireMix]

Don't stop the good work man. Love your genuine videos

[@saucey99]

Matt this well done sir. Been producing for 20 years and i got some great help from you here. Respects.

[@GloveBunniesVideos]

Thanks, Matty!

[@3rty6ixRaps]

Great video. I love it. I love the 15k the Manny Marroquin EQ❤️🙏🏾

[@BMugzMusic]

Agree with your top 10 bro...Console 1 got the 2nd model . Softube my favorite plugins especially the the 9k and api on console and harmonics. Id put soundtoys echo boy and tone projects bass lane on my top 10

[@joshuabutlermusic]

Pro R2 has slowly replaced every reverb I use. I love it.

[@PharaohLawLess1]

I started with Ozone 3 that I bought on the cd rom from Sam Ash many moons ago

[@saucey99]

Pro-R2 ends reverbs try it in a combo with Brauer motion.

[@1loveMusic2003]

McDSP has a good replacement for Soothe, the SA-3

[@DaMixWizard]

IK Multimedia's The One plugin is 10x better than the God Particle plugin. It makes the God Particle sounds thin when you compare the 2

[@konumusic7471]

Do you really think so? Now I'm going to test it out. I haven't used one in some time but you may have a point. Do you think the saturation sounds better or compression? What do you feel is actually better? Thank you

[@adl0815]

Try the "the one" preset or what's it's called, but you have to be careful with the level going in, if it's not too hot it just distorts like crazy.

[@BMugzMusic]

Sleeper, PA unfiltered needlepoint on the music bus

[@pauldavison6460]

You’re back in Studio One?

[@huberttorzewski]

Almost the same list I would've created haha. I guess we have the same taste in mixing tools

[@assshakerstudios549]

#MattyHarris Can you do a problem solving video on how you get kicks that where recorded bad(say 2 OH's, 3 toms, 1 snare, 1 kick) and the kick is off to the right instead of center due to the mic placements. How to make it more center without fucking it all up, while still having a decent OH/kit sound. Also editing. Do you cut/move ever single hit, or do you throw on a autoalign plugin, or what? That's just 1 thing, there a ton of others, like proper reverb uses, ducking reverbs, compressing reverbs, eq'ing reverbs, ext. When do you use expansion(for me it's mostly on snares that have no wire sizzle and I need more, but I can contain HH bleed in the mic, and or when I want bigger longer tom sounds, or kick sounds)? And don't forget the proper place and time to use saturation instead of eq. And transient designing the kick and snare. And this is all on real acoustic kit's like rock/metal/alternative/singer songwriter type of stuff. Oh and NO SAMPLE REPLACEMENT EVER(well only if you've recorded your own samples of that sessions drum kit prior to recording, or post I guess, I do it ever session prior to recording as it's saved my ass a few times). And when to use automation for mixing, and mastering(especially for reverbs and whatnot), Surprised you don't like Dr. MS, or Nugen Audio's stuff!

[@thevaultrecordingstudio]

Completely replace or blend in a sample

[@YungBearPH]

mono the main kick mic by panning or use an imager if you want it dead in the center and you can even inject the sides to the middle when using an imager. using a mid/side eq, high pass just the sides, use linear phase if you don't want any noticeable difference in the stereo image or especially when high passing just the overheads track but you can get away with minimun phase if you bus the kick and the overheads together and high passing the sides of that bus. i hope im making sense 😅

[@YungBearPH]

on your other questions, there's really no right answer. use your ears and dial everything to taste. there's no rules to mixing and each engineer has their own unique technique that they've developed over time by doing what works best for them. give two industry engineers the same song to mix and you'll get different results. this is why we have mastering engineers, to have a different perspective and see how they would approach the song

[@Ryan-rn3cf]

Boz Panner. I don’t even understand how people mix without it.

[@learn2xpand862]

I like Kirchoff but Fabfilter is incredible as well

[@mixedbymatty]

Kirchoff is fantastic. But I find FF still wins at ease of use.

[@DrMax0]

Oh CLA vocals? Seriously? ..... same .......

[@bayareafactorbaby8913]

Whats up bro im in sf California got some quick questions I’m recording a UAD x8 my microphone is a Townsend UAD microphone i need help tracking my vocals i want too facetime you can you shoot me your number