THE CAMP 2015 Ballroom Lecture on Important technical Details by Alexandr Melnikov

THE CAMP WUPPERTAL 2015, produced by Helmut Roland

[@ThankYLord]

28.18 it was just Wow. Breathtaking! maestro Alex u r the Best!

[@rogelee-TW]

12:00 4 actions of the swing dance: progressive movement, rise and lowering, rotation and sway, clear choreography.

[@rogelee-TW]

31:00, All the actions that create story is the hip and center part, the body dialogue is inside, not outside, not the upper part with the arms.

[@rogelee-TW]

12:00 More aware of the rise and lowering, comes with swing and sway and shaping, rather than just smooth flowing, rotation.

[@rogelee-TW]

身體「做很多」⋯⋯ 好不好？ 凡事「過猶不及」！ 跳舞，主要是「下盤 ⋯⋯ 臀、胯、腿、膝、踝、腳」的動作與控制⋯⋯ 上盤/上身/握持，反而是下盤動作的「回應 Reaction」⋯⋯ 外行人「只見花俏上盤，不見下盤功夫」； 內行人、明師、銳眼裁判，不是看熱鬧而已⋯⋯

[@rogelee-TW]

29:00, Tango, create sudden and surprise with separation of upper part and lower part, using the breathing center.

[@rogelee-TW]

The 4 element, swing, rise and fall, turn, sway.....but the WDSF dancers did lots of turn and sway only.

[@rogelee-TW]

27:00, The Tango, it should be grounded(connect weight to the floor), with different attitudes involved like Sudden, Smooth, Playing....to show the story and the individual personality.

[@rogelee-TW]

17:30, Sometimes, top dancers are cheating by using lots of upper part shaping, and it's difficult to read the clear timing of legs for the judges.

[@rogelee-TW]

16：30 Start to rise on 1 and continue to move....

[@rogelee-TW]

20:00, more power from the legs to move the body make the swing dance. More power on the body makes the different dance, not the swing dance.

[@richardkan8499]

Who's Roger Lee?

[@rogelee-TW]

23:00 The bad example of playing the top body for exaggerating the shaping. Don’t abuse the upper body,

[@rogelee-TW]

33:00 Get weight to the standing foot, then move...

[@rogelee-TW]

31:00, More inside power and tone the communicate with the partner to tell the story....

[@user-lg5ft6gj8l]

Roger Lee あかさた

[@rogelee-TW]

22:30, the bad example of more upper part, abusing the top.