THE CAMP 2019 Ballroom Group Lesson by Roman Mayer

THE CAMP 2019 WUPPERTAL, produced by Helmut Roland

[@philiposhea5285]

A summary with time codes : 2:20 At the beginning of the bar energy and power; at the end more time, emotion, extra stretch 5:00 Continous swing, no break 6:28 Not slowing too soon; slowing in the high position; "let it go" 7:30, 9:20 Exercise: man creates stretch from the centre; arms go with the lady. To be used on step 2 of natural turn, etc 10:15 Stretching to right, let the lady do it; to left, man can stretch away 11:20 Energy goes forwards in the stretch 11:37 Spin turn. At the same time as the stretch, the man invites the lady to move forwards. Her head delays and comes later. 14:19 In moving forward the lady creates energy to use for the next drive 17:25 Natural fallaway and slip pivot. Quicker steps must be smaller. Again, power at the beginning, time at the end of the bar. 20:15 The connection from body to the arms. Arms follow the body. Not starting from the arms. 22:32 Left whisk. Enter with man's centre moving backwards (like hover corte, throwaway oversway, etc). Do the stretch. Not too much rotation. 25:20 Exit to PP. Rise with foot pressure and stretch. Different possibilities for style, using body and communication. 26:08 Open natural turn. Man must not stretch like the lady. 27:27 Faster from the 1 to the 2, on the 2 spend the time. 28:34 Natural fallaway. On the 2, rise, spend the time, stretch from centre and give arms.

[@rogelee-TW]

Thanks for sharing this valuable video 🙏

[@user-vl2kw5md8x]

예비보/ 네추럴 스핀턴/ 리버스 턴/ 샤세투라이트/ 아웃사이드체인지/ 샤세/ 네추럴 스핀 턴 / 레프트 휘스크/ 스탠딩 스핀 P•P/ 오픈네추럴/ 네추럴 팔로웨이/ 까지

[@rogelee-TW]

28:00 Open Natural Turn, Acceleration on 1 to have more time on 2 and 3 for the upper shape opening by foot pressure.

[@2dancemotion]

Excellent lecture. Thank you.

[@rogelee-TW]

32:00 enjoy the power and speed on 1 2, enjoy the lightness on 3.

[@virginiabosch7194]

Very nice I learn a lot

[@rogelee-TW]

3:00, more power/speed in beginning, more time to stretch/slow down in the end of the bar.

[@rogelee-TW]

25:00, Standing Spin, lower in the end to pressure rise to PP.

[@rogelee-TW]

29:00 Fallaway N turn, 1+ 23, smaller first 2 step, then follow the lady as she moving to inside of the circle.

[@rogelee-TW]

16:30 Always the connected with the foot pressure for the next action or the stretch of the upper lines.

[@rogelee-TW]

10:30, to R open the lady, to L man open himself. Hands belong to the partner, to support. No pulling. Energy goes forward to the partner, top line stretched back.

[@rogelee-TW]

12:00, Spin Turn, send the lady up and stretch on 2, invite her back by the center as well with the breathing in the hold.

[@rogelee-TW]

18:00, different timing different energy, different step size.

[@rogelee-TW]

5:00, no break on 1, the greatest speed happened between 1 and 2.

[@rogelee-TW]

20:00, arms is always coming out of the back, connected to the body, stretched out of the back.

[@rogelee-TW]

10:00, foot pressure, rise on 2 stretch to open up the lady.

[@rogelee-TW]

8:00 use the center to open up the lady’s shape, arms follow the lady.

[@bobwright3438]

I noticed the attendees are not using CBM on Beat 1; so called two dimensional dancing

[@philiposhea5285]

It was explained to me like this : in the traditional, English style the rotation causes the swing; in the modern, Italian style the swing causes the rotation. The objective of the "modern" version is more amplitude and dynamism. Would a good example of the traditional style be Warren and Kristi Boyce (kzbin.info/www/bejne/mF6YeHeCrLeBrtk) ?

[@rogelee-TW]

24:00, L whisk, soft knees, soft and stretch of the hold, lady release into it.

[@rogelee-TW]

7:00 drive it thru, let it go.