The Materiality of Paper | Symposium: Avant-Garde Art on Paper in Europe, 1905-1950

Sabine Kriebel | Flattened: Montage Under Pressure
Emmanuelle Hincelin | Paint in white some white papers: practices and meanings in Pablo Picasso’s artworks
Anneke de Vries | Taking stock: H.N. Werkman’s artistic use of paper from his printing business
The symposium “Avant-Garde Art on Paper in Europe, 1905-1950" was organised as part of the four-year research project BePAPER, from 23-25 March 2022. The project is to provide the first overview of the field of Belgian avant-garde works on paper within an international context between 1918 and 1950: that is up and until the dawn of CoBrA and the rise of the neo-avant-gardes. One of the project’s main aims is to contribute to a better definition of the collection of modern works on paper of the Royal Museum of Fine Arts of Belgium (RMFAB).
BePAPER is funded by the Belgian Science Policy Office (Belspo). More information about the project: www.bepaper.be
Download the conference folder: bepaper.be/wp-...
Recordings by GSP2
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