the mosrite guitar kurt cobain used to record nevermind

[@KarlBonde]

WE NEED A FULL VERSION OF THE HAPPY TOGETHER COVER

[@alec7364]

I replayed that part over and over, such a unique take on it

[@BIZARBIES]

Flo and Eddie They are my favorite Zappa era too.

[@jfiery]

That was incredible.

[@telequacker-9529]

I thought I was watching some tripped-out music video

[@OttoisOhio]

Happy together is needed on Spotify

[@kirkwhitmire7034]

Bro that intro could spark the vibe of an entire album!

[@lyght01]

Literally rocked up to the comment section to say the same thing after rewinding like 5 times to hear it again before actually watching the video lol

[@isolirionband7300]

10:55 qhat Randall amp model is?

[@lordsolo]

it gave me an idea to turn poppy 60s songs into something heavy and gritty

[@alejandroangeles8587]

You are the best tone chaser I've seen on YT. I mean it. Having said that, I'm a 90's kid. And from all Kurt's guitars, the Mosrite was always my favorite.

[@AaronRash]

Thanks! I'm a 90's dude too. The Mosrite quickly became my favorite guitar at the moment, it sounds so crazy and unique

[@101Volts]

@@AaronRash Doesn't the tone sound something between either a Fender Jazzmaster Pickup (or Telecaster Bridge Pickup) and a Gibson P90? That seems fairly accurate. There's a lot more said below about Mosrite Pickups that should give some insight: Those photos of Mosrite pickups (3:54) are of early 1970s models that were made simpler and with dental putty to hold them in the casing (that's the seafoam green color,) they're not of Mark V type pups. I took the casing off one of mine (Mark V style pickups) to check what they're like (though I have replicas made by a former Mosrite employee, Ed Elliott, pictured at 1:49 on the right. He still makes Mosrite style instruments under his own name, along with pickups.) These MK V pups have 2 Alnico V magnets in the center with a piece of wood between them, then they're wound with either AWG 43 or AWG 44 to about 10k - 10.5k bridge and 8k - 8.5k neck in original spec (mine were wound hotter.) They're not potted, so they can give lots of feedback at high volume, as heard in early Ramones concerts up to mid or late summer 1979, which is about the time John switched the stock bridge pickup to a Dimarzio. (Not that John frequently used the same model live, though, he didn't.) Mosrite Pickups of the variety with the pole pieces (on Ventures models and others) also get confused with P90s often enough, but they're not the same thing, they're 4/10ths of an inch shorter. These Mark V Pickups should have the same outer dimensions as those on a Ventures model. Oh, and (going by pictures of the making of a replica pickup,) the original pickups in Johnny Ramone's preferred model are the same thing inside as Mark V pickups. They just have a narrower casing size.

[@isolirionband7300]

@@AaronRash 10:55 qhat Randall amp model is?

[@interpic]

And NirvanaGuitars

[@panamajack5972]

If you like metal too, check out LambChopper678

[@IsraeliilearsI]

Mosrites are criminally underrated!! I'm so glad that you gave Kurt's Mosrite some attention! ❤️

[@101Volts]

There are a lot of reasons for that. *(1:)* Semie Moseley wasn't the best at business, he was better at Lutherie. *(2:)* The Necks on these *_1960s_* models are very thin width, and it can take some adjustment, if your fingers aren't too big. (The early 1970s models widened the fretboard, but even then, not everyone likes the necks on those.) *(3:)* Stock frets on the *_1960s_* models are much lower than you'd expect, and so you touch the fretboard much more easily, so you can't bend strings easily unless you're using thin strings. People in the 60s often still used thicker strings. I had a set of 13s on mine set to E Standard (I liked a lot of things that The B-52s did in their early years, Ricky also used this model with thick strings, but that's a whole other subject) and I couldn't manage more than 1 note bends on it. Mosrite, if any company, really should get more attention with reissues. But the exact legalities of the company are a mystery at the moment for whatever reason. Oh, and the pickups on these never were potted. Lastly, if anyone's after a guitar that's very similar in tone to a Mosrite but is not quite the same, go for a Hallmark from Hallmark Guitars. They have types in style of the Ventures model, the Ventures II model that Johnny Ramone used, and the Ventures Mark V. Their guitars have potted pickups and a longer scale length of 24.75" vs. Mosrite's 24.50", but they're still the closest thing on the whole market. Don't bother with Eastwoods, Harley Bentons, Danelectros, or those painfully obvious AliExpress counterfeits that look like a toy with the wrong hardware. None of them are going to get Mosrite tone which is something between Fender and Gibson Single Coils.

[@EarlyB-52sGuitars]

Kurt had two of the Mark V model - the Sunburst "Gospel" Variant you see in the case in this video (its serial number is B1697, the last known numbered one is B1700) and Kurt also had an older Blue one (1966 spec model) that Big John Duncan used for the Roseland Ballroom 93 show. Blue was later given to Pat Smear who used it on SNL 93. I think it's easier to hear it in the Roseland show in "Very Ape" than anywhere else, though. That said, about 1,550 Mark Vs under all of their name variants were built. You may note that I said the last one numbered is B1700 while only 1,550 Mark V types were built, and I'm not kidding you; the numbers overlap with a different model, an earlier mid 1965 "Ventures II" model that Johnny Ramone used through the whole Ramones career (though he had 4 of them, and 1 or 2 were stolen.) That's where the first 150 necks are, or at least where they were all originally meant to be. See, Mosrite did confiscate that earlier model when they had the chance (though they didn't get all of them,) and they may have had some of the first 150 numbered necks left that ended up on a Mark V type. That's also not counting numbers B151 - B276 or so that still were originally meant for a Ventures II... Mosrite's history is sometimes a bit of a can of worms. If you're wondering why they confiscated the 1st Ventures II, the story (accurate or not) goes that it was never approved by the head of Mosrite, Semie Moseley (the tall man seen on the left at 1:49) and then (best I know) his brother Andy Moseley (not seen at 1:49 on the right, that's Ed Elliott) designed it instead. Semie saw the first Ventures II at some point, didn't like it, and thought it should be discontinued. There's a serial number list that explains it all a little bit better than I could here: hang10.de/lists/mosrite-ventures-2-model-mark-v-serial-numbers/

[@IsraeliilearsI]

love learning more about Mosrite! I never knew he had a second one to begin with!! They suit Kurt's style of playing well, wish he would've stuck with them.... Moseley was such an underappreciated Luther, it's a fucking shame that he isn't more known. Thanks for the information! Really awesome to hear that!! 🤟

[@101Volts]

@@IsraeliilearsI I mentioned Ed Elliott in the previous reply under my alt B-52s account (Ed's seen in the video at 1:49 on the right,) and Ed also makes Mosrite-style instruments now that should be about as accurate as you can get to originals, just with his name on the headstock. They're not cheap, but they are made in North America. Also, Hallmark Guitars make instruments that are similar, but they're not 100% the same. Still, their instruments are about 95% there - the biggest differences probably being the slightly longer scale length of 24.75 vs. Mosrite's odd 24.50, and the pickups being potted where originals weren't. But their tone is so close that for $1,000 with a hard case, it's not a huge problem. Just avoid going for Eastwoods, Harley Bentons, and Danelectros and others with the same shape if you want to actually copy Mosrite tone.

[@bobydaraiche5171]

Underrated never they always was more expensive than Stratocaster better quality guitar

[@Mr.Candaddy]

Never clicked faster to watch a video

[@claytonsturgeon7900]

Same! Haha

[@thereallincolntakanashi]

Same.

[@theDIMENSIONchannel]

Ik right

[@oceanix1929]

I had never realised before that Nevermind guitars sounded so 60's!

[@mj.l]

that's why it sounded great - they ditched the metal guitar tones of the 80s and used a bunch of old guitars and amps, long before a market even existed for "vintage guitars"

[@AaronRash]

I was thinking the same thing!

[@101Volts]

@@mj.l It seems that the early Vintage fanaticism started in the early to mid 1980s, but it wasn't as big, and was mostly after Fenders and Gibsons and maybe Rickenbackers. Kurt just used what was cheap in the late 80s - early 90s, and Mosrite was often enough cheap along with the 70s Univox Hi Flyers (highly Mosrite inspired) and the Epiphone ET-270. When The B-52s started in 1976 - 1978, they weren't using the expensive new gear. Ricky had 2 Mosrite Mark Vs and a Silvertone 1448, and Kate played a 1966 - 1967 Gibson Les Paul (SG shape) which got replaced with a 1970s Epiphone ET-290 (an import.) Ricky got 2 more Mosrites in (seemingly) 1978 and 1979, one being a double neck. (He used many tunings live, a total of 6 by mid 1979, and he had to switch tunings quickly.) Dave Gregory of XTC also was into older guitars, he has a collection of various instruments, and had said that he got into vintage instruments ahead of the curve. He has a 1963 Strat, 1965 Gibson SG Standard, 1960 Gibson ES-335TD-SV, 1964 Gibson Firebird I, and many others. But why? Were they just that much cheaper then, that it was so much more welcoming? Seemingly. So far as I've heard, the 1970s did not have a market for 1950s - 1960s instruments. If it was *used,* it was *used.* And the 1970s have some reputation for quality errors with Fenders, along with Gibson trying new things in the same decade. Perhaps they're not all "terrible," but they do have some sort of a shoddy reputation (and at the same time, new cars also had the "malaise era," but that's another topic.)

[@isolirionband7300]

@@AaronRash 10:55 qhat Randall amp model is?

[@thewedge8823]

thats because they were from the 60s lol.. The mustangs, jaguars, mosrites ... All 60s guitars.. All those guitars were easily available in pawn shops back then for $100-$300 sounds crazy today when some go for 10k

[@spidermanfan.3161]

1:07 YOOO that sounded almost like the about a girl home demo holy cow! This guy nails almost every tone!

[@5metalacid1]

PLEASE do a full cover of Come As You Are with that Mosrite!! I’ve always been infatuated with the guitar tone of that song, and I’ve literally never heard anyone really even get close to the album. I knew Kurt used Mosrites, but I had no idea it was so prolific on Nevermind. Super cool.

[@EarlyB-52sGuitars]

Mosrite models are a bit special and overlooked. The head of the company didn't want them to be a carbon copy of anything else (though they have their influences from other makes,) and that's where so many Mosrite Copies fall flat; they don't have the sound. A *24.50"* scale length, Mosrite-spec pickups made in-house (only Hallmark Guitars and Ed Elliott [seen on the left at 1:49, he worked at Mosrite] get it right,) a neck angle, Mosrite-spec bridges and tailpieces. The Bridge seems to have a bit less sustain than a Tune O Matic, and the tailpiece is similar to a Bigsby, but I have a suspicion that it gives a slight bell sound. Of course, then you have to deal with the necks. Lots of people are surprised how narrow the fretboards are on the 60s spec models (though the necks got widened by 1972,) I literally have a kid-grade First Act Acoustic that's wider than my 66 Mosrite - the First Act is about 1.575" at the nut, and my 66 Mosrite is about 1.550" wide at the same place, the zero fret. And also, the frets on the 66 are barely even there (again, on 60s models while getting heightened by 1972.) The frets are 0.022" tall _on the Low E Side,_ while *_tapering DOWN in height_* to 0.015" on the High E side. No other company I've seen has ever done this, it's probably to make it easier to slide up and down the neck without having the frets feel like "speed bumps." I can't compare them to old Gibsons with "fretless wonder" necks, I've never taken measurements of one of those. My 66 model is a lot like the one you see in this video, but not with the "Ventures Mark V" name on the head, mine has an earlier and more confusing name that is "Ventures II" (which is a bitconfusing because this is the *SECOND* Ventures II, after the first one that Johnny Ramone used!) It was necessary to get a Mosrite to imitate early tone from The B-52s, Ricky Wilson also used this model; he had two of them, plus at least two other Mosrites. My 66 Mosrite Ventures II (version 2) has some of the most comfortable saddles I've ever played (no sharp edges,) and the Vibrato on it is also very good, returning to pitch pretty well. Sometimes I have to move the arm up or down a bit to get it back perfectly, though. But I also have a habit of soldering the unwound strings to prevent the wraps from unwinding. (Not that Kurt used the vibrato arm on his for anything, or used one at all. His was missing the arm and spring, or they were taken off to turn the guitar into a hard-tail. Though a person could install a screw of the right size to keep the end of the tailpiece upright, instead.) The pickups (for the Ventures II version 1, 2, and Mark V types) are 2 Alnico V Bar Megnets in each pickup with a piece of wood in the middle, then they are wound with either AWG 43 or AWG 44 (I'm not sure which) to about 10 - 10.5k Bridge and 8 - 8.5k neck, usually. Some of the Ventures II Version 1 models (but not all of them) are about 2k lower in ohm windings. And yes, they are the same pickup, though the Version 1 has a narrower pickup casing.

[@PhatLvis]

Come As You Are tone, while enhanced by Andy Wallace's digital effect, is still mostly the Small Clone. Nailing the tone heard in the song's intro has confounded some people. What many fail to notice is that, in the intro, Krist Novoselic is playing a doubled bass guitar part behind Cobain's main riff; but he isn't playing the whole riff, just the root notes of the lick's two-note arpeggios (along with the half-step walk) and not the higher notes - which are G (the minor third when Cobain's on E), and A (the fifth when he's on D). Laying off the bass when the guitar hits these higher notes has a twofold effect: accenting the low notes but also making the higher notes stand out starkly. Those three parts - the two bass guitar tracks (Butch Vig said one was an "octave bass"), which when layered create their own natural chorusing effect; and Cobain's guitar part - work as a package to make up the whole picture of the lick in that famous intro.

[@potato22258]

The intro is literally just Kurt's guitar. The bass comes in with the drums

[@chris1641]

That intro was so spectacular! I hope you release that version on iTunes one day. I would listen to it constantly! I never would have dreamed that someone could actually make that song this fantastic!

[@Spokahno]

Just moved to Seattle. Dude, if I bump into you I hope I can get fortunate enough to get you a cup of coffee around here. It is rare to find somebody as obsessed with the art these days. Your music, tone nerdiness, photography, videography, etc have been such a massive influence the shift in my own recent work! Thank you!

[@AaronRash]

Wow man, that's super cool to hear. and yes, absolutely! Welcome to Seattle.

[@stublad]

the feeling when i need a cover of every nirvana song by you with each of the guitars/rigs you've accurately recreated because they sound amazing

[@markadairofficial]

This is the exact sound I've been wanting for years. I was so happy for you when I heard the comparison, and I appreciate you making this video and sharing that joy. I literally shouted "wow". I'm so pleased haha.

[@fredwynyk]

Dude. You're awesome. Thank you for the work you do. Damn, we need more content like this everywhere.

[@RiffsAndBeards]

Wow thats bonkers! There is THE tone!

[@kirkwhitmire7034]

Dude, I was in the camera union for years, I CAN’T believe you have an Alexa! Unmatched skin tones. Period. Nothing else comes close for me.

[@AaronRash]

That's what did it for me! I tried one and what it did to skin tones was so wild. I ended up saving and buying an older Alexa Classic. Cant get over this camera, I love it!

[@Perrywinkle3750]

You’re probably my favorite guitar channel on KZbin. This is probably the best birthday gift KZbin can give me

[@angeloco847]

So, happy Bday Perry ✌🏻

[@YoureNowOnTV]

Happy Birthday 😊🎉

[@Fartmuffin-nj5jg]

Happy birthday🎉

[@AaronRash]

Woah thanks! Happy Birthday!

[@beatfrombrain]

Your videos are my happy place

[@EchoApexFirstEcho]

Out of all the guitar tone channels on KZbin-You have the best ear for the tones and execution of how to make them. Love it and please don’t stop posting.

[@NintenDub]

Yea for real Nirvana guitars and a few others always go way too fuzzy it's like they never heard his tone before. They have all his gear,and still can't get it right. Kurt didn't even have some elaborate tone. He just used certain combinations of stuff and there are a few that are harder to match than others

[@cinemod5393]

Dude, I respect the hell out of you. Busting your ass to put all these projects out for us, engineering, and also the impromptu recording was sick! Never was a mosrite fan but DAMN that thing sounds magical

[@lys_1612]

THIS GUITAR SOUNDS FUCKIN AMAZING, congrats on the achievement man, great tone too, i wouldnt notice the transitions if i wasn't looking at the screen

[@BrunaHera]

I really love all the work that you put into all of this, it’s beautiful to watch

[@CamInABand]

Wow, you’re the best tone chaser I’ve ever seen of KZbin. Verse Chorus Verse blew me away, as well as the other songs you played. I’m subbed

[@BeroOgden]

It's incredible how on point that sounds holy cow. Intro to this video was a whole vibe too man, great job on this one!

[@BryanHRBrodie]

Just when i thought you had covered it all. The nostalgia in this one is through the roof. Great video man. 😊

[@Youare03]

Totally wonderful Aaron We already missed all your knowledge, you teach me new things, Nirvana is fantastic , thank you and take care, thank you for being by Aidan's side helping him record his album ✨🫂

[@1977raider]

Nice to see you young guys loving the vintage! Great video !

[@seasonaldepression840]

I bet sappy sounds great on that. I love your videos!

[@perlin1350]

man your vids are incredible and soo relaxing, you've got this comfy and friendly mood with these beautiful landscapes (as a french it matters a lot) everytime and personally I envy your way of life through the videos!! excellent content it was great as always:)

[@Brannington]

Oh hell yes, welcome back Aaron you knocked it out of the park again

[@macfilms9904]

So glad you are doing better! I had a fairly early covid in 2020 & thought I was going to die - took me a year to be able breathe again normally - and no energy as well. Cool guitar tone - came for the Nirvana, stayed for the Turtles. Dig the room too.

[@UntalentedCreator_56]

this dude needs to upload his songs or smth man! i just cant get enough of his stuff!!!!

[@Bkoded]

i cant wait for the day that you put out some of your original stuff from these videos, you make really cool music. Also AN ARRI ALEXA??? WHAT?? i knew the previous videos were shot on a red but thats still absolutely crazy congrats man

[@DanielPestanaTranslations]

I really appreciate and love your work. To me, that’s definitely Kurt’s signature sound, the sound I immediately recognize as his unique tone. I can’t even describe how it felt when you played the first chords, this overwhelming feeling of nostalgia and mystique took over me. Thank you Aaron.

[@tvav69]

That guitar is awesome. So glad to see you so happy and really enjoying playing it! ✌🏻

[@dandannnn]

dude the come as you are tone is actually insane, this is the closest i’ve seen on youtube ever. bravo man this is sick

[@GoodGodFatherGGF]

Thank you for your work! I love it!

[@magraretsbane6274]

I hope all is well Aaron, I can’t wait to get my hands on a Steveleno and record an album with it! You’re an inspiration and I appreciate everything you’re doing

[@ObieCS2]

Admiring the dedication! The tones are spot on!

[@martiboucat]

Man… lights on your videos are always incredible. Congrats on the Mosrite

[@ryanpooler3962]

Back in 1998, at a Hard Rock Cafe in Boston, was one of Kurt Cobain's Fender Mustang guitars on display. It had been smashed and broken. Stings attached and dangling. It was mounted, open to the air, just over my left shoulder. I reached back and touched it and inspected every inch of it. You see enamel transfer, scapes, and dents. The finish on the neck of the guitar had a little extra shine up top, and frets worn in. It was organic and preserved. That guitar resonated through my core without making a sound. You could feel the rage and dirty distortion. I'll never forget it. Thank you for sharing your passion. You are numbered amongst friends. Hope our paths cross one day!

[@yoseppich]

the video quality is top tier, great job

[@nazrin1004]

If Kurt Cobain had lived longer, I'm sure he would have sung great music and Nirvana would have been the most listened to band in modern time. Rest in peace Kurt Cobain🕊🥀

[@JJ-xt2dq]

Doubt it

[@Theguitarrock]

Lolololol fucking damn badasss

[@Theguitarrock]

Go to the shit

[@oliviergagnon2592]

Isnt it already ?

[@Abigspider]

Nah, everything falls out of relevancy. They'd probably still be a successful touring act, I could see them lasting through Rock's dying breaths

[@dejooooo]

new nirvana tone guy video!!!!!!!

[@KristianPage]

Love the room bro! I'm with you, the vintage vibe is where it's at!

[@Kusanagi672]

The king returns

[@mrandressav]

I've been waiting so long to hear this perfect tone in a video, amazing ❤❤

[@ManicMaximus]

Love the new room vibe and your cinematography! That Mosrite sounds nuts!

[@pd1jdw630]

Dang dude! You found the holy grail of guitar sounds. Congrats on the find and the sound. Well done. 👍🏻

[@blakeanderson7906]

Video quality on this video is great! Love the content too.

[@trunks828]

That is so Kurt using an instrument that’s so unique but very formulator. His approach on music making is one of a kind. Personally doing the same thing on a record I’m making right now and it’s all from watching and taking a lot of notes from bands like nirvana.

[@EarlyB-52sGuitars]

Only about 1,550 - 1,600 of these Mosrite Mark V models were built originally, going by all of their name variants. There are at least 4: Ventures II (most confusingly) - roughly 550 built (not counting a rare few numberless variants) Ventures Mark V - roughly 825 built Mark V - roughly 162 or 163 built Gospel Mark V / "Gospel Mark IV," seemingly 12 or 13 built at the tail end of the serial # run The "Gospel Mark IV" name may have been a mistake on one of Kurt's guitar techs when he said the name, but I don't know; the guitar did have a letter in the case to the original owner of the guitar, and the letter probably said what guitar model it was. The Gospel variant was probably made during the 1969 - early 1970s bankruptcy period when the Moseley family had lost the legal right to use the Mosrite name, so there's some chance that the Gospel variant _was_ named a "Mark IV" just to get past further legalities or to be cautious about legalities. It's kinda difficult to find confirmation that this is the case, though, since only up to 13 of them look to have been built. Wait a minute, I know of a Mosrite Collector who owns a Gospel Mark V variant, but not Kurt's. That said, I've never really spoken with him before, but I'll never know one way or another if I never ask.

[@nonyobussiness3440]

He used moisture because the ramones and punk guitarists did plus early surf rock. They were cheap

[@WhatIsMeDoing]

That mosrite sounds so great, an I'm excited for aluminium guitars. Probably couldn't afford one with shipping and customs, but they look like the dream aluminium guitar and not weighting like 10lbs is great.

[@HorseCrazies18]

Aaron, I needed this today I really did and I appreciate how you put so much thought and emotion and passion into these videos. You are a Cadillac, to me, that is the top. I hope that someday we get an album of your material. And that you get more recognition than you already have. You are a fucking legend dude.

[@inkeye1]

Out of all the Nirvana tone chasers, you really nail the sounds. And you improve with each discovery. All this time, I figured that the Mosrite was mixed up with Kurt's Univox guitars. I thought his Mark V was stolen before the Nevermind Sessions.

[@danielsgrunge]

What a beautiful clean damn

[@jessicawahlquist]

What a phenomenal guitar & tone. Brilliant art work!!

[@Batemanmusic2458]

Aaron please release all of your jamming sessions, I’ve watched them so much, I love watching and listening to them

[@michaelstewart2437]

This made my day! Your work is so commendable. It can’t be said enough.

[@floppycheese96]

dude you need to release an album, even if its just covers you're incredible

[@Guitar38000]

GUYS WE NEED TO START PETITION FOR HIM TO DO A SETUP TOUR OF THIS NEW ROOM AND HIS STUDIO!!!!!!!!! Comment on his videos for home to do it

[@ruination775]

Welcome Back Aaron. You Legend ❤

[@andyg3]

I recently bought a mosrite because one of my fave bands verbena used them. Definitely different beasts! They had quite a few songs where that tone just makes it

[@vo2themax646]

It would be awesome if you could do a tone recreation video for the del mar fairground concert. Those versions of drain you, aneurysm and smells like teen spirit are my favourites. They just have such an energy, with Kurt’s voice so raw and passionate, and the guitar tone so aggressive it gives me goose bumps. Anyways, I would love it, as I’m sure would many others. I wonder did he use the jaguar for the first two, then switch to the strat with hotrail(?) for smells like teen spirit.

[@-TheZilvers-7812]

Never heard that concert!!!! Ima go watch it thanks!!!

[@compressorhead02]

Thanks for all the awesome videos! You have sparked my interest in old vintage guitars and speakers, im going to pick up a mid to early 80s randall 4X12 in lynwood and hopefully it has some G12M-70s or 12T-75s in it. I really appreciate your videos i hope to see more! Can

[@antares4975]

this room... i thought you fell in a horrible creative grunge depression, while living at your parents place again. NO it was just covid and you have now a whole hipster room. i love you man!!

[@taketwo1076]

This is amazing duee

[@Mike.Kachar]

Glad you're back to making some videos, as well as great to hear an update on the projects. Kurt is what got me playing guitar, some 30-odd years ago, and it's awesome to see all the detailed info you've been able to track down & get your hands on. I'm sure the aluminum guitar is gonna be out of my price range (i.e. not free 😆), but DEFINITELY looks & sounds cool, & I hope things'll work out for ya! Much ❤️ from Detroit ✌️

[@andrewmasterman2034]

Cover sounded really good man!

[@Happyefan]

This gave me shivers

[@felixwebb1466]

Your Videos are masterpieces

[@JuneIsFinallyHere]

This is the best tone video i ever seen. Wow, the lithium tone was on point

[@ian221]

Was just thinking about you yesterday, great video as always and great to hear you are well

[@bobydaraiche5171]

cant wait for your next ir pack hope it's coming soon

[@YoureNowOnTV]

24 hours ago I was wondering where that "Nirvana guy that's making aluminium guitars on youtube" is and I couldn't remember your name. I had to search for all kinds of stuff to find you. A day later and BAM, a new video popped. Talk about asking the universe for something. 😊👍 Good to see you again.

[@Levi.mikeska]

Wow, the nearest Sound a could produce is a strat with a SD sh 4 , but this is on a whole Nother level

[@jaydensmith860]

Bro I love your vids so much, I always look forward to seeing the next vid you post

[@Tqco]

you really have to start working on an album or something these small demos you make in every video sound so good and they have something that you dont hear in most songs today. its clear that you have a talent and good knowledge about tones dont let it go to waste

[@smlreuploadsog740]

Hey Aaron! Awesome work, once again! When do u anticipate the release of the Nevermind IR pack (and what tones are included)?

[@douglasvaughn9349]

Glad you’re doing well. Glad you’re back!

[@PulseXP-yo8wu]

I never knew this guitar was used as late as 1991

[@mosesrys]

love the nod to the about a girl demo

[@matthewjdouglas6471]

Love the room. Retro rocks

[@RageWire-d4p]

I was never really a fan of this guitar but now some of my fav songs can be played on it it's on my guitar want list. IT SOUNDS AMAZING!!!!!!!!

[@dhall6896]

I've been waiting for this

[@plopifli]

0:29 the bends/radiohead tone when??

[@Fartmuffin-nj5jg]

That would be sick

[@maxbutler2558]

Man I had the chance a few months back to buy a mosrite that was listed local to me for a few hundred bucks, but held off because of the odd look of the bigsby style trem bridge which didn't quite have the look of the regular hi-flier I was wanting. I'm seriously kicking myself now for not grabbing it. Keep up the good work!!!

[@101Volts]

If it was an Avenger, those are more crude. But I don't know how inaccurate they are, though the carve just doesn't look right on them. They go for less for _some_ reason or reasons, but I've never had the chance to compare them with American-Built ones from the original run.

[@maxbutler2558]

@@101Volts Man it just popped up on marketplace again for me recently, turns out it's a Zen- On Morales model, 68' I think. this time its up for like 800, should've bought it cheaper when I had the chance.

[@denverjamesmusic]

Aaron my guy! Please release a project, we need an album!

[@romulo353]

This man is vloging on an Arri Alexa, this is outrageous. I love it.

[@masterofreality230]

Yea, the Cowboy/surf rock thing is neat. I love playing like that through the outboard engine in my SA Ventris.

[@jessielike2]

Hi Aaron, if there’s any possible way to get the exact dimensions of the Veleno guitar? I’m in the process to build my own so i’d be glad to know

[@millmoormichael6630]

Dude, great stuff, you got the sounds to tee

[@JoshuaPlaysMusic]

This is amazing!

[@TyDie85]

That cool idea you had to record almost sounded a bit like 'Vultures' by The Offspring. It isn't the same at all. But the picking pattern and some of the notes are the same. Thank you for this video!

[@rickenbacker40011]

Wow this sounds perfect. Also amazing youre doing exactly what I wanted to do and make music youtube videos with an arri alexa hehe

[@mayolovemusic5402]

I waited for the LITHIUM sound, and I I knew, that you would nail it. I wondered about that little chorusy sound forever… I never got it right. Thank you, for that FREEDOM now… I will never own that guitar, but now it is ok for me… 😂 BTW, I watch your stuff since the first videos.. I love your info and styl ❤ chhers from germany

[@danthehack]

Always wanted to try a Mosrite, they sound fantastic. Glad to hear the Engine pedal is on the way, I'll be ordering one of those for sure.

[@101Volts]

The necks might take a while to get used to. Mine did, I can't hold it the same as a regular neck, or else my thumb cramps. Don't feel funny if you often need to hold your thumb above the top of the neck on one.

[@SethPlaysBass]

I had a Roberts tape recorder very similar. I pulled 1 of the 2 preamps out to keep as a guitar amp, and I gave the rest of it to a friend. There's a lot of Akai parts in it. Love it!

[@DaveNorth73]

good to see you back

[@Brannington]

this was definitely the guitar used on Sappy during the sound city sessions. think about it, drain you's in d standard, so is VCV, Lithium and Come As You Are

[@travisschuster4676]

I have the hallmark gospel prototype built by Bob Shade. He currently owns the trademark for the gospel brand of those style guitars. It’s definitely very unique. He learned how to build these style guitars from the guys who originally started mosrite guitars. Bob told me someone placed an order for a gospel but the only one he had left was the prototype so instead of making the customer wait for one to be built he sent the prototype out. At some point later the guy put it up in reverb and I ended up buying it. Congrats on finding the 66 one I’m sure that wasn’t easy to come by.

[@DaveWire]

can you tell me what is this reissue of the gospel mosrite made by Bob worth, I wonder about ordering one from him? Do you think it matches in terms of pickup sound with Aaron's?

[@travisschuster4676]

@ I bought mine for about 1200. I hunted for one for about three years. I only found three in that entire time. And that was looking at a lot different sites.

[@DaveWire]

@@travisschuster4676 and how sounds this guitar :) thx you where can I find an audio example? On youtube there's nothing