The Most Famous Drum Beat Nobody's Talking About

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The 80/20 Drummer

Күн бұрын

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@OtisMacMusic Ай бұрын

Ayye! Thanks for the shout out, man! Sounding great

@8020drummer Ай бұрын

@@OtisMacMusic holy sh$& I’m star struck. Your stuff had been on my Spotify playlist for years.

@Tristanrgreene11 Ай бұрын

Floooby hooobu dooo! Boooop! Rocha cha cha in the house. Joe yo boop.

@qhs3711 Ай бұрын

As always I love the teaching approach, understand the concepts behind it, and then the notes themselves are almost trivial. Great work

@fileundergood2955 Ай бұрын

Thanks Nate. Check out Steve Gadd on Stanley Clarke's 'Silly Putty' . That's where I picked up this kind of groove

@Jay-Go Ай бұрын

Dude, very cool topic here. As a drum teacher myself, it always helps students to call (or label) a concept. Giving a name to a pattern/technique/concept seems to put it within "reach." I'd never thought of using the term clave when working on broken sixteenths or syncopated bell patterns with students or by myself. I like that. The similarity is definitely there. Funk clave works. It's definitely its own style that has its own stylings that merit a name. Clave works for all the e's and ah's played on the HH and bell. 👍🏻

@KaseboyAdvance Ай бұрын

Great video. I love hearing the clave in funk and this will help me in my practices and ideas for beats. Wish you had mentioned the Go-Go/Bo Diddley rhythm which also uses the clave but in it's 3:2 variant, swung and the kick, but I suppose that rhythm is a lot older and more well-known. 😅 Nonetheless, great stuff, man!

@brent3760 Ай бұрын

Billy Martin is a master at clave patterns. He has a book/DVD about it. Phenomenal drummer. My fav ❤

@bent925 Ай бұрын

Love Billy Martin. One of my favorites as well. MMW is such a legendary sound. His book is awesome too.

@wannabeadrummer Ай бұрын

More amazing concepts Nate, great lesson.

@artemcultura6191 Ай бұрын

Fantastic as always, Nate. 🎉

@stevencosta7248 Ай бұрын

oh dude this was a great lesson, been watching a bunch of your videos to knock the rust off and educate myself properly on these more advanced concepts of drumming. This one made a lot of the stuff I have been practicing click

@jseonnabeat Ай бұрын

Very similar to the go-go beat that comes outta DC

@mosai_music 5 күн бұрын

What a coincidence I was thinking about old school funky clave beats and this video came up. Danke shön!

@jayciegrady5557 Ай бұрын

its called GoGo

@unclemeat8422 Ай бұрын

Wonderful. Yes the compartment keeps me learning instead of just listening.

@JayOConnor-m3t Ай бұрын

Thank you Nate. I very much appreciate the method you use to build up to the what-I-might-hear-on-the-radio groove. That is really helpful and easy to follow.

@ignacio_tum-pac Ай бұрын

Muchas gracias por tus aportes tan interesantes! Saludos desde Uruguay

@mattnieri1202 Ай бұрын

Fun fact: Milford Graves was the first to set bongos on his bass drum, eventually settling on splitting the bongos up. More often with the bongo's large drum (hembra) on the BD and the little one (macho) somehow connected to the floor tom, but he changed it up a lot.

@mattnieri1202 Ай бұрын

One of your most useful lessons ever, Nate!

@rupert8606 Ай бұрын

Very sweet beats. I need to add them to my arsenal!

@123unhooked Ай бұрын

Absolute fire! Thank you so much.

@dnczardnczar Ай бұрын

Another great video Nate. You're on a roll. You might consider contacting Micky Hart for one of your interviews to discuss the non-western, compound meter claves. They come with time signatures like 6/1 and not limited to the duple, two measure 3-2 or 2-3 rhythms. Also the rhythmic clave is often a comp to the clave that's in the rhythm of the melody. It's great for funk drumming. Just a thought.

@campbellread1918 Ай бұрын

now we are talking, great useful stuff, thx!!

@drummermomcjs Ай бұрын

I love it. Great explanations and very useful

@kyleperez1801 Ай бұрын

Hell yah Nate, Dummers need more of this !

@craigbrowning9448 Ай бұрын

In New Orleans brass band and traditional jazz there was the so-called "Big Four" pattern (Winton Marsallis refer to this in the Ken Burns' Jazz documentary) where the 4th beat of the second bar of a two bar phrase was accidentd. It was attitude was essentially a March groove, but produced a Clave&Like effect. Supposedly Buddy Bolden had something to do with this development

@bananaemon2339 Ай бұрын

Great 😃👍

@skinfiddler Ай бұрын

One of your best

@wprtube 23 күн бұрын

Really good. Interesting.

@marcal_drum_bass 16 күн бұрын

Very nice bro!

@ralphkolarik4115 Ай бұрын

Which depending on how you count or bears up the clave.. if you feel it as 2 bars it becomes call and response with creating grooves with clave... it can be split out a bunch of ways ... but also like drum cadence in marching music is a way to do call and response with for example 1st part of groove needs a resolution with a response or contrast.. so the clave works for this too

@deejaynow Ай бұрын

Good job !

@davidcole6088 Ай бұрын

I love this.

@ignacioperezdelcastillo3182 Ай бұрын

Gracias

@HammerGruvin1 Ай бұрын

Best dam drum lesson on the youtubes ever... keep stepping down to the getdown 80/20 mofo...\m/!!!

@luiszuluaga6575 17 күн бұрын

I just learned a lot! 😀

@ralphkolarik4115 Ай бұрын

In thenad old dsys we became these guys from copying all their stuff for tunes... after awhile you could make stuff up in the style.. with enough influnces with this long way of doing stuff we would become our own making up stuff in our style... whats interesting is for awhile you might have ypur own style but within a few years everyone had that style but all the time it would be evolving because time is linear ... 😉 thanks for all the modern history interesting to hear you guys coming up with your take on all of this. Thanks again

@asimnicholsmusic Ай бұрын

The interesting thing about funk and hiphop drumming is the clave is in your head. Funk drumming is about space. You play around the mental clave not really on it.

@kushking420 Ай бұрын

Stanton Moore is such a great teacher, almost wish I could get in person lessons, but I live too far and don't have that kind of money 🤣

@aldopercussion642 Ай бұрын

I think Garibaldi is playing a Songo rhythm a beat all drummers should learn or take a listen to it is pretty much a linear beat and left hand gets a workout and stesses and gets between the Rumba clave beat.Also Cascara pattern is very useful to learn to use it on drums

@Voe198 Ай бұрын

YO. sounds like M U S I C

@ralphkolarik4115 Ай бұрын

Gary chafee did a bunch of this stuff... but I guesshedidnt call it clave but still cool stuff whatever you call it... when young I became Garibaldi so to speak by learning all his stuff by ear.. all to say history is cool what is old is new etc

@Armakk Ай бұрын

Am I hearing things or is clave1 the Bo Diddly/Strangiato beat displaced by a quarter note forward?

@Ted_Swayinghill 25 күн бұрын

You should take a train down to DC and meet up with various GoGo drummers like Buggy Edwards

@danielnelson6877 Ай бұрын

Are those the Mike Johnson signature hats and ride?

@tednruth453 Ай бұрын

Anyone want a whole bunch of drums? About two'n half kits worth, cymbals, hardware, the whole shebang. I give up !

@Scooped_Orange Ай бұрын

sure!?

@wannabeadrummer Ай бұрын

Do not give up it's only going to get better with your consistency👍

@ralphkolarik4115 Ай бұрын

Another thing all of these things come from related to your place afro Cuban thoughts is Call and response...

@morpholino Ай бұрын

Go go beat

@onesyphorus Ай бұрын

you know the drum beat where you mix the cinquillo and son clave and add a skip note just before the second last note? for example it was common in a lot of late 2000s early 2010s hip hop, i e jerk music - an example of this rhythm is in Patty Cake by DJ Sliink - when it gets to the second verse the jersey club kick pattern changes to that _what is this rhythm called? does it even have a name??_

@norbertrenner9364 Ай бұрын

I think clave just means key...which means where are the basic accents,which is the basic feel or groove.....like the harmony or melodie Instruments play in a harmonic key,when they play together. And one basic thing in funk and a lot of other styles too,is what started with the bossa nova....play strait..8 th or 16th...and put an uneven accent pattern underneth....like 3-3-2 or 3-2-3 or 2-3-3.....