The Most Popular Cinema Cameras (Part 2): Arri, Red, Panavision, Sony

[@InDepthCine]

If you enjoyed the video and would like to see a part 3 please give it a like! Let me know in the comments what other cinema cameras you'd like to see featured.

[@merriammerkabah408]

does it have to be cinema cameras? How about stills cameras?

[@83442handle]

@@merriammerkabah408 lol his channel is called "In Depth Cine" not "In Depth Stills"

[@louisfuckjer8320]

What is it you work with (commercials, music video etc)

[@MrDANTHEMAN31790]

Could you make a video on Black Magic Cinema Cameras? Mainly having a discussion on how beginner filmmakers would use cameras that are a step under the industry standard cinema cameras used on high end productions. It may be worth it to talk about the DSLR revolution and the use of phones to tell stories for people who are starting out of don't have the funds as independent filmmakers.

[@nick_g]

i don't even know enough to request a camera, but i do like these vids. gonna watch them all, like, and comment

[@Appleboot]

I don't know if this is up your alley, but it would be really cool if you ever spoke about "affordable" cameras that are used in high profile productions, either as main cameras, B cams or even crash cams. It would be really cool to see what your picks could be from this incredibly oversaturated market.

[@ExcavationNation]

Lol Nah we window shopping here

[@linkinparkdrift]

Lately, and because of your videos, I've been obsessed at looking through the technical specs on IMDB and seeing what cameras and lenses are used; for every movie I watch.

[@oniriscope]

Thanks for sharing valuable informations for free on the platform! It really helps, keep up the great work!

[@InDepthCine]

As always, thanks for watching. Glad the videos are helpful!

[@monty8615]

thanks for going the extra mile in the editing and your research for your viewers, i appreciate it a lot.

[@brad_hensil]

I’d like to hear about the Arriflex IIC, a camera soo legendary that it’s still being used in major film production over 50 years after its release

[@sudarshan1354]

I have a doubt. Can we buy an IMAX film camera? Please do a dedicated video on the IMAX film camera. Please

[@kiribundi]

It does seem logical for him to go to a part 3 (S35 > large format > medium format). If he does medium format, I'd be very interested by his take on lenses. It seems like medium format lenses are so good that they have a "3d" feel to them that I rarely see in S35. Or perhaps it's the size of the sensor or the fact that these cameras are only used by the most highly skilled crews on Earth lol!

[@johnyyjoestaro]

It's rental only

[@InDepthCine]

Thanks for the feedback! I'll try cover that in part 3.

[@jeyycie3656]

They are only 12 cameras in the world that where made by the company IMAX, Their is also the Arriflex 765 and the Panaflex 65mm System, and all of them are rental only of course.

[@83442handle]

IMAX cameras are almost impossible to use because of weight/noise and almost no one uses them for an extended percentage of a movie with the exception of Nolan having an unlimited budget. We will probably never see a digital version in our life time as the sensor size would have to be too big(unless they have an array guess)....not even high end Phase One cameras for still shoot with a sensor size that large. Probably the best we will ever see is a digital cine version using a 53.4 x 40.0mm thats closer to traditional 645 format film which would be pretty amazing(though do have video capabilities for this but nothing in a high end cine camera).

[@VTGGT]

Blackmagic shouldn't be missing from a video. It is by far the most improved camera system and the only company to create software and hardware for every filmaker's needs

[@tturnquest1]

Great channel. Very educational too.

[@InDepthCine]

Much appreciated! Thanks for watching.

[@chrisperry7963]

Outstanding overview, thank you!

[@deontaywilson4624]

I think you're amazing. I've learned so much watching your videos. I wonder if you might consider doing a series comparing the most commonly used film stocks. I haven't been able to find a guide on KZbin and it seems like if anybody can do it well it would be you.

[@VariTimo]

Too large to be usable with a steady cam! Chris Nolan: “Hold my 15 perfs.”

[@comradeb2899]

Awesome use of Zack Snyder's Army of the Dead. I'm a huge supporter of his (given all that's happened to he and his family as well as the artistic sabotage that happened to him), and I feel like some of the more technical creative decisions he made on that film mostly went unnoticed or talked about by most people. Working with red on his first digitally shot film using rehoused Canon Dream lenses set at 0.95f it looks stunning in my opinion. The way he tells his stories through imagery along with his style makes him one of the most prominent influential filmmakers working today, to me. It would be cool if you made a 'Cinematography/directing style' on Zack or his main DP Larry Fong. Love your videos, thanks for the work you put into them.

[@Ethan-yz6tj]

crazy that he and his team were able to pull off shooting an entire movie in .95. i agree i think it is one of the most interesting looking movies that has come around recently.

[@sujith7368]

Thanks dude, such a great content for who wants to be cinematographers 🙌

[@HarishParthu123]

Thanks for this series. I always curiously look forward to watch your videos. They are very informative and extremely inspiring. Love from India! ❤️

[@SamuelIrias]

Man, love your channel. Great info always. Thanks for your high quality work

[@maxscholl7021]

Can you perhaps do a video on different cinema filmstocks? Or perhaps differences between 16mm, 35mm, and 70mm film?

[@guguemichaels]

I enjoyed this very much. Thank you. I would however like to hear your thoughts on Blackmagic 4.6K G2 and the new Pocket 6k Pro. I've shot 3 feature films with the Pocket 6K and Ursa Mini G2. I'm curious to see your thoughts on those cameras. Keep up the awesome work,! 👍🏽

[@tutorialsvlogs8149]

what about lumix s1h for indie films ??

[@ChrisGeden]

What about them? It’s full frame and 4K so more than good enough. You can also build it up to a full rig.

[@SoundSpeeding]

Panasonic S1H is arguably the very best mirrorless stills camera there is for filmmaking

[@zebius4157]

I mean until panasonic releases a full frame varicam, if you want the varicam look it's probably your best bet and I mean it also helps that it's netflix approved.

[@jahzzii7]

Thanks for your amazing work!

[@Babsdoproductions]

Unless they changed something, I thought the F65 only output scaled down 4K as the sensor was 8K but they didn’t design it for 8K delivery due to storage/tech/whatever. Seemed like a great camera, the “Evil Dead” remake was so crisp! However, the FX9 seems to be along the same lines with its 4K-only output despite the higher resolution sensor.

[@ForeverYoung007]

Thank you for this. It would be great if you can elaborate on what you think gives certain movies a film look. I always thought its not just post processing as some say as some newer movies, especially on Netflix, are really looking clinical and extremely digital if that makes sense. One more modern film that comes to mind that has that older film look vibe is "Nightcrawler (2014)". What is interesting in this movie , there are some parts that look to be more filmic than others with prominent pleasing film grain.

[@elgatovolador666]

Amazing video! you're so underrated

[@Aidanhackwell]

The best videos on KZbin.

[@jettsilva]

7:00 - "Using Red with ARRI acessories slows down production". Simple... Use ARRI cameras with ARRI acessories. If you love RED... Use RED cameras with RED acessories. It's simple as that. No need to have a headache trying to match gears from one system to another when you can choose to use only one them.

[@DaCarnival]

Yeah, except RED made their 3 Axis lens control system in 2013, nobody bought it and nobody has it - at least not the rental companies in my market. Whereas Arri follow focus units are industry standard and ubiquitous.

[@truefilm6991]

Very informative video! Well I'm biased (obviously) and I still laregly prefer real film. Very glad you included La La Land and In a Quiet Place. Unfortunately we only have the Kodak Vision 3 neg stocks. I miss the Fuji stocks (Punch Drunk Love, The Killer Inside Me) as an alternative.

[@chetanovhal6471]

Can we please have a video comparing all the Arri Alexa models with each other and why DP selects the one to go with? Thanks!

[@jeyycie3656]

A really nice video once again, but I have a disclaimer ; it kind of soft-triggers me whenever I hear "Large Format", because it's absolutely not. Sorry Arri, but large format is waaaaye larger, hence the name, a negative of at least 4"x5", ther's also 10"x8" which is enormus. I talked about those cameras as Full frame or Vistavision, but not large format because it doesn't mean anything, and the Alexa 65 and 65mm/IMAX would be then closer to real medium format.

[@ChrisGeden]

Is the term Large Format the same in stills as it is in cinematography? I ask because the terms High Key and Low Key aren’t the same between stills and motion picture.

[@jeyycie3656]

@@ChrisGeden 35mm is a standard from more than 120 years, and the difference is that motion picture cameras were easier to produce and more reliable by scrolling the film up and down, so it became standerdize, the film used for stills is identical in terms of dimensions, but is scrolled on the side, making the wider photography "Full frame" (36mmx24mm) standard. Standards are important, and in motion picture there was Vistavision, and those cameras scrolled the film horizontally like stills, making a frame almost as big as full frame. So Yes it is the same, plus Arri and Sony made their new sensor to match both the ratio (3:2) and dimensions of Full Frame, so their's no debate about that. And I don't know who told you that, but high key and low key are identical everywhere, that's a basic principal, you set the scene dark and make the subject bright to mark contrast, or set the scene bright and the subject dark. Of course there's loads of nuances and subtleties but the principal is the same.

[@adreus4759]

I love these Videos!!!

[@Joramjonah]

Can you please make an episode which consists of topics where online plateform like Netflix demand a movie shot with a particular camera to be qualified as a Netflix movie. I have some knowledge about it but I am not so sure ,I know you are going to make the best of it . Waiting ❤️

[@zebius4157]

Could you maybe cover the Panasonic Varicam? it seemed to be the favorite for Netflix for a while (at least relative to the standard being RED) but ever since the Arri lf cameras and even the Sony Venice came out I haven't heard much about it so if you could cover it that would be nice

[@publictt4923]

Amazing 👏👏👏 💖💖💖 Please make a video of Blackmagic Pocket Cinema Camera 6k Pro

[@stagelinedpro]

Next you should talk about the Aaton film cameras.

[@tatehildyard5332]

Idea for a video: Working with Log and LUTs so we can get one stop closer to curing the epidemic of bad Orange/teal tinting in amateur filmmaking.

[@TehMr]

That colour combo is widespread even amongst professionals

[@jamesshort6856]

Teal and orange works very well when done well. Unfortunately lots of amertures don't do it well. It's a skill thing not a camera thing

[@tatehildyard5332]

Oh I know it's in the professional field too. I'm just talking about something for the people who lazily slap it on without making additional adjustments and always leave the skin that oversaturated circus peanut color.

[@ricardopuentedalbesio9793]

PLEASE, SPEAK ABOUT THE FOCUS PROBLEMS (DEPTH OF FIELD) OF THE DIFFERENT MODELS OF SENSORS OF CAMERAS. thanks!!!

[@Trakinasnove]

Ever thought about doing a video only about film stocks?

[@jackko21]

Does anyone know what camera hard target was filmed on or what film was used

[@krishnansrinivasan830]

Awesome & Thanks :)

[@kiarminkarimi3027]

im filmmaker wana be and your videos really and i mean really helps me not this one (you know i dont have budget for this thinks) but others really help me

[@makkansingh9487]

where does bmpcc 6k fit in with this line up?

[@jeyycie3656]

Also I disagree with your statement on film cameras, their are way more options out there, and the Arricam is nice but only came out in the 2000's, and the Arriflex 535 and 435 are really good and where the industry standards cameras along side the Panavision XL2 and Platinum. (there's also the Arri 235, but came out too late to reach it's potential, digital was already eating it's way in). There are also Moviecam cameras, but they are less common and not all rental houses have them. Side note : The Arricam was actually a rebranded camera that the Arri group purchased and slightly modified, it's nice and lightweight but the mechanisms I heard is a little less durable than the 435 and 535, and the loading is slightly more cumbersome.

[@footycheck]

YEAH YEAH YEAH YEAH

[@WilliamWei007]

It’s soooooooo amazing!!!!!!!

[@pedromedina7349]

prices ?

[@Lilyanddrew1]

i would love to see the canon cinema series ...especially c200 and c500 mark 2

[@kieranarmstrongproductions4743]

Yes! They’re very common on the interview scene and now even short narrative productions!

[@ajinkyathorat7502]

No one uses them, colors and image quality of those cameras is meh.

[@rakeshdharan1571]

Please include Sony Venice, Panasonic Varicams.

[@colorred6648]

sony venice is in his part 1 vid

[@zebius4157]

Wait what do you mean the f65 is discontinued? You can buy the f65 from abelcine for 65 grand

[@Fedorevsky]

They have stopped making them.

[@zebius4157]

@@Fedorevsky wow that just means they have sold so little that they still have stock even after that or maybe they're slow to update

[@MegaSina777]

You should mention Sony venice instead of F65

[@TonySU]

What about the venice ?

[@MKVD]

Venice was featured on the first part on this series

[@HGQjazz]

How about great movies shot on a-typical cameras? As in, not Arri, not Red, not Venice... and a breakdown on how the result was achieved with less than optimal equipment.

[@colorred6648]

c500mkii plz

[@brockobama257]

I film on a Canon T3i… anything is possible!

[@joshxip]

RED tends to pick the corniest names for thier products

[@SamsungM-oo8zp]

Fucking Red camera, the best Sony cinealta !!!.

[@DetroitVideoDiaries]

Blackmagic 12k

[@kreimsnta]

RED had a bad presentation with Army of the Dead. I must say.

[@83442handle]

Army of the Dead is a bad presentation of a movie in general.

[@ManikantanKrishnamachary]

Portrait of a lady on fire was shot on Monstro.

[@Joramjonah]

I think it's the F or T stop along with UV filter that made the movie so glowy and out of focus. Worst zombie movie tho.

[@83442handle]

@@ManikantanKrishnamachary Also season 3 of Stranger Things(which looks fantastic) was shot on Monstro. From the DP "This is one of my favorite frames from Stranger Things 3. It was shot on the RED MONSTRO (8K with 7K extraction) with Leica Thalia lenses. For Season 3, we moved up to this large-format system and the Duffers and I were excited to take advantage of the sensor wherever we could really show it off. "

[@ManikantanKrishnamachary]

@Mike yes. It was beautiful. I can name so many films that were shot on Monstro. Its such an underrated camera. In india most of the film productions and commercials go with red cameras.. We love the modularity and love to go through the process of understanding the color pipeline and manipulating it to our liking. Such a fun process.

[@kevinsupreme_ph36yearsago59]

Advantages of large format cameras: *shallow depth of field that super 35 can't achieve *noiseless image *better lowlight performance *more light is capture because of the sensor size resulting an image that has more detail especially in 8k.

[@SwarnadipBanerjee]

Strange, no one talks about Canon C700

[@MKVD]

And that's because it's not really used in a lot of major productions. Yes it's a great camera, but most productions of that size tend to just go with Arri or RED at this point since that's what they're familiar with.

[@ajinkyathorat7502]

@@MKVD Add sony to that most tv show or documentaries are on sony venice or fs5 ii.

[@rohanpierotti7927]

yessssss

[@SuperSy99]

Imax70mm panavision 35 mm= real film.Digital= film look. Give me digicam can mimic Lawrence of Arabia,Sound Of Music,How the West Have Won.nothing!

[@lukewalker3905]

Dude you need to increase the narration speed. You Speak So Slowly

[@TachwONK]

naisssꯁsss

[@pmx1000_]

500th like