The Police - Don't Stand So Close To Me - ISOLATED GUITAR

"Don't Stand So Close to Me" ISOLATED GUITAR.
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[@michael_caz_nyc]

Andy Summers - brilliant.

[@honeybozo]

First time I heard The Police the drums really stood out as Copeland really is a monster. Now I realise Andy was the true musician in the band: he made the others sound good as he did not step on their toes and gave their overall sound space. This is just a masterclass.

[@bryede]

You can kinda hear Andy's unusual chords poking through in the chorus, but isolated, they're beautiful.

[@2506cristian]

I can hear at least 3 different guitars in this song… Andy is a genius.!!!

[@Matthew-ez4ze]

This is so amazing to hear. I can make out at least 5 separate tracks of Andy's in this stereo-bounce. He is so damn brilliant!

[@TheKinoEye]

One would think with only three band members a seasoned rock guitarist would be power chording, shredding and generally whipping out some fancy fingering techniques. The general order ushering in the 1980s. Nope. Just simplicity and clarity, at a low volume. Andy Summers. Amazing restraint. It worked!

[@jwilthil]

I totally agree. Simplicity and clarity was the secret weapon of The Police😊

[@Czescborze]

Thanks for posting this.

[@QBtracksandstuff]

My pleasure 👍

[@guyinpajamapants6892]

That helped tremendously! So many tabs are wrong out there and isolating it helps!

[@QBtracksandstuff]

That's awesome to hear 👍😁

[@haysfordays]

This is the one that makes me want to listen to the full track to hear how it fits in again. Man, just so awesome.

[@LofiandChilloutMusic]

Brilliant guitar work , some strange minor chord changes in the chorus that I never knew were there with the overdubs , you don’t notice with the bass, vocal melody and harmonies playing together with the drums in the full mix , it’s very clever

[@Videx19]

One of the best songs ever. For 42 years, I’ve been wondering who came up with that outstanding chord progression in the chorus. Particularly the last chord? It all fits so well.

[@cobowe]

The last 3 seconds are the key

[@Senator107]

This is soooooo good.

[@Videx19]

Also, that idée fixe is brilliantly woven in and out. Andy Summers, just brilliant.

[@NelsonClick]

Wow! I never realized it was so "Frippy".

[@QBtracksandstuff]

Enhance on that.

[@rhessex]

Thanks for this. Very, very useful. Such an unusual, intriguing part - no surprise. Pitch correct up a tone if you want to learn in standard tuning.

[@QBtracksandstuff]

My pleasure. Merry Christmas 👍😁

[@vicentealvarez6723]

Brutal versión, ese juego de guitarra es sublime 🧡🧡🧡🧡✌✌✌✌👌👌👌👌

[@bemorecheetah]

I'm not sure if this has helped or sent me into 'which bit option paralysis'

[@nobodyyouknow3017]

Beautiful chord structure. Chorus, Tele

[@benjohnson4810]

I agree, but he may be using the Electric Mistress flanger here and i know he used a Roland guitar synth for the woosh sounds in the bridge/guitar solo, of this song. He makes it all sound so good and i have copied his playing from these isolated tracks. I need to get a Walking on the Moon flanger pedal with Andy's name on it.

[@colourfulmagic]

I like this version. Methodical something. ❤

[@thedr.zeroultrazone984]

I think Andy never quite got that really thick sound on the verse riff live. I always thought that was amazing on the record. I seem to have trouble with it myself but if even Andy didn't quite get that sound live, maybe it was the way it was processed in the studio. As for what I can tell it's chorus, compression, and tube amps. And of course how he plays. If anyone knows of anything else that he may have used, let me know.

[@IcarusSuite]

I agree on that Andy never got that particular sound and this song always sounded weak live unfortunately. Well, aside from the chorus and compression, the track is very layered which is what gives it that "thick" characteristic. You can try adding a ping pong delay; it should fill the space and made the tone considerably thicker and dynamic.

[@thedr.zeroultrazone984]

@@IcarusSuite Excellent - thank you.

[@paulcopemusic108]

flanger more than chorus I would think knowing how much he liked the ehx mistress flanger

[@thedr.zeroultrazone984]

@@paulcopemusic108 Cool thanks.

[@ordinalkirk]

There is an interview where he is talking about using his guitar synth recording this track and that he added a fifth to it using the synth. It is an off-handed comment (the interview is on YT somewhere), but he also used his synth guitar when playing this live in the 80s. I think it was for more than duplicating the break in the middle of the song. It layered something else into the single notes he was playing in the verse.

[@thefezbelchershow5443]

This should be titled Isolated guitarS, as I count at least three tracks.

[@QBtracksandstuff]

Sorry about that but it's because it's mixed that way. I hope it's of use to you. Merry Christmas.

[@kian-zi1rt]

0:41 Andy is THE small one

[@daveg1431]

right, tabs are wrong and stuff. But consider that the studio arrangement is mostly overdubs. They neither do play it the same way live, it's not possible.

[@QBtracksandstuff]

Wonderful part though, don't you think?

[@michaelchristmas2730]

@@QBtracksandstuff Hi on the chorus there are two heavily processed tracks , a melody picked track , and a downstroke strummed chord progression, live it looks as though he just plays the downnstroked rthythm chords, ie the very last chords u heard on this isolated version

[@IcarusSuite]

Oh well, this explained so many things. All tabs are wrong.

[@kenanacampora]

Please move away from my immediate vincinity.

[@natashawolf7968]

legoland music new