The Secret to Getting the Brazilian Feel - Edu Ribeiro | 2 Minute Jazz

Edu Ribeiro reveals an exercise he created to add some swinging 16th notes in samba patterns.
For full length drum lessons with Edu Ribeiro, check out www.openstudio...
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Hi, I am Edu Ribeiro and welcome to Two Minute Jazz. When you see the 16th note written like a samba pattern, and you have just something that's so different, that when you have to play that rhythm. And the exercise that I created to make a real different 16th note with a little swing, it is something like that.
You have to think, first, in the síncopa with the left hand. And two eighth notes with the right hand like that. And the other exercise, you think about three against two. Three with the left hand and two with the right hand. And now try playing two bars with the síncopa and two bars with the triplets against two. And now we have to take off the first note off my left hand of each tempo.
I hope that's gonna help you to try to imitate that thing that people do in the school of samba. Just with your hi-hat. Okay, and that is something that you can find in my course from Open Studio. And you're gonna have more details there. And I hope you enjoyed, and see you next time.
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#2minjazz #openstudio #eduribeiro #jazz #drums #happypracticing #brazilian #feel
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[@Thedrummersalmanac]

This is a Phenomenal exercise. Especially for us American cats I don’t quite understand how to feel that Brazilian swing.

[@benjib-h545]

I'm a drummer who's played caixa in samba bands for a few years, and these videos are incredibly helpful for applying what I know from that to the drumkit. Thanks

[@mishasavage256]

This is IMMENSELY helpful. i've been struggling with the samba "swing" and hopefully this will get me a little closer :)

[@raffaelepigneri1413]

Super cool. I learnt the caixa figure from a brasilian drummer who used to say "play each quarter on its own". In the end I figured it out, but it took a while. Your explanation would have spared me a few weeks!! I love your style!! Keep the good stuff going!!

[@MsPelles]

Edu Ribeiro, músico de altíssimo nível.

[@AlVelasquezDrums]

Explained so well and performed beautifully. Obrigado. 🙏🏽

[@JulianFernandez]

Edu is the man!

[@zachpower2192]

Terrific exercise! I’ve been trying to find a way to explain this to my student drummers in jazz bands that I run, and this will be so useful!

[@terrydonegan1622]

Absolutely wonderful. thank 🙏 you

[@wilhamcobly3805]

best explaination ever

[@RaphaelNick]

Thanks for this precious 2 minutes!

[@pangeaproxima3681]

Freakin' amazing!

[@davidrumpler5528]

Parabens! Acertou na cabeça (and in just two minutes!)

[@hefewiseman]

love your playing..

[@markscountlessbarks]

Love this Edu! Peace!

[@ampastudios]

Gracias Edu!!

[@pbenson56fran]

Yes, this is nice guys. Because to me its good to have Jazz and Brazilian mixed together. Add some Afro Cuban Conga beats with that Bass wow!

[@tommyvizzle]

We've been EDUcated!

[@anarchic_ramblings]

It's the same in rumba. Every western play gets this wrong. It's compound time masquerading as simple time.

[@lucyinthesky2023]

It's because there are kind of "slayers" of beatings that westerns hardly get.

[@johnferraro3824]

love this !!! thank you

[@richh9904]

So nice to hear drums played without the typical, boom tap boom boom tap.

[@3ze855]

GRACIAAAAAS

[@brionesmusic]

Thank you!

[@Dave-po2mz]

Thanks Sir! Had to half speed it but ah the beautiful simplicity that spawns such wonderful complexity.

[@itamarhugnot]

My master

[@eskoesko6382]

I’m a little confused - so for the first pattern the sticking is LH: uh 1 e … uh 2 e … RH: 1 & … 2 & … And he’s flamming the downbeat?

[@northwoodsdan9759]

No...but I totally get where you are coming from. It's not a flam. What's happening is that the first and last notes of that pattern are farther apart and the two notes in the center are kinda squished together...by fractions. Milliseconds. It's not "on the grid" in the way western musicians and drummers would normally play. Think of it like playing sixteenth notes to match the vocal pattern of "Carol of The Bells." Speed it up slowly and go faster and faster and you'll be closer but not exactly there. I still struggle with it. It's just practice. To make it more complicated, everyone plays with a different swing in samba in the same way the best jazz drummers do...so some sambas swing way harder than others depending on the drummers. Meaning, you can match up with Edu's swing and go play with experienced Brazilian drummers who might swing a bit more or less. Good luck and don't give up. I'm right there with you.

[@mentalitydesignvideo]

Yes, it starts square But then the left-hand switches to triplet feel and the right hand hits mostly on 2

[@jeremydale5080]

Is that the herta?

[@fermatreturns1008]

I can't work it out :( Anyone know how the left hand pattern starts? Is is 1ea-2ea?

[@mentalitydesignvideo]

е1а-е2а

[@anashasnaoui7001]

Si tu peux mettre les notes stp merci

[@jotagomezmusico]

Ahá! Ahora suena a Samba! Muchas gracias Edu! Por cierto, tu trabajo con Yamandu Costa en DVD "Ao Vivo" es maravilloso. Un abrazo desde Chile!

[@franciscoaragao5398]

Seu Edu, você é muito bom. Obrigado.

[@curtisunit]

It's curious how few players get this. It made sense when It was explained to me as galope; the galloping of a horse. Edu thanks for giving a great explanation. You nailed it; boiled it down to the science of it. I'm trying to teach it to my son. I can show him this now 😀

[@billyb6043]

think of it as an egg rolling down a slope...

[@TheodorOnarheim]

Good stuff!

[@EzBeat14]

👌🏻👌🏻👌🏻🙏🙏🙏🙏

[@MarcosFilho234]

Bom demais!!!

[@joshs.6608]

And honestly... It does sound pretty goofy in a good way LOL.

[@TheFreemanuk]

♥

[@moodifi]

Ok