The Strad Masterclass: Johannes Moser on Brahms's Cello sonata no.1 op.38 (movements I,II)

Johannes Moser takes a look at structure, character and speed, and explains why it is so important to honour the composer’s bowings, in the first and second movements of the E minor Sonata.
This video is a companion to the Masterclass and marked-up sheet music from the December 2017 issue of The Strad: bit.ly/2Ah3GrK

[@stylecine]

What a nice treat from Johannes Moser and Stradmagazine. Thank you for this jewel. And please keep them coming!

[@siggievienna]

Just what I needed. Starting out on my first ever playing of this with a cellist (I'm a pianist). Gave me insight into considerations a cellist should give to the music and therefore very helpful to me. Thank you. Really excellent.

[@JohannesMoserCellist]

Thank you!

[@chenzheng708]

It 's very useful for me and you are a great teacher ,thanks a lot 👏

[@leondaniels1660]

Very Informative love your class thanks so much

[@fridlander]

waiting for 3rd movement ;)

[@user-qd6ju9xv8b]

What is the name of song that start in 0:00??

[@zachnewman6338]

The song in title

[@mucke4920]

@@zachnewman6338 it's a piece...

[@joaquinmiranda5662]

really????

[@raffaeleottonello8624]

Nomen omen :)

[@antoniofuiano4669]

Raffaele Ottonello di

[@angelicaguilherme4872]

Hi Johannes !you are cute !but you are virtuosi a lot !kissessss!!😊

[@HausofKinney]

I love Benjamin Zanders Masterclass on Brahms... for me this bowing is counterintuitive

[@user-hx5ff5vp4k]

The Cello is not good at all for this piece, the bass is not rumbling enough for any Brahms piece, I play a Storioni Cello and it sounds ten times better, especially the G and C string. I would change the Cello for Brahms, the Cello is too " well- behaving" for Brahms.

[@imusici7919]

His hair is looking for a comb.