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Malcolm Hadley: Lighting Cameraman
Animation Brad Schiff, Mike Cottee, Peter Dodd & Chris Tichborne
The first scene I shot on the movie as LC in early 2003. I worked with a fine crop of world class stop frame animators on these shots on U22.
We started the movie shooting on film and had a shelf of 35mm (mostly BNC type) Mitchell bodies that would be eventually be replaced by digital SLR's. The first of which was a Nikon and then later the Canon 1D mk II. There was quite a bit of upheaval getting used the digital process with very early attempts to standardise colour and look across the studio between camera crews, vfx and projection.
There was an incredibly talented Art Dept. Headed up by Roddy McDonald and his vast team.
Puppets by @mackandsaund
Art Directed by @lowrynelson
A lot of this amazing crew on this production went on to provide the backbone of Laika's stopframe productions in Portland.
Shot at @3millsstudios
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Directed by Mike Johnson and Tim Burton.