Рет қаралды 209,767
Manthiri Kumari - 1950 - Tamil
Director: Ellis Dungan
Music: G. Ramanathan
Lyrics: Ka. Mu., Sheriff, A. Maruthakasi
Playback: Thiruchi Loganathan, Jikki, M.L. Vasanthakumari, T.M. Soundararajan, A.P. Komala, A. Karunanidhi T.P. Muthulakshmi, P. Leela, N. Lalitha, U.R. Chandra, Master Subbaiah, K.V. Janaki
Cast: M.G. Ramachandran, S.A. Natarajan, M.N. Nambiar, A. Karunanidhi, Madhuri Devi,
G. Shakuntala, T.P. Muthulakshmi, Lalitha, Padmini, Ragini, C.V. Nayakan, K.V. Srinivasan
M.G. Ramachandar as Veera Mohan
Madhuri Devi as Amudhavalli
M.N. Nambiar as Rajaguru (Royal Priest)
Shakunthala as Jeevarekha (Princess Jeeva)
S.A. Natarajan as Parthiban
C.V. Nayakan
K.S. Angamuthu
Sivasooriyan as King
Muthulakshmi as Karpagam
K.V. Srinivasan
A. Karunanidhi as Bhoopalam
Soundar
Anu has turned subtitles bordering on gibberish into translations that are a pleasure to read. Ram Murali provided expert help with the songs. We are indebted to them both. Some little bit of the dialog was either muddled or used arcane Tamil and wasn't translated. Those lines appear in the subtitles as [...]. Most that come to this channel won't know Tamil, so make use of the fine subtitles and enjoy a fine film, the last directed in India by the American, Ellis Dungan.
The Encyclopedia Of Indian Cinema says this about the film:
One of the most popular Tamil films of the decade, continuing the post-Velaikkari (1949) engagement of top DMK personnel with cinema, scenarist Karunanidhi and star MGR. Shot near Salem in the hill resort of Yercaud, the film is based on an 8th-C. Tamil literary epic, a Buddhist text that, according to Mu. Varadarajan (1988), was a Buddhist propaganda work reflecting the rivalry between Buddhists and Jains in the 1st millenium AD. The original story, of which only 28 verses still exist, tells of a woman from the vaisya caste, a Jain by birth, who kills her husband when he tries to murder her, and is eventually converted to Buddhism. While using its historical and literary references mainly as an authenticating force, the film replaces the Jain context with the Brahmin caste in line with DMK policy. Parthiban (Natarajan), the son of an imbecilic king’s royal priest (Nambiar), is committed to the art of banditry while wearing a Batman-type mask to discredit Veeramohan (MGR), a loyal general and lover of Princess Jeeva (Shakuntala). The minister’s daughter is Amudavalli (Madhuri) who tries to reform the treacherous son,
marries but ends up killing him in self-defence. The nasty priest then kills her at the durbar. The songs proved enduring, esp. Vaarai...vaarai sung by Trichy Loganathan for Parthiban as he leads Amudavalli to a hilltop to kill her. It is also a landmark in playback singer T.M. Soundararajan’s long career. Master Subbaiah, the teenage prodigy who died young, sings a song and appears briefly as a cowherd. The film also launched the enduring image of the famous screen villain Nambiar. Madhuri Devi provides the best performance as a sword-wielding, independently minded heroine who kills her own husband.
A 2007 article on the film in the newspaper The Hindu is found here:
web.archive.or...
Anu's own blog - Conversations Over Chai - has a full (and often not very complimentary) review here:
anuradhawarrie...
The American director - Ellis Dungan - has a fascinating story himself. He came to India on a vacation ... and stayed. There's an outstanding documentary on his life - with large sections devoted to his two most important films - Manthiri Kumari and Meera - available for viewing here on KZbin:
• Video
COPYRIGHT INFORMATION:
The Indian copyright law:
copyright.gov.i...
INDIAN COPYRIGHT ACT, 1957 CHAPTER I Preliminary (f)
"cinematograph film" means any work of visual recording on any medium produced through a process from which a moving image may be produced by any means and includes a sound recording accompanying such visual recording and cinematograph shall be construed as including any work produced by any process analogous to cinematography including video films.”
"CHAPTER V Term of Copyright 26.Term of copyright in cinematograph films.
In the case of a cinematograph film, copyright shall subsist until sixty years from the beginning of the calendar year next following the year in which the film is published."
My words:
Indian film copyright (including video, dialog, music, lyrics, songs) lasts for sixty years and any film and its songs released more than sixty years ago is in the public domain. No extensions, no renewals, no exceptions. This film is no longer protected by copyright.