Re-harmonization Rules (reharm) Over the Rainbow - Jazz Piano College 220

[@joannagrande2384]

As a Chinese who never could have a chance or have that noney to afford a private jazz theory lesson,Tony helped me a lot with this...before watching this video I am confused with all those reharmonization but today,I feel like I'm saved

[@hakanl8645]

Just as good as a private lesson! So I realize that I should make a donation for this excellent lesson. Really inspiring!

[@paulspeciale3478]

If I can find my f****** pencil you could substitute a change there LOL

[@guitargod6997]

Compelling and lovely lesson that expands one's harmonic horizons. Thanks!

[@glennmichaell2482]

Thank you Tony. It's so nice to have guidelines when voicing a reharm.

[@JeanRolandQUASTANA]

Excellent material Tony. Thanks.

[@gigimitchell-velasco4346]

Love this! I can read almost anything as long as it’s written out and I’ve always wished to be able to do this (reharm) well! Thank you for this help!

[@brunolofaro7414]

I could notice the great quality of your channel by just watching a few videos. Suscribed with no doubt. Calm sounding voice, clear explanations and awesome tunes! Thank you fella

[@lesttoflow2116]

Your the best coach for me ,really apreciate it

[@puppydust]

This really helped me thank you. Your piano sounds so nice too. Would love to hear you playing the whole thing!

[@wilfredasquez6902]

Tony, you’re a genius.... thanks for making this knowledge available to us.

[@TonyWinston]

I appreciate that!

[@galva1083]

Thanks for sharing! I've always wondered how to get those wonderful jazz sounds, and this is very helpful. Funny moment when you were looking for your pencil.

[@henrysampson123]

Have you heard Keith Jarrets version? Such beautiful harmonies.

[@liriosanz]

Buenísimo !!! Gracias

[@oliviaedralin1436]

‘Make it so weird as possible so nobody can stand it anymore’😂😂😂😂

[@eternalrainbow-cj3iu]

I like this list, could we expand it by: E: In certain cituations, when the melodie admits it, or when a chord is expanded by a triad with the melodie chord on top and made fit, A backdoorDominant + it's IIm7 in front..could be constructed: C7-Fmaj7 Backdoor: Bbm7-Eb7 Fmaj7, or better said we could built on the octatonic scale four Domiants: On the Root(normal Dominant V7) on the bIII the #IV(Tritonesub.) on the ^VI also we could adapt a Truckschluss or Illusiry ending like IIIDom7 I like E7+5-Fmaj7 Maybe LadyBird turnaround is a sub for a commen Turnaround, and V7 could be substituted by Diminshed Chords....

[@bsykesbeats]

AWESOME video, thank you....Just sorta thinking out loud here, I was taking some of your reharm suggestions from this video and making rootless voicings from them, and it sorta dawned on me that you can't really have a rootless tritone subsition, because then its the same as the chord its substituting, so you sorta need the root in order to actually make a tritone subsitition (of course unless the bass player plays the root of the tritone sub)....So if I'm playing solo piano and playing all rootless voicings, if I want to do a tritone sub, I have to play the root. Am I thinking about this wrong?

[@TonyWinston]

You get it. I agree with what you said.

[@bsykesbeats]

@@TonyWinston ok cool..thanks for the response

[@divepeace1]

You know what pencils can be like!

[@andregrimard1518]

When he's not playing, you can find him drinking at the local pub.

[@ldahui]

It doesn't seem the study guide is available anymore. If possible, could you update the link, please? Thanks

[@FranciscoA.22033]

Do it with close voicings Tony!

[@luciusblackmail8129]

Hi tony, it is a great video. The link to your music sheet does not work. Is it still available. Thanks anyway your videos always inspire me.

[@TonyWinston]

I will check on it. Thanks

[@TonyWinston]

I have fixed the link. thanks for letting me know about it

[@TonyWinston]

bit.ly/3SSKILM

[@luciusblackmail8129]

@@TonyWinstonThank you Tony, i have already downloaded the sheet. Thanks a lot. Have a pleasent day🙂

[@donaldsavoie3625]

On your chart how did you come up with th Gb maj7 for the 1 Chord?

[@TonyWinston]

C7 is not the 1 Chord. (Cmaj7 is the 1 Chord) I used tritone substitution -. Any V7 can be substituted by another V7 chord a tritone away . The C7 is a V7 chord. V7 can refer to ANY dominant 7th chord. Good question.

[@patriciodasilva7902]

Thing is, when you are composing a song, you want to choose the essential chords. Reharm is for interpretative renditions of a song, but a song must have its essential form.

[@TonyWinston]

Agreed!

[@stashmoneyable]

Excellent!!!!! Are these rules derived from a certain book? I am trying to really learn how to become an expert at reharmonizing & these rules are an excellent. More Please!

[@TonyWinston]

They were given to me by Ted Howe, a great piano player and former teacher at berklee college of music. There are some more techniques I'm hoping to present soon. The group Accent has taken rehsrm to new level.

[@kwamealievergreen4257]

I noticed there's a GSus in your second reharm. Was that following any other rule or were you just using a preferable choice?

[@TonyWinston]

A sus chord is similar to having a II chord precede a V chord. A sus could also be though of as just another quality of a V chord

[@oliviaedralin1436]

‘ make it as weird so nobody can stand it anymore’. Lol. Classic frankness lol

[@eky]

Who else chuckles when reading [anything music related] RULES

[@raefblack7906]

Are those rules your own?

[@TonyWinston]

Raef Black No, I didn't make them. Taught to me by a Berklee college professor. I wouldn't call them rules, more like techniques. And there are more...

[@raefblack7906]

Oh! I love the techniques you have written out on paper. Do you have more more? It is exactly what I have been looking for. Will you be uploading more on this subject?

[@TonyWinston]

Raef Black kzbin.info/www/bejne/pHTFm2qLqKyrmMU Here's what I'm looking at for more.

[@TheRealSandleford]

Lol dont make it worse.... any chord with C following 1 check Bb7 with 9 .... substitute dominant for minor maybe has to be functioning as V ... anyway A7 with 9 instead of Em then I guess F#7 with c as the b5 ... oh well kind of fun

[@yilingzheng1284]

喜欢 like ！

[@jimmylau6921]

lmao 4:04

[@eltonparks659]

Misguided, to say the least. Great description.

[@TonyWinston]

Your comment is the best thing for me. A love tribute