Concours de danse bretonne : Finale Gavotte Poher 2015 à Menez Meur (ton simple sonné par Yannick Martin et Erwann Le Meur ; filmé par Tristan Gloaguen)
Пікірлер: 11
@ronansegue9526Ай бұрын
Je suis né à Séné(enfin à Vannes) dans le Morbihan, il y a 42 ans. Je me prénomme Ronan. J'ai été bercé par cette culture durant mon enfance. Dans le centre Morbihan. Ma maman est d'Elven mon papa de Josselin. Les week end a faire les bals de village à danser la gavotte et la ridée bien sur. Apres 36 ans je suis parti de Bretagne, cela fait 6 ans. Mes racines seront toujours gwen ha du.
@elton38912 жыл бұрын
Vive la Bretagne ! J'étais en Bretagne la semaine dernière, un ami nous a montré les danses super génial, nous avons fait une fest Noz. C'était magnifique merci à cette belle culture.
@marinefarhat37976 жыл бұрын
Quelle magnifique région que la Bretagne! Le bonjour de Marseille :-)
@korriganelf86876 жыл бұрын
vous regardez ces vidéos sur la musique et les danses traditionnelles vous avez fait le bon choix: c'est l'âme de la Bretagne. vous êtes la bien venue dans notre région ! cordialement
@christianebonnaves57834 жыл бұрын
Marine Farhat oui super riche musique danses superbes j aime ces rytmes
@newtonwhatevs3 жыл бұрын
Venez plutôt faire un petit tour chez nous :)
@user-ek5uz5ii4f17 күн бұрын
Deux candidats ne dont pas soudés au niveau des bras??
@MrJsavo7 жыл бұрын
Hypnotic - could the function of this dance be to enforce a bond - pre battle ? And social cohesion ?
@user-yo8nz2uh9w6 ай бұрын
Hypnotic: you used the right word. As this dance like other collective ones come from past rural civilization, they naturally reinforced the social cohesion of the local peasant community. This has been studied in particular by J.M. Guilcher who showed that the original collective dancing mode (closed circle, same gesture ...) has been preserved till mid 20th century (and even later) in the less "modern" areas where the notion of group was still strong. In more advanced ones (economically speaking), rural dances had become to open (open chain instead of closed circle) and to converge to dances by couples. Quite in parrallel to non rural dances (by two then alone) and quite illustrative of the more general human being evolution towards individualism.
@hurlumerluАй бұрын
In rural Brittany as elsewhere, dances were most of the time organized for fun, on special occasions or following the usual numerous christian festivals. But they would also often mix pleasure and duty, for the dancers were essential to press down the new soil of a house or a new threshing floor in the farmyard. A farmer invited his neighbours for a party, supplied them with drinks and food, generally after work, at night ( hence the name of "fest noz" ) and he got a new soil in exchange ! But by using the expressions " hypnotic" and "social cohesion" you prove @MrJsavo, that you have already perfectly understood the heart of the breton dance.