Tristan und Isolde - Jon Vickers - Birgit Nilsson - Karl Böhm - Wagner - 1973 - Restored 2024 - 4K

[@TEMPUSCollection]

TEMPUS Collection DSD - PCM - CD - MP3 "Beyond All Standards" - Subscribe Now! : kzbin.info ONLINE DIGITAL DISTRIBUTION - Audiophile / Hi-Fi - Buy Now: tempuscollection.com/en/catalogue DSD 64 - 128 - 256 : all orders include two file standards: .dsf and .dff+ CD audio file(s) Bonus PCM 192 kHz 32 bit : all orders include : .wav + CD audio file(s) Bonus CD audio file(s) - 44 kHz 16 bit :all orders - file: standard .wav + MP3 Bonus MP3 Portable file : 320 kbps best MP3 quality ________ Screen Adaptation - Co-Production : MISANTHROPOS - Official Website - www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. Music Soundtrack - TEMPUS Collection - 2.0 - 5.1 - 7.1 - Dolby Atmos

[@rousselbernard8796]

J’Y étais ! Soirée inoubliable.

[@andromede087]

I heard the performance on the radio.

[@luciennegreb]

I Dont know if it s the best one but I do enjoy the 1970 Böhm Bayreuth s version performing Nilsson, Windgassen, Hoffman, Talvela, Neidlinger... This performance of Tristan und Isolde is all the more poignant because it marked the last time that either Birgit Nilsson or Wolfgang Windgassen would sing their respective roles at Bayreuth. Nilsson and Windgassen virtually owned these parts for over a decade. Birgit Nilsson once quipped that whenever she sang Tristan with anyone else she felt as if she was committing an adulterous act. So in a way this performances marks the culmination of a collaboration that had evolved since the 50s resulting in an onstage chemistry that is quite rare. Despite the fact that both singers were in their 50s, both sing with remarkable freshness. In particular, Nilsson's top gleams like I have never heard it. Windgassen also seems quite self-assured during the marathon of singing that Wagner inflicts upon his tenor in Act III. All in all, this performance comes across as much more satisfying than the legendary DGG release from a few years earlier both from a vocal and interpretive standpoint for both of the singers. Perhaps the knowledge that this was the last time inspired them to even greater heights. Karl Böhm's approach is also a little more relaxed than his usual fast-paced approach. In the supporting roles Grace Hoffman is a very good Brangäne and Martti Talvela makes a stoic, yet sensitive Marke.

[@notung1942]

Estoy bastante de acuerdo con tu comentario, pero cual es tu opinión sobre lo que estás viendo?

[@aliena2979]

Tristan should have been Windgassen.