Tschaikowski: Die Nussknacker-Suite · Concertgebouw-Orchester

Tschaikowski: Die Nussknacker-Suite · Concertgebouw-Orchester | Gatti

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Peter Iljitsch Tschaikowski (1840-1893), Die Nussknacker-Suite (opus 71a)
Koninklijk Concertgebouworkest | Royal Concertgebouw Orchestra | Concertgebouw-Orchester
Daniele Gatti
Ouvertüre: Allegro giusto, B-Dur 0:00
Marsch: Tempo di marcia viva, G-Dur 3:32
Tanz der Zuckerfee: Andante non troppo, e-Moll 6:20
Russischer Tanz (Trepak): Molto vivace, G-Dur 8:27
Arabischer Tanz (Kaffee): Allegretto, g-Moll 9:44
Chinesischer Tanz (Tee): Allegro moderato, B-Dur 13:39
Tanz der Rohrflöten / Pfeifertanz: Moderato assai, D-Dur 14:52
Blumenwalzer: Tempo di Valse, D-Dur 17:31
Aufnahme vom 10. September 2015
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Tschaikowski schrieb die Suite im Januar/Februar 1892, noch während er die restliche Ballettmusik zu „Der Nussknacker“ orchestrierte. Die Partitur der Suite wurde so vor der Gesamtpartitur des Balletts fertig und noch bevor das Werk seinen endgültigen Titel bekam. Die Uraufführung der Suite fand am 7. März 1892 in Sankt Petersburg unter Leitung des Komponisten selbst statt, im neunten Symphoniekonzert der Russischen Musikalischen Gesellschaft .
Inspiration zu dem Sujet bot E. T. A. Hoffmanns „Nussknacker und Mausekönig“: Die kleine Marie findet am Weihnachtsabend unter dem Gabentisch einen Nussknacker, den sie gleich in ihre Obhut nimmt. Bald stellt sich heraus, dass ihn ein wunderbares Geheimnis umgibt.
Hoffmann, der das Märchen für die Tochter seines Freundes Eduard Hitzig schrieb, veröffentlichte es zuerst in seinem Erzählzyklus „Die Serapionsbrüder“ 1819/1821, es gehört heute zu den bekanntesten und beliebtesten Weihnachtsgeschichten in deutscher Sprache.
The Concertgebouworkest was founded in 1888. On the occasion of its 100th anniversary in 1988, the orchestra officially received the appellation ‘Royal’.
Based in Amsterdam, the Concertgebouworkest is one of the very best orchestras in the world. Time and time again, critics have lauded its unique sound. The string section has been called ‘velvety’, the sound of the brass ‘golden’, the timbre of the woodwinds ‘distinctly personal’ and the percussion have an international reputation.
While the exceptional acoustics of The Concertgebouw, designed by the architect A.L. van Gendt, also play an important role in this respect, no other orchestra sounds like the Concertgebouworkest in the Main Hall. Equally important is the influence exerted on the orchestra by its chief conductors, of whom there have been only seven since the orchestra was founded in 1888, as is that of the musicians themselves.
Daniele Gatti (*1961) graduated as a composer and orchestra conductor at the Conservatorio Giuseppe Verdi in Milan. He is Music Director of the Teatro dell'Opera di Roma and he holds the same position at the Orchestra Mozart. He is also Artistic Advisor of the Mahler Chamber Orchestra (MCO).
He was Chief Conductor of the Royal Concertgebouw Orchestra (RCO) in Amsterdam and he previously held prestigious roles at important musical institutions like the Accademia Nazionale di Santa Cecilia, the Royal Philharmonic Orchestra, the Orchestre National de France, the Royal Opera House of London, the Teatro Comunale di Bologna, and Zurich’s Opernhaus.
The Berliner Philharmoniker, the Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks, and the Orchestra Filarmonica della Scala are just a few of the renowned symphonic institutions he works with.
Some of the numerous and important new productions he has conducted include the Falstaff staged by Robert Carsen (in London, Milan, and Amsterdam); the Parsifal staged by Stefan Herheim opening the 2008 Bayreuther Festspiele (one of the very few Italian conductors to have been invited to the Wagnerian festival); the Parsifal staged by François Girard at the Metropolitan Opera in New York; four operas at the Salzburger Festspiele (Elektra, La Bohème, Die Meistersinger von Nürnberg, Il Trovatore).
Daniele Gatti was awarded the Premio ”Franco Abbiati‟ from Italian music critics as best conductor in 2015, and in 2016 he was awarded the Chevalier de la Légion d’Honneur from the French Republic for his work as Musical Director of the Orchestre National de France.