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Une Femme Coquette, the second short film directed by Jean-Luc Godard. It’s a nine-minute Guy De Maupassant adaptation he shot on 16 mm in Geneva in 1955, using money earned from the sale of Opération Béton, his first short film. Une Femme Coquette is the most elusive rarity of the French New Wave, and possibly the most difficult-to-see film by a name filmmaker that isn’t believed to be irretrievably lost. Actually, plenty of references list it as lost-which, again, it isn’t-because it’s never been distributed and because no film archive or public collection will cop to owning a print.
The plot was a reworking of a Guy De Maupassant short story called “The Signal,” about a woman who allows herself to be mistaken for a prostitute. The movie was filmed very cheaply on the streets of Geneva, with JLG serving as the sole crew member. According to Colin MacCabe’s biography, Godard: A Portrait Of The Artist At Seventy-which devotes the final, tantalizingly brief paragraph of its first chapter to the film it was shot on equipment borrowed from Actua-Films, the company that distributed JLG’s first short, Opération Béton, and pieces of Bach were used for the soundtrack.